The Cry Of Merlin

Carl Jung can be seen as the prototypical ecopsychologist. Volume II of The Dairy Farmer’s Guide to the Universe explores how Jung’s life and times created the context for the ecological nature of Jungian ideas. It is an ecopsychological exercise to delineate the many dimensions of Jung’s life that contributed to creation of his system—his basic character, nationality, family of origin, difficulties in childhood, youthful environment, period in Western culture, and his pioneering position in the development of modern psychology. Jung said every psychology is a subjective confession, making it important to discover the lacuna in Jung’s character and in his psychological system, particularly in relation to Christianity. Archetypically redressing the lacuna leads to the creation of a truly holistic, integrated ecological psychology that can help us live sustainably on this beautiful planet. Front Cover: Jung’s relief carving on the side of his Bollingen Tower, a place he associated with Merlin. The inscription reads, “May the light arise, which I have borne in my body.” The woman reaching out to milk the mare is Jung’s anima as “a millennia-old ancestress.” The image is an anticipation of the Age of Aquarius, which is under the constellation of Pegasus. The feminine element is said to receive a special role in this new eon. Jung imagined the inspiring springs that gush forth from the hoof prints of Pegasus, the “fount horse,” to be associated with the Water Bearer, the symbol of Aquarius. Volume II is to Volume I as Memories, Dreams, Reflections is to Man and His Symbols — it makes the basic premises more convincing and understandable by illustrating how they evolved out of Jung’s lived experience. It reveals the author's thoughts concerning a lacuna in Jung’s system based on an analysis of his life from the perspective of attachment theory. The problem is immediately remedied by employing a particular archetype.

Covering almost a thousand years, this work features translated texts in a broad range of genres, from the early chronicles and Welsh verse through Sir Thomas Malory.

JJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'DonovanJJ Shefa & Patricia O'Donovan

Details the mythic life of King Arthur, the history of Arthurian legend, and the popular themes and characters associated with the legends.

Merlin, the wizard of Arthurian legend, has been a source of enduring fascination for centuries. In this authoritative, entertaining, and generously illustrated book, Stephen Knight traces the myth of Merlin back to its earliest roots in the early Welsh figure of Myrddin. He then follows Merlin as he is imagined and reimagined through centuries of literature and art, beginning with Geoffrey of Monmouth, whose immensely popular History of the Kings of Britain (1138) transmitted the story of Merlin to Europe at large. He covers French and German as well as Anglophone elements of the myth and brings the story up to the present with discussions of a globalized Merlin who finds his way into popular literature, film, television, and New Age philosophy. Knight argues that Merlin in all his guises represents a conflict basic to Western societies-the clash between knowledge and power. While the Merlin story varies over time, the underlying structural tension remains the same whether it takes the form of bard versus lord, magician versus monarch, scientist versus capitalist, or academic versus politician. As Knight sees it, Merlin embodies the contentious duality inherent to organized societies. In tracing the applied meanings of knowledge in a range of social contexts, Knight reveals the four main stages of the Merlin myth: Wisdom (early Celtic British), Advice (medieval European), Cleverness (early modern English), and Education (worldwide since the nineteenth century). If a wizard can be captured within the pages of a book, Knight has accomplished the feat.

Merlin remains the most famous and familiar image of the magician we possess. In this new book, Arthurian expert John Matthews examines the many guises of Merlin.

A Companion to Geoffrey of Monmouth brings together scholars from a range of disciplines to provide an updated scholarly introduction to all aspects of his work. Arguably the most influential secular writer of medieval Britain, Geoffrey (d. 1154) popularized Arthurian literature and left an indelible mark on European romance, history, and genealogy. Despite this outsized influence, Geoffrey’s own life, background, and motivations are little understood. The volume situates his life and works within their immediate historical context, and frames them within current critical discussion across the humanities. By necessity, this volume concentrates primarily on Geoffrey’s own life and times, with the reception of his works covered by a series of short encyclopaedic overviews, organized by language, that serve as guides to further reading. Contributors are Jean Blacker, Elizabeth Bryan, Thomas H. Crofts, Siân Echard, Fabrizio De Falco, Michael Faletra, Ben Guy, Santiago Gutiérrez García, Nahir I. Otaño Gracia, Paloma Gracia, Georgia Henley, David F. Johnson, Owain Wyn Jones, Maud Burnett McInerney, Françoise Le Saux, Barry Lewis, Coral Lumbley, Simon Meecham-Jones, Paul Russell, Victoria Shirley, Joshua Byron Smith, Jaakko Tahkokallio, Hélène Tétrel, Rebecca Thomas, Fiona Tolhurst.

Wilson Harris is one of the outstanding literary innovators of the century. His novels date from The Palace of the Peacock to Jonestown . This long-awaited volume matches Harris's career with his critical writings, from 1961 to the present day. Selected Essays of Wilson Harris brings together twenty-one lectures, addresses and essays to make available Harris's full range of writings on subjects including: * the literate imagination * traditions of myth and fable in Central and South America * the North American literary imagination, from Edgar Allen Poe, Herman Melville and Ralph Ellison, to William Faulkner and Jean Rhys * inheritances and legacies of writers of the postcolonial diaspora This comprehensive collection also comes complete with: * an extensive editorial introduction, providing valuable historical and theoretical context for the essays * a map of Guyana * bibliographies of Harris's fiction and non-fiction * appendices on the legends of El Dorado and the Holy Grail.