The Complete Works Of Aristoxenus The Elements Of Harmony And Others Illustrated

Aristoxenus of Tarentum was a Greek Peripatetic philosopher, and a pupil of Aristotle. He was the most famous music theorist in antiquity and came to be referred to simply as "the musician." Most of his writings, which dealt with philosophy, ethics and music, have been lost, but one musical treatise, Elements of Harmony survives incomplete, as well as some fragments concerning rhythm and meter. The Elements is the chief source of our knowledge of ancient Greek music. Αριστόξενος

A fourth century BC Greek Peripatetic philosopher, Aristoxenus was the pupil of Aristotle and is now regarded as the first authority of musical theory in the classical world. Although he wrote almost 500 works, only Aristoxenus’ landmark treatise on music, ‘Elements of Harmony’, survives in a significant state. It is of invaluable worth, providing the chief source of knowledge on ancient Greek music. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Greek texts. This comprehensive eBook presents Aristoxenus’ complete extant works, with illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Aristoxenus and his times * Features the complete extant works, in both English translation and the original Greek * Concise introduction to ‘Elements of Harmony’ * Henry Stewart Macran’s 1902 translation, digitised here for the first time * Excellent formatting of the texts * Easily locate the sections you want to read with individual contents tables * Includes rare Greek fragments of Aristoxenus’ works * Features Macran’s seminal study of the development of ancient Greek music, with numerous illustrations— first time in digital print Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set CONTENTS: The Translation The Elements of Harmony The Greek Texts The Elements of Harmony Fragments The Biography Introduction to Aristoxenus (1902) by Henry S. Macran Please visit www.delphiclassics.com to browse through our range of exciting titles

Proclus the Successor was a fifth-century Greek Neoplatonist philosopher and the last major ancient Greek philosopher. He set forth one of the most elaborate and fully developed systems of Neoplatonism. Like Iamblichus, Proclus opposed Christianity and passionately defended paganism. He upheld that thoughts constitute reality, while concrete “things” are mere appearances. Ultimate reality, the “One,” is both God and the Good and unifies his ethical and theological systems. His attitudes significantly influenced the development of theology in both the East and the West. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Greek texts. This eBook presents Proclus’ collected works, with illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Proclus’ life and works * Features the collected works of Proclus, in both English translation and the original Greek * Includes Thomas Taylor’s seminal translations * Excellent formatting of the texts * Easily locate the texts you want to read with individual contents tables * Includes Proclus’ rare treatises, digitised here for the first time * Provides a special dual English and Greek text of ‘Elements of Theology’, allowing readers to compare the sections paragraph by paragraph — ideal for students * Features Marinus’ (Proclus’ successor) biography — discover Proclus’ ancient world * Ordering of texts into chronological order and literary genres CONTENTS: The Translations Commentary on Timaeus Commentary on the First Alcibiades An Apology for the Fables of Homer Commentaries on the First Book of Euclid’s ‘Elements of Geometry’ Elements of Physics Elements of Theology On the Theology of Plato Ten Doubts Concerning Providence On the Existence of Evils On Providence and Fate Hymns Fragments The Greek Texts Selected Greek Texts The Dual Text Elements of Theology The Biography Life of Proclus by Marinus Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set

Aristoxenus of Tarentum was reported to have been bitterly disappointed when Theophrastus was chosen instead of him to succeed Aristotle as the head of the Peripatetic School. He had a truly phenomenal output of some 453 volumes, most of which survive only in fragments. He was the most famous music theorist in antiquity and came to be referred to simply as "the musician." In addition, he was a founder of Greek biography and wrote the life histories of Pythagoras, Archytas, Socrates, and Plato among others. This volume includes eleven selections, which are almost evenly divided between his work in music theory and biography. There is a chapter on his general biographical method as well as chapters on his specific treatments of the Pythagoreans, Socrates, and Plato. There are chapters evaluating the extent to which Aristoxenus was a historian of music, his account of music therapy, his views on musical "character," the use of instruments and empiricism in his harmonic theory, and his relation to the "Neoclassical" Greek composers of the fourth century. This volume includes: "Did Aristoxenus Write Musical History?, " Andrew Barker; "Instruments and Empiricism in Aristoxenus' Elementa harmonica," David Creese; "Aristoxenus and Musical Ethos," Eleonora Rocconi; "Aristoxenus and Music Therapy: Fr. 26 Wehrli Within the Tradition on Music and Catharsis," Antonella Provenza; "Aristoxenus and the "Neoclassicists," Timothy Power; "Apollonius on Theophrastus on Aristoxenus," William W. Fortenbaugh; "Aristoxenus' Biographical Method," Stefan Schorn; "Aristoxenus and the Pythagoreans," Leonid Zhmud; "Aristoxenus' Life of Socrates," Carl A. Huffman; "Aristoxenus' Life of Plato," John Dillon; and "Aristoxenus and the Early Academy," Andrew Barker. Spanning close to three full decades, Transaction's Rutgers University Studies in Classical Humanities Series continues to pioneer in the field of classical studies.

"In recent decades, there has been extensive research on Greek mathematics that has considerably enlarged the scope of this area of inquiry. Traditionally, "Greek mathematics" has referred to the axiomatic work of Archimedes, Apollonius, and others in the first three centuries BCE. However, there is a wide body of mathematical work that appeared in the eastern Mediterranean during the time it was under Greek influence (from approximately 400 BCE to 600 CE), which remains under-explored in the existing scholarship. This sourcebook provides an updated look at Greek mathematics, bringing together classic Greek texts with material from lesser-known authors, as well as newly uncovered texts that have been omitted in previous scholarship. The book adopts a broad scope in defining mathematical practice, and as such, includes fields such as music, optics, and architecture. It includes important sources written in languages other than Greek in the eastern Mediterranean area during the period from 400 BCE to 600 CE, which show some influence from Greek culture. It also includes passages that highlight the important role mathematics played in philosophy, pedagogy, and popular culture. The book is organized topically; chapters include arithmetic, plane geometry, astronomy, and philosophy, literature, and education. Within each chapter, the (translated) texts are organized chronologically. The book weaves together ancient commentary on classic Greek works with the works themselves to show how the understanding of mathematical ideas changed over the centuries"--

The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo P�rt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.