The Conductor Of Illusions

Alexis Kandilis is an international conductor at the height of his profession. He receives standing ovations at every concert and wildly enthusiastic reviews from the media. Yet, on a personal level he is deeply unfulfilled. Mahler’s haunting "Song on the Death of Children" plays over and over in his mind, bringing back ugly childhood memories he can’t erase. A strange collection of not-quite-true friends and not really beloved family surrounds him: his mother, Clio, who forced him to abandon his dreams of composing for a more prestigious career as a conductor; his wife, Charlotte, whom he despises and frequently betrays; his bisexual friends Pavlina and Tatiana; Sacha, a young and talented Russian flutist; and Ted, his agent, who has booked—or overbooked—him for the next three seasons. They all provide some measure of reassurance, but it is easy to predict that Kandilis’s glorious world will soon shatter. The media takes advantage of an altercation between Kandilis and a percussionist during a rehearsal to attack him, condemning not only his action but also his unorthodox methods. After a panic attack before a concert, he makes an unforgivable mistake during a performance, and as a result, he is denied the direction of the most prestigious performance of the decade. In his private life, things are also falling apart. Sacha introduces him to an exclusive poker club made up of multimillionaires, but his new rich friends begin to distance themselves from him as he becomes increasingly difficult, until even his manager recommends that he take some time off. Used to being a winner, Kandilis starts gambling — and losing — heavily. His disintegration accelerates, and at last he enters a psychiatric hospital. He still has some friends he can count on, but even the most loyal among them can’t protect him against himself. On his descent into hell, he discovers but cannot avoid the darkness that is in all hearts, including his own.

This book is based on an extensive filmed conversation between Howard Burton and Diana Deutsch, Professor of Psychology at UC San Diego and one of the world’s leading experts on the psychology of music. This conversation provides behind the scenes insights into her discovery of a large number of auditory illusions, including the so-called Octave Illusion, which concretely illustrate how what we think we’re hearing is often quite different from the actual sounds that are hitting our eardrums. This carefully-edited book includes an introduction, Revealing Mistakes, and questions for discussion at the end of each chapter: I. Eclectic Beginnings - Music, art, philosophy, and philosophical psychology II. Tones, Pitches and Critical Values - Intriguing results in music and memory III. The Octave Illusion - How to confuse the brain with tones IV. Medical Applications - A highly suggestive result for epilepsy patients V. Eyes vs. Ears - The neurophysiological differences between vision and hearing VI. Gut Issues - The impact of discomfort VII. The Scale Illusion - Auditory scene analysis and evolutionary factors VIII. Surrounded by Illusions - From the Glissando Illusion to Tchaikovsky’s 6th IX. Perfect Pitch & Tone Languages - Why Mandarin might help your musicianship X. Towards Monotony? - The tonal implications of globalization XI. Embracing Discomfort - The benefits of being confused About Ideas Roadshow Conversations Series This book is part of an expanding series of 100+ Ideas Roadshow conversations, each one presenting a wealth of candid insights from a leading expert in a relaxed and informal setting to give non-specialists a uniquely accessible window into frontline research and scholarship that wouldn't otherwise be encountered through standard lectures and textbooks. For other books in this series visit our website (https://ideas-on-film.com/ideasroadshow/).

Wiggling a pencil so that it looks like it is made of rubber, "stealing" your niece's nose, and listening for the sounds of the ocean in a conch shell– these are examples of folk illusions, youthful play forms that trade on perceptual oddities. In this groundbreaking study, K. Brandon Barker and Claiborne Rice argue that these easily overlooked instances of children's folklore offer an important avenue for studying perception and cognition in the contexts of social and embodied development. Folk illusions are traditionalized verbal and/or physical actions that are performed with the intention of creating a phantasm for one or more participants. Using a cross-disciplinary approach that combines the ethnographic methods of folklore with the empirical data of neuroscience, cognitive science, and psychology, Barker and Rice catalogue over eighty discrete folk illusions while exploring the complexities of embodied perception. Taken together as a genre of folklore, folk illusions show that people, starting from a young age, possess an awareness of the illusory tendencies of perceptual processes as well as an awareness that the distinctions between illusion and reality are always communally formed.

The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways – some predictable, some unexpected, and some bizarre – in which this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence – a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility. Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films.

In this ground-breaking synthesis of art and science, Diana Deutsch, one of the world's leading experts on the psychology of music, shows how illusions of music and speech--many of which she herself discovered--have fundamentally altered thinking about the brain. These astonishing illusions show that people can differ strikingly in how they hear musical patterns--differences that reflect variations in brain organization as well as influences of language on music perception. Drawing on a wide variety of fields, including psychology, music theory, linguistics, and neuroscience, Deutsch examines questions such as: When an orchestra performs a symphony, what is the "real" music? Is it in the mind of the composer, or the conductor, or different members of the audience? Deutsch also explores extremes of musical ability, and other surprising responses to music and speech. Why is perfect pitch so rare? Why do some people hallucinate music or speech? Why do we hear phantom words and phrases? Why are we subject to stuck tunes, or "earworms"? Why do we hear a spoken phrase as sung just because it is presented repeatedly? In evaluating these questions, she also shows how music and speech are intertwined, and argues that they stem from an early form of communication that had elements of both. Many of the illusions described in the book are so striking and paradoxical that you need to hear them to believe them. The book enables you to listen to the sounds that are described while reading about them.

A specialist in visual perception, Ninio (Centre National des Recherches Scientifiques, Paris) presents many classic and new illusions, explains the underlying logic of the various types, and suggests their value for neurological and physiological research. He does not provide an index. La Science des Illusions was published in 1998 by Editions Odile Jacob. Philip has translated widely from the French, including an autobiography of Francois Jacob. c. Book News Inc.

This volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world in which we live. Considering different cultural practices characterized by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion. This publication was supported by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie of the Bauhaus-Universität Weimar with funds from the German Federal Ministry of Education and Research. IKKM Books Volume 47 An overview of the whole series can be found at www.ikkm-weimar.de/schriften Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-Share Alike 4.0 license https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003188278-8/vanishing-lady-railway-illusions-movement-1-katharina-rein?context=ubx&refId=fe124e6e-8290-43e9-9d48-753bad162c50 Chapter 9 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003188278-13/talking-rocks-illusory-sounds-projections-otherworld-julia-shpinitskaya-riitta-rainio?context=ubx&refId=3aa829a8-8c0b-4103-870a-6fe5a4393e71

An international team of scholars presents historic, philosophic, philological and theoretical perspectives on Carter's extensive musical repertoire.