The Courtship Of Olivia Langdon And Mark Twain

Passionate readers both, Olivia Langdon and Mark Twain courted through books, spelling out their expectations through literary references as they corresponded during their frequent separations. Surprisingly, in the process Olivia Langdon reveals herself not as a hypochondriacal hysteric, as many twentieth-century critics have portrayed her, but as a thoughtful intellectual, widely read in literature, history and modern science. Not so surprisingly, Samuel Clemens reveals himself as a critic and a sceptic, lampooning Langdon's physics lessons and her literary heroines. He also shows himself as an astute strategist, carefully manipulating Langdon and her parents. At the same time, Clemens's letters exhibit his own conservatism about women's nature and women's roles, while Langdon's show her carefully choosing from her culture's array of possible role models.

"Until now, little has been known about Livy's crucial place in Twain's life. In Resa Willis's biography, we meet a dignified, optimistic woman who not only married young and raised a family under the constraints of her poor health and his money problems, but also faithfully traipsed all over the world with Twain in a partnership that spanned four decades, Mark and Livy is a triumph of the biographer's art, and essential to a full understanding of America's foremost writer."--Jacket

This is the first book-length biography of Olivia Langdon Clemens, Mark Twain's wife. Livy was an intelligent, well-educated woman of Victorian values and sensibilities who lived a charmed and tragic life. Raised in the wealthiest family in Elmira, New York, she married the man destined to become the best known American in the world. She befriended the literary elite of America and Europe, traveled the globe, dined with royalty. Yet her life was filled with tragedy. Her son was born prematurely and died at 19 months. Her oldest daughter died of spinal meningitis at 24. Her youngest daughter was an epileptic. Her husband's bad investments drove the family into bankruptcy. Her frail health kept her bedridden for years at a time. Yet through all this, she and her husband shared a family life filled with love and tenderness.

In this new volume of letters, readers are invited to meet Olivia Louise Langdon Clemens on her own terms, in her own voice—as complementary partner to her world-famous spouse, Mark Twain, and as enduring friend, mother to four children, world traveler, and much more. The frail woman often portrayed by scholars, biographers, and Twain himself is largely absent in these letters. Instead, Olivia (who Twain affectionately referred to as “Gravity” in their early correspondence) emerges as a resilient and energetic nineteenth-century woman, her family’s source and center of stability, and a well of private and public grace in an ever-changing landscape. Mark Twain’s biography recounted in Olivia’s letters offers new insights, and her captivating voice is certain to engage and enlighten readers.

Letters to Olivia Langdon Clemens, written between 1868 and 1904.

The thirteen essays in this collection combine to offer a complex and deeply nuanced picture of Samuel Clemens. With the purpose of straying from the usual notions of Clemens (most notably the Clemens/Twain split that has ruled Twain scholarship for over thirty years), the editors have assembled contributions from a wide range of Twain scholars. As a whole, the collection argues that it is time we approach Clemens not as a shadow behind the literary persona but as a complex and intricate creator of stories, a creator who is deeply embedded in the political events of his time and who used a mix of literary, social, and personal experience to fuel the movements of his pen. The essays illuminate Clemens's connections with people and events not usually given the spotlight and introduce us to Clemens as a man deeply embroiled in the process of making literary gold out of everyday experiences. From Clemens's wonderings on race and identity to his looking to family and domesticity as defining experiences, from musings on the language that Clemens used so effectively to consideration of the images and processes of composition, these essays challenge long-held notions of why Clemens was so successful and so influential a writer. While that search itself is not new, the varied approaches within this collection highlight markedly inventive ways of reading the life and work of Samuel Clemens.

This book provides a fresh look at Twain's major novels such as Life on the Mississippi, Huckleberry Finn and A Connecticut Yankee in King Arthur's Court.

Metaphor theory, observes John Bird, is like Mark Twain: both seem simple upon first introduction. Now, in the most complete study to date of Twain's use of figurative language, a veteran Twain scholar tackles the core of his writing and explores it with theoretical approaches that have rarely been applied to Twain, providing new insights into how he imagined his world--and the singular ways in which he expressed himself. From "The Jumping Frog" to the late dream narratives, Bird considers Twain's metaphoric construction over his complete career and especially sheds new light on his central texts: Roughing It; The Adventures of Tom Sawyer; Adventures of Huckleberry Finn; A Connecticut Yankee in King Arthur's Court; Pudd'nhead Wilson; and No. 44,The Mysterious Stranger. He reconsiders "Old Times on the Mississippi" as the most purely metaphorical of Twain's writings, goes on to look at how Twain used metaphor and talked about it in a variety of works and genres, and even argues that Clemens's pseudonym is not so much an alter ego as a metaphorized self. By offering insight into how Twain handled figurative language during the composing process, Bird reveals not only hidden facets of his artistry but also new aspects of works that we think we know well--including some entirely new ideas regarding Huck Finn that draw on the recent discovery of the first half of the manuscript. In addition to dealing with issues currently central to Twain studies, such as race and gender, he also links metaphor to humor and dream theory to further illuminate topics central to his work. More than a study of Twain's language, the book delves into the psychological aspects of metaphor to reveal the writer's attitudes and thoughts, showing how using metaphor as a guide to Twain reveals much about his composition process. Applying the insights of metaphor theorists such as Roman Jakobson and Colin M. Turbayne, Bird offers readers not only new insights into Twain but also an introduction to this interdisciplinary field. In lively prose, Mark Twain and Metaphor provides a vital way to read Twain's entire corpus, allowing readers to better appreciate his style, humor, and obsession with dreams. It opens new ground and makes old ground fresh again, offering ways to see and resee this essential American writer.