The Conflict Of Love And Honor

A wealthy noblewoman. A desperate knight. A dangerous secret that threatens their love … and their lives. If you’re looking for a good, clean read that combines the setting and mood of a medieval fairytale with the heat of historical romance—you found it! Lady Sabine is harboring a skin blemish that, if revealed, could cause her to be branded as a witch, put her life in danger, and damage her chances of making a good marriage. No nobleman would want to marry a woman so flawed … and a possible witch at that. Sir Bennet is returning home to protect his family from an imminent attack by neighboring lords who seek repayment of debts. Without fortune or means to pay those debts, Sir Bennet realizes his only option is to make a marriage match with a wealthy noblewoman. As a man of honor, he loathes the idea of courting a woman for her money, but with time running out for his family’s safety, what other choice does he have? As Lady Sabine and Sir Bennet are thrust together under dangerous circumstances, will they both be able to learn to trust each other enough to share their deepest secrets? Or will those secrets ultimately lead to their demise? Praise for Jody Hedlund: “… engaging … fun for genre fans wanting a quick read.” —Booklist Magazine “A great selection for collections looking for titles with strong Christian themes or for readers who enjoy fairy tales.” —School Library Journal For Love and Honor: Is a medieval, clean, YA romance novel by award-winning author Judy Hedlund Features a strong female heroine Is a perfect mix of romance and action and adventure Is the sequel to A Daring Sacrifice in the An Uncertain Choice Series

Reproduction of the original: All for Love by John Dryden

An account of the transformation of cultural assumptions affecting parental authority and children's freedom to choose marriage partners, this book traces colonial period changes in ideas about free will, love, and honor, and in the views of the Catholic church.

In high medieval France, men and women saw the world around them as the product of tensions between opposites. Imbued with a Christian culture in which a penniless preacher was also the King of Kings and the last were expected to be first, twelfth-century thinkers brought order to their lives through the creation of opposing categories. In a highly original work, Constance Brittain Bouchard examines this poorly understood component of twelfth-century thought, one responsible, in her view, for the fundamental strangeness of that culture to modern thinking.Scholars have long recognized that dialectical reasoning was the basic approach to philosophical, legal, and theological matters in the high Middle Ages. Bouchard argues that this way of thinking and categorizing--which she terms a "discourse of opposites"--permeated all aspects of medieval thought. She rejects suggestions that it was the result of imprecision, and provides evidence that people of that era sought not to reconcile opposing categories but rather to maintain them. Bouchard scrutinizes the medieval use of opposites in five broad areas: scholasticism, romance, legal disputes, conversion, and the construction of gender. Drawing on research in a series of previously unedited charters and the earliest glossa manuscripts, she demonstrates that this method of constructing reality was a constitutive element of the thought of the period.

Due to her parents’ promise at her birth, Lady Rosemarie has been prepared to become a nun on the day she turns eighteen. Then, shortly before her birthday, a friend of her father’s enters the kingdom and proclaims her parents’ will left a second choice—if Rosemarie can marry before the eve of her eighteenth year, she will be exempt from the ancient vow. Before long, Rosemarie is presented with the three most handsome and brave knights in the land. But when the knights’ arrival results in a series of attacks within her land, she begins to wonder if the convent is the best place after all. If only one of the knights—the one who appears the most guilty—had not already captured her heart.

What is love? Popular culture bombards us with notions of the intoxicating capacities of love or of beguiling women who can bewitch or heal—to the point that it is easy to believe that such images are timeless and universal. Not so, argues Laine Doggett in Love Cures. Aspects of love that are expressed in popular music—such as “love is a drug,” “sexual healing,” and “love potion number nine”—trace deep roots to Old French romance of the high Middle Ages. A young woman heals a poisoned knight. A mother prepares a love potion for a daughter who will marry a stranger in a faraway land. How can readers interpret such events? In contrast to scholars who have dismissed these women as fantasy figures or labeled them “witches,” Doggett looks at them in the light of medical and magical practices of the high Middle Ages. Love Cures argues that these practitioners, as represented in romance, have shaped modern notions of love. Love Cures seeks to engage scholars of love, marriage, and magic in disciplines as diverse as literature, history, anthropology, and philosophy.