The Conservation Of Pictures

Reviewed by Ruhemann/Plesters: "One of the most interesting features of this small book is the use of the term 'conservation' rather than 'restoration' in its title. Serious consideration is given to the question of environment, e. g. the importance of proper atmospheric conditions, the damaging effects of damp, sunlight, or of hanging pictures over a fireplace or exposed to lamp or candle smoke...&c.&c. Protection, as distinct from restoration, of pictures is emphasized throughout....&c &c."The cleaning of paintings, p. 392.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

This is an authoritative and insightful survey of the evolving field of photograph conservation. This volume is the first publication to chronicle the emergence and systematic development of photograph conservation as a profession.

The considerations offered in this analysis of the conditions required for the conservation of early photographs will help inform difficult ethical decision-making by curators faced with the conflicting obligations of access and conservation, and will also be of interest to photohistorians, conservators and collectors.

Conservation of Easel Paintings is the first comprehensive text on the history, philosophy and methods of treatment of easel paintings integrating theory with practice. A guide to necessary background knowledge in technical art history, artists " materials, interviews with artists, scientific methods of examination and documentation precedes sections that present varying approaches and methods for treatment. This book concludes with the history and treatment of frames and a section featuring issues of preventive conservation, storage, shipping, exhibition, display, wall colours, and lighting. Extensive bibliographies at the end of each section point readers to additional resources. Conservation of Easel Paintings will be of use in the training of conservation students and will provide generations of practicing paintings conservators and interested art historians, curators, directors, collectors, dealers, artists, and students of art and art history with valuable information.

A resource for the photographic conservator, conservation scientist, curator, as well as professional collector, this volume synthesizes both the masses of research that has been completed to date and the international standards that have been established on the subject.