The Culture Of Defeat

A fascinating look at history's losers-the myths they create to cope with defeat and the steps they take never to be vanquished again History may be written by the victors, Wolfgang Schivelbusch argues in his brilliant and provocative book, but the losers often have the final word. Focusing on three seminal cases of modern warfare-the South after the Civil War, France in the wake of the Franco-Prussian War, and Germany following World War I-Schivelbusch reveals the complex psychological and cultural reactions of vanquished nations to the experience of military defeat. Drawing on responses from every level of society, Schivelbusch shows how conquered societies question the foundations of their identities and strive to emulate the victors: the South to become a "better North," the French to militarize their schools on the Prussian model, the Germans to adopt all things American. He charts the losers' paradoxical equation of military failure with cultural superiority as they generate myths to glorify their pasts and explain their losses: the nostalgic "plantation legend" after the fall of the Confederacy; the cult of Joan of Arc in vanquished France; the fiction of the stab in the back by "foreign" elements in postwar Germany. From cathartic epidemics of "dance madness" to the revolutions that so often follow battlefield humiliation, Schivelbusch finds remarkable similarities across cultures. Eloquently and vibrantly told, The Culture of Defeat is a tour de force that opens new territory for historical inquiry.

Focusing on three seminal cases of military defeat--the South after the Civil War, France in the wake of the Franco-Prussian War, and Germany following World War I--Wolfgang Schivelbusch reveals the complex psychological and cultural responses of vanquished nations to the experience of loss on the battlefield. Drawing on reactions from every level of society, Schivelbusch charts the narratives defeated nations construct and finds remarkable similarities across cultures. Eloquently and vibrantly told, The Culture of Defeat is a brilliant and provocative tour de force of history.

From cathartic epidemics of "dance-madness" to the revolutions that so often follow battlefield humiliation, Schivelbusch finds remarkable similarities across cultures."--BOOK JACKET.

In The Long Defeat, Akiko Hashimoto explores the stakes of war memory in Japan after its catastrophic defeat in World War II, showing how and why defeat has become an indelible part of national collective life, especially in recent decades. Divisive war memories lie at the root of the contentious politics surrounding Japan's pacifist constitution and remilitarization, and fuel the escalating frictions in East Asia known collectively as Japan's "history problem." Drawing on ethnography, interviews, and a wealth of popular memory data, this book identifies three preoccupations - national belonging, healing, and justice - in Japan's discourses of defeat. Hashimoto uncovers the key war memory narratives that are shaping Japan's choices - nationalism, pacifism, or reconciliation - for addressing the rising international tensions and finally overcoming its dark history.

For nearly half a century, social scientists have made claims that there is a "therapeutic ethos" with extensive influence upon numerous aspects of American society. In Therapeutic Culture, twelve authors address the implications of this ethos and its effects on a wide range of social institutions, extending from the family to schools, and operating in religious behavior and within the legal system. Has there been, as the sociological theorist Philip Rieff argued in 1966, a "triumph of the therapeutic?" If so, in what kinds of institutions has it been most pervasive? At the same time, what aspects of modern culture has it replaced or defeated? Therapeutic Culture addresses these questions, and raises others. Part 1 of this volume examines the emergence of the idea of "authenticity" as it defines the manipulation of emotions and behavior both in the United States and Great Britain. Contributors include Elisabeth Lasch-Quinn, Frank Furedi, Jonathan B. Imber, and Alan Woolfolk. Part 2 illustrates specific cases of the effects of therapeutic culture within institutions, including courts, schools, religious communities, and the "virtual community" of the Internet. Contributors include James L. Nolan, Jr., John Steadman Rice, Felicia Wu Song, and James Tucker. Part 3 extends the analyses of specific social institutions to the broader consequences that have resulted as a therapeutic ethos has taken root in contemporary life. Contributors include Digby Anderson, Ellen Herman, and James Davison Hunter. Part 4 is devoted to a previously unpublished essay by Philip Rieff whose significant influence can be seen in many of the contributions. Rieff revisits the highly controversial confirmation hearings of Supreme Court Associate Justice Clarence Thomas in 1991 and offers ample evidence of the therapeutic uses of politics as well as the political manipulations available within a therapeutic culture to provide a fitting conclusion. This volume establishes a benchmark for furthe

In this book, Bryant Simon brings to life the politics of white South Carolina millhands during the first half of the twentieth century. His revealing and moving account explores how this group of southern laborers thought about and participated in politics and public power. Taking a broad view of politics, Simon looks at laborers as they engaged in political activity in many venues--at the polling station, on front porches, and on the shop floor--and examines their political involvement at the local, state, and national levels. He describes the campaign styles and rhetoric of such politicians as Coleman Blease and Olin Johnston (himself a former millhand), who eagerly sought the workers' votes. He draws a detailed picture of mill workers casting ballots, carrying placards, marching on the state capital, writing to lawmakers, and picketing factories. These millhands' politics reflected their public and private thoughts about whiteness and blackness, war and the New Deal, democracy and justice, gender and sexuality, class relations and consumption. Ultimately, the people depicted here are neither romanticized nor dismissed as the stereotypically racist and uneducated "rednecks" found in many accounts of southern politics. Southern workers understood the political and social forces that shaped their lives, argues Simon, and they developed complex political strategies to deal with those forces.

When the first Balkan War broke out in October 1912, few Ottomans anticipated that it would prove to be a watershed moment for the Empire, ending in ignominy, national catastrophe, and the loss of its remaining provinces in the Balkans. Defeat at the hands of an alliance of Balkan powers comprising Bulgaria, Greece, Serbia and Montenegro set the stage for the Balkan Crisis of 1914 and would serve as a prelude to WWI. It was also a moment of deep national trauma and led to bitter soul-searching, giving rise to a so-called 'Culture of Defeat' in which condemnation and criticism flourished in a way seemingly at odds with the reformist debate which followed the Young Turk Revolution of 1908.Eyal Ginio's clear-eyed and rigorously researched book uncovers the different visual and written products of the defeat, published in Ottoman Turkish, Arabic and Ladino, with the aim of understanding the experience of defeat - how it was perceived, analysed and commemorated by different sectors in Ottoman society - to show that it is key to understanding the actions of the Ottoman political elite during the subsequent World War and the early decades of the Turkish Republic.

Culture of Defeat is based on a 2017 conference focusing on conflicts from the Late Bronze and Iron Age Near East through the Babylonian period, exploring the cultural responses of defeated parties in war and conquest.