The Craft Of Hand Made Rugs

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1914 edition. Excerpt: ... Chapter VII THE HOOKED RUG IN COTTON AND WOOL WE may safely say that the hooked rug or the pulled rug, as it is sometimes called, is the most important of the handmade rugs. It has been more successfully developed under new conditions of craftsmanship than any other of the old-fashioned rugs. In nearly all the show rooms of the Arts and Crafts Societies there are examples of it in charming colors and appropriate designs. Two village industries have been started to make it; one in the mountains of New Hampshire and one at Cranberry Island, near North East Harbor, Maine. Besides these two industries there are many isolated workers making successful hooked rugs. The larger industries have been placed on a sound financial basis, and the workers who are mostly women are extremely well paid. These women of the New England farms have been associated with this style of rug and its traditions for several generations. They are nearly all familiar with the gentle art of hooking and have therefore helped to revive this branch of craftsmanship in this section of the country. While they are familiar with the technique of hooked rugs, they have not been able to give their products a market value, because they could not plan them from the standard of modern craftsmanship without the knowledge of design and color arrangement. I remember the first time I saw a hooked rug. I at once realized that in its technique were the possibilities for the development of a crafts-manlike rug. Though certainly the appearance of the one I first saw was anything but hopeful. It came from Prince Edward Island, Canada. The maker had evidently been carried away by the enthusiasm for her skill in hooking and had ingenuously and likewise ingeniously, worked in a pattern of...

The handmade rug industry has gone through a revolution in the last twenty-five years, and no one is better placed to explain how and why than Fritz Langauer and Ernst Swietly, who have been buying, making, collecting and writing about rugs for over fifty years. Rugs are now being made in colours and designs unimagined just a few decades ago. This new book is the only title available that shows how carpet making has changed in all traditional rug making nations as well as demonstrating through images of rugs in interior settings how the style and use of rugs has changed. Carpets carry many unspoken narratives about peoples and places - this new book reveals some of these for the first time thanks to the first-hand experience of the authors in the souks and bazars of the Middle East. AUTHORS: Ernst Anton Swietly grew up in a family that had just one single carpet. It was rolled out only once a year, during the Christmas holidays, and on each 7 January, the carpet was rolled up and hidden behind a box until next Christmas. Since then, for Ernst, carpets have been a symbol of peaceful, warm, cosy family get-togethers. Later on, Ernst A. Swietly - a journalist for fifty years - travelled the carpet-producing countries of the world discovering the secrets of handmade weaving and their design principles. This is how he met Fritz Langauer, and they realised it was time to write a book on the carpet world of the 21st century. Fritz Langauer is the son of the businessman Friedrich Langauer who, with his cousin, Adolf Böhm, founded Adil Besim OHG immediately after the Second World. As one of the sons of the two founders, Fritz Langauer joined the company in 1957. With its five branches, a carpet laundry and repair workshop, it developed over the years to become one of the largest department stores in Europe. SELLING POINTS: * For the first time, a lavishly illustrated book shows how traditional handmade rugs and carpets have become vehicles for contemporary trends and used in interior design and home decoration * The authors' work in journalism and rug production over the last fifty years equips them with the experiences of the travel writer and the specialist knowledge of leaders in the global rug market * The developments in the weaving industry in India, Iran, Turkey, China, Turkmenistan, Morocco, Pakistan and Afghanistan are reviewed as well as the historical and cultural context for change in a book that shines a light on the contemporary rug market in the 21st century 350 colour and 20 b/w photographs

- How to create a variety of different design elements that can be combined to make all kinds of hooked rugs - A unique approach to rug design, emphasizing modular design elements--simple and complex shapes, motifs, and borders--that the reader can mix and match to create unique rug art - Advice for gathering inspiration from the world and translating it into a rug design - Includes step-by-step instructions for basic rug hooking techniques and expert advice on tools and materials