The Crucified God In The Carolingian Era

The Carolingian 'Renaissance' of the late eighth and ninth centuries, in what is now France, western Germany and northern Italy, transformed medieval European culture. At the same time it engendered a need to ensure that clergy, monks and laity embraced orthodox Christian doctrine. This book offers a fresh perspective on the period by examining transformations in a major current of thought as revealed through literature and artistic imagery: the doctrine of the Passion and the crucified Christ. The evidence of a range of literary sources is surveyed - liturgical texts, poetry, hagiography, letters, homilies, exegetical and moral tractates - but special attention is given to writings from the discussions and debates concerning artistic images, Adoptionism, predestination and the Eucharist.

Arguably the most powerful of Moltmann's books. The Crucified God is a seminal work on the crucifixion and its significance. The book takes death despair and dreadfulness the dark side of the human condition with total seriousness and relates these to a liberating hope of redemption through divine agony and suffering. Influential for many years, especially with political and liberation theologians, but also much more widely, the book represents a concentrated blast of hard-edged doctrinal reflection and - now reissued with a Preface by the author's leading British interpretor - will continue to inspire upcoming generations who take seriously the life-changing notion that 'God was in Christ.'

"This volume gives an account of the Church in the period from the end of the Sixth Ecumenical Synod in 681 to the Battle of Manzikert in 1071. Although "Greek East" and "Latin West" are becoming distinct entities during this expanse of time, the author treats them in parallel, observing the points at which their destinies coincide or conflict. The author notes developments within the whole of the Church rather than striving simply, or even primarily, to explain the eventual schism between Eastern and Western Christendom. Coveriing events both unique to each part (the Iconoclastic controversy in the East and the rise of the Carolingian Empire in the West) and common to each part (monastic reform, renaissance, and mission) the author skillfully portrays two Christian civilizations that share much in common yet become increasingly incomprehensible to one another. Despite curious synchronisms between East and West, the author demonstrates how two paths diverged from a once common route, and how eventually Byzantine Orthodoxy defined the Greek East over and against the Latin West in theological, religious, cultural, and political terms." -- Provided by publisher.

Traditional Christian theology has generally treated desire as a dark and negative force intimately related to sin something to be restricted and repressed, closeted and controlled. But, according to LeRon Shults and Jan-Olav Henriksen s Saving Desire, we see only part of the picture if we do not also perceive that desire can be a powerful force for great good. Grounding their work firmly in the experiential realm of human life, the eight eminent theologians contributing to this volume celebrate together the positivity, the sociality, and the physicality of saving desire that is, humankind s innate desire not only for the good life but also, more vitally, for the life-transforming goodness of God.

An examination of the passion and crucifixion of Christ as depicted in the visual and religious culture of Anglo-Norman England.

Traces the political development of the Carolingian Spanish March and revises traditional interpretations of Catalonia's political and constitutional history.

Hannah Matis examines how a biblical text was read by the most important figures within the ninth-century Carolingian Reform to think about the nature of Christ and the church.