The Conflict Between Marcus Garvey And W E B Du Bois

Seminar paper from the year 2001 in the subject American Studies - Culture and Applied Geography, grade: 2,3 (B), University of Bayreuth (Language and Literature Sciences), course: Segregation, language: English, abstract: Theodore Vincent said "In Black American history there are two personal feuds which stand out beyond all others W. E. B. Du Bois vs. Booker T. Washington and W. E. B. Du Bois vs. Marcus Garvey" 1 . Reason enough to examine at least one of these two conflicts, as they are an important factor of Black history, because they do not show united Blacks that fight side by side for their rights, but Blacks that forget that they actually fight on the same side over a personal conflict. I will first give the history of the conflict, befo re analyzing some of the articles that were written in this conflict and that mirror the history and briefly show the main reasons for it.

Building upon his previous work and using Richard Hofstadter's The American Political Tradition as a model, Professor Moses has revised and brought together in this book essays that focus on the complexity of, and contradictions in, the thought of five major African-American intellectuals: Frederick Douglass, Alexander Crummell, Booker T. Washington, W. E. B. DuBois and Marcus M. Garvey. In doing so, he challenges both popular and scholarly conceptions of them as villains or heroes. In analyzing the intellectual struggles and contradictions of these five dominant personalities with regard to individual morality and collective reform, Professor Moses shows how they contributed to strategies for black improvement and puts them within the context of other currents of American thought, including Jeffersonian and Jacksonian democracy, Social Darwinism, and progressivism.

Marcus Garvey came to the United States with a big dream that never came to fruition. With all of his good intentions of taking back the homeland of the Africans, he found that the world just wasn't ready for his radical ideas. One reason that they weren't ready was because of a man named W.E.B. DuBois.

"Africa for the Africans" was the name given in Africa to the extraordinary black social protest movement led by Jamaican Marcus Mosiah Garvey (1887-1940). Volumes I-VII of the Marcus Garvey and Universal Negro Improvement Association Papers chronicled the Garvey movement that flourished in the United States during the 1920s. Now, the long-awaited African volumes of this edition (Volumes VIII and IX and a forthcoming Volume X) demonstrate clearly the central role Africans played in the development of the Garvey phenomenon. The African volumes provide the first authoritative account of how Africans transformed Garveyism from an external stimulus into an African social movement. They also represent the most extensive collection of documents ever gathered on the early African nationalism of the inter-war period. Here is a detailed chronicle of the spread of Garvey's call for African redemption throughout Africa and the repressive colonial responses it engendered. Volume VIII begins in 1917 with the little-known story of the Pan-African commercial schemes that preceded Garveyism and charts the early African reactions to the UNIA. Volume IX continues the story, documenting the establishment of UNIA chapters throughout Africa and presenting new evidence linking Garveyism and nascent Namibian nationalism.

"I do not speak carelessly or recklessly but with a definite object of helping the people, especially those of my race, to know, to understand, and to realize themselves."—Marcus Garvey, Halifax, Nova Scotia, 1937 A popular companion to the scholarly edition of The Marcus Garvey and Universal Negro Improvement Association Papers, this volume is a collection of autobiographical and philosophical works produced by Garvey in the period from his imprisonment in Atlanta to his death in London in 1940.

The fourth volume of the Marcus Garvey and Universal Negro Improvement Association Papers marks the period of deepening crisis in the UNIA's political and economic fortunes. After September of 1921, membership declined and morale in the UNIA began to weaken. Underlying it all, however, was the final failure of the Black Star Line that resulted when negotiations with the United States Chipping Board for the purchase of the long proposed African ship collapsed in March 1922. The movement also suffered a major setback when the first Liberian colonization plan aborted in the summer of 1921. On the political front, Garvey's African program had to compete with W.E.B. Du Bois's Second Pan-African Congress. The were also major shifts in Garvey's political strategy during this period, his speeches reflecting a desire to placate the U.S. government, while simultaneously assailing his lef-wing critics for promoting "social equality." This disavowal of radicalism earned him further enemies on the left. One of his chief black critics, Cyril V. Briggs, the leader of the African Blood Brotherhood, unwittingly supplied federal investigators with evidence that led to Garvey's indictment on charges of mail fraud in February 1922. By prosecuting him, however, the Department of Justice did not discredit Garvey in the eyes of his followers; rather, it temporarily strengthened his hold over the movement as the appearance of persecution intensified the loyalty of the UNIA membership. But later in 1922 Garvey did lose favor among many of his followers when it was disclosed that he had met secretly in Atlanta with the Acting Imperial Wizard of the Ku Klux Klan. What Garvey had thought was a diplomatic triumph proved instead to be anathema to most blacks. At the Third UNIA Convention in 1922, Garvey repudiated the entire executive council of the UNIA, while expressing his anger of "plots" against him from within the UNIA leadership. Loyalty to Garvey thus became a more urgent issue than ever before. But although Garvey was once again able to silence his critics within the UNIA, the price was to be a badly fractured and demoralized movement. At the same time, his political adversaries outside the UNIA were steadily gaining ground against him. As meticulously documented as the three previous volumes, Volume IV provides the first extended record of Garvey's emergent social philosophy, particularly as it relates to his conception of "racial purity" and the metaphysics of the human condition. It stands as an impressive record of the Garvey movement.

This anthology contains some of the African-American rights advocate's most noted writings and speeches, among them "Declaration of the Rights of the Negro Peoples of the World" and "Africa for the Africans."

Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.