The Crown Of Silence

When Shan was fifteen years old, dark soldiers came out of the west, like a cloud of evil boiling over the soft hills of his homeland. They commanded terrible beasts, which killed with hook claws like scythes and cold eyes that dripped icy fire. The soldiers wore helmets that looked like fiends, tusked and snarling and sneering. The terrible consequences of war have left the boy Shan wounded in body and mind by the invading army of Magravandias. He's taken from his devastated village by the magus Taropat, chosen by the master's mysterious impulse to become the wizard's pupil, and a weapon against the invading empire. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Estranged from his brother-in-law, Khaster Leckery flees to the mountain battle zone, determined to die. However, once there a dying old man seizes him and spits in his face, changing him into Taropat, a Breeland mage, determined to ensure the child of destiny will arise and overthrow the empire.

In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.

First published in 1989, Michael’s Foley’s book deals with the ‘abeyances’ present in both written and unwritten constitutions, arguing that these gaps in the explicitness of a constitution, and the various ways they are preserved, provide the means by which constitutional conflict is continually postponed. Abeyances are valuable, therefore, not in spite of their obscurity, but because of it.

In one of the only English translations available, here are the mystical visions of Maria Maddalena de' Pazzi (1566-1606), whose mystical works are a fascinating meditation on the nature and purpose of language.

This book examines the treatment of suspects in interrogation and explores issues surrounding the right to silence. Employing a socio-legal approach, it draws from empirical research in the social sciences including social psychology to understand the problem of obtaining reliable evidence during interrogation.

Bestselling author Jennifer Estep returns to her Crown of Shards world with an all-new trilogy and a bold new heroine who protects her kingdom from magic, murder, and mayhem by moonlighting as a spy. Gemma Ripley has a reputation for being a pampered princess who is more interested in pretty gowns, sparkling jewelry, and other frivolous things than learning how to rule the kingdom of Andvari. But her carefully crafted persona is just an act to hide the fact that Gemma is a powerful mind magier—and a spy. Gemma is undercover, trying to figure out who is stealing large amounts of tearstone from one of the Ripley royal mines when she encounters Prince Leonidas Morricone of Morta—her mortal enemy. Gemma tries to steer clear of the handsome prince, but when she finds herself behind enemy lines, she reluctantly joins forces with Leo. Also coming to Gemma’s aid is Grimley, her beloved gargoyle. Despite the fact that Andvari and Morta are old, bitter enemies, a dangerous attraction sparks between Gemma and Leo. Further complicating matters is Leo’s murderous family, especially Queen Maeven Morricone, the mastermind behind the infamous Seven Spire massacre. The closer Gemma gets to the stolen tearstone, the more deadly plots she uncovers. Everyone is trying to capture the crown, but only one queen can sit on the throne …