The Criterion

David Lynch erupted on to the cinema landscape with Eraserhead, establishing himself as one of the most original, imaginative and truly personal directors at work in contemporary cinema. He is a surrealist in the tradition of the great Spanish flm-maker, Luis Bunuel.

Selected by CHOICE as an Outstanding Academic Book for 1995,

This book features a selection of DVD and Blu-ray disc covers, supplemental art, and never-before-seen sketches and concept art commissioned for Criterion releases, plus a gallery of every Criterion DVD and Blu-ray disc cover since the collection's first laserdisc thirty years ago.

The Criterion for Religions, the English translation of Mi'yarul Madhahib written by Hadrat Mirza Ghulam Ahmad (as) of Qadian in 1895 makes a detailed comparison of three major religions - Hinduism, Christianity and Islam - from the standpoint of natural criterion as to why Hinduism and Christianity fail to present the Perfect and Omnipotent God as proclaimed by Islam. God of Hinduism has only limited powers. His role is just like that of a mason who joins only already existing things and enjoys no role as a Creator. God of Christianity went through all the travails of life. That their God died for the sins of his followers is yet another invention of Christians. The idea of deifying humans was invented by Brahmans from whom the idea was borrowed by Greeks and was in turn borrowed by Christians from Greeks. The Christian dogma of Atonement only encourages to commit sins, to freely spread sinfulness, impiety and every kind of evil. As against the views of Hinduism and Christianity about God. 'Islam's understanding of God', according to the author, 'is very simple and clear, and is in keeping with human nature. Even if the books of all other religions were to disappear along with all their teachings and concepts, God — towards Whom the Holy Quran leads would still be clearly reflected in the mirror of the laws of nature and His might and wisdom shall be found glowing in every particle. This claim is fully substantiated in the book which covers many important aspects of Islamic concept of God.

This volume provides the definitive treatment of fortune's formula or the Kelly capital growth criterion as it is often called. The strategy is to maximize long run wealth of the investor by maximizing the period by period expected utility of wealth with a logarithmic utility function. Mathematical theorems show that only the log utility function maximizes asymptotic long run wealth and minimizes the expected time to arbitrary large goals. In general, the strategy is risky in the short term but as the number of bets increase, the Kelly bettor's wealth tends to be much larger than those with essentially different strategies. So most of the time, the Kelly bettor will have much more wealth than these other bettors but the Kelly strategy can lead to considerable losses a small percent of the time. There are ways to reduce this risk at the cost of lower expected final wealth using fractional Kelly strategies that blend the Kelly suggested wager with cash. The various classic reprinted papers and the new ones written specifically for this volume cover various aspects of the theory and practice of dynamic investing. Good and bad properties are discussed, as are fixed-mix and volatility induced growth strategies. The relationships with utility theory and the use of these ideas by great investors are featured.

Gathers essays about modernism, Marxist criticism art patronage, Wallace Stevens, Picasso, Aaron Copland, Michel Foucault, Barbara Pym, Richard Serra, and Cindy Sherman.

In 1930s Bucharest, some of the country’s most brilliant young intellectuals converged to form the Criterion Association. Bound by friendship and the dream of a new, modern Romania, their members included historian Mircea Eliade, critic Petru Comarnescu, Jewish playwright Mihail Sebastian and a host of other philosophers and artists. Together, they built a vibrant cultural scene that flourished for a few short years, before fascism and scandal splintered their ranks. Cristina A. Bejan asks how the far-right Iron Guard came to eclipse the appeal of liberalism for so many of Romania’s intellectual elite, drawing on diaries, memoirs and other writings to examine the collision of culture and extremism in the interwar years. The first English-language study of Criterion and the most thorough to date in any language, this book grapples with the complexities of Romanian intellectual life in the moments before collapse.

This volume discusses the new approaches regarding the criteria of authenticity and their relevance in the quest for the historical Jesus studies.