The Cultures Of The American New West

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

A Companion to the Literature and Culture of the American West presents a series of essays that explore the historic and contemporary cultural expressions rooted in America's western states. Offers a comprehensive approach to the wide range of cultural expressions originating in the west Focuses on the intersections, complexities, and challenges found within and between the different historical and cultural groups that define the west's various distinctive regions Addresses traditionally familiar icons and ideas about the west (such as cowboys, wide-open spaces, and violence) and their intersections with urbanization and other regional complexities Features essays written by many of the leading scholars in western American cultural studies

Although the origins of the western are as old as colonial westward expansion, it was Owen Wister?s novel The Virginian, published in 1902, that established most of the now-familiar conventions of the genre. On the heels of the classic western?s centennial, this collection of essays both re-examines the text of The Virginian and uses Wister?s novel as a lens for studying what the next century of western writing and reading will bring. The contributors address Wister?s life and travels, the novel?s influence on and handling of gender and race issues, and its illustrations and various retellings on stage, film, and television as points of departure for speculations about the ?new West??as indeed Wister himself does at the end of the novel. ø The contributors reconsider the novel?s textual complexity and investigate The Virginian's role in American literary and cultural history. Together their essays represent a new western literary studies, comparable to the new western history.

Lost in the New West investigates a group of writers – John Williams, Cormac McCarthy, Annie Proulx and Thomas McGuane – who have sought to explore the tensions inherent to the Western, where the distinctions between old and new, myth and reality, authenticity and sentimentality are frequently blurred. Collectively these authors demonstrate a deep-seated attachment to the landscape, people and values of the West and offer a critical appraisal of the dialogue between the contemporary West and its legacy. Mark Asquith draws attention to the idealistic young men at the center of such works as Williams's Butcher's Crossing (1960), McCarthy's Blood Meridian (1985) and Border Trilogy, Proulx's Wyoming stories and McGuane's Deadrock novels. For each writer, these characters struggle to come to terms with the difference between the suspect mythology of the West that shapes their identity and the reality that surrounds them. They are, in short, lost in the new West.

From wildcatting Texas oilmen to Colorado rock climbers, from hipster capitalists to populist moralizers, westerners have proven themselves to be a highly individualistic breed of American-as much in their politics as in their vocations or lifestyles. This first book on the landscape of the American West's politics looks beyond red state/blue state assumptions to explore how westerners have expanded the boundaries of the political and emerged as a harbinger of America's electoral future. Representing a wide range of specialties-popular culture, business history, the environment, ethnic history, agriculture, and more-these authors portray a politically heterogeneous region and show how its multiple traditions have strongly shaped the nation's body politic. Viewing politics as more than cyclical electioneering, they draw on historical evidence to portray westerners imaginatively rethinking democratic practice and constantly forging new political publics. These twelve essays move western political history beyond the usual discussions of elections and parties and the standard issues of water, progressivism, and states' rights. Some explore claims to western authenticity among those associated with western conservatism-not just regional heroes like Barry Goldwater and Ronald Reagan, but farmers and evangelicals as well. Others examine the transformation of the West's minority communities to reveal a liberalism that celebrates diversity and articulates claims for social justice. The final chapters reveal the complexity of contemporary western political culture, challenging longstanding assumptions about such notions as space, nature, and the liberal-conservative divide. Here then is the paradox of western politics in all its enigmatic glory, with frontier individualism going head-to-head with multiethnic diversity in debates over divergent views of "western authenticity," and wild cards put into play by counterculturists, cyber-libertarians, fiscally conservative gun-toting Democrats, and environmentalists. The Political Culture of the New West shows how westerners have expressed themselves within a complex, often contradictory, and constantly changing political culture-and helps explain why no electoral outcome in this part of America can be predicted for certain.

Exploring the central themes in modern American cultural studies and discussing how these themes can be interpreted, American Cultural Studies offers a wide-ranging overview of different aspects of American cultural life such as religion, gender and sexuality, regionalism, and ethnicity and immigration. The fourth edition has been revised throughout to take into account the developments of the last four years. Updates and revisions include: discussion of Barack Obama’s time in the White House consideration of ‘Hemispheric American Studies’ and the increasing debates about globalisation and the international role of the USA long-form television and American Studies up-to-date case studies, such as Girls, The Wire and Orange is the New Black more material on Detroit, the Mexican border, same-sex relationships and Islam in America updated further reading lists and new follow-up work. Illustrated throughout, containing follow-up questions and further reading at the end of each chapter, and accompanied by a companion website (www.routledge.com/cw/campbell) providing further study resources, American Cultural Studies is a core text and an accessible guide to the interdisciplinary study of American culture.

The American West used to be a story of gunfights, glory, wagon trails, and linear progress. Historians such as Frederick Jackson Turner and Hollywood movies such as Stagecoach (1939) and Shane (1953) cast the trans-Mississippi region as a frontier of epic proportions where 'savagery' met 'civilization' and boys became men.During the late 1980s, this old way of seeing the West came under heavy fire. Scholars such as Patricia Nelson Limerick and Richard White forged a fresh story of the region, a new vision of the West, based around the conquest of peoples and landscapes.This book explores the bipolar world of Turner's Old West and Limerick's New West and reveals the values and ambiguities associated with both historical traditions. Sections on Lewis and Clark, the frontier and the cowboy sit alongside work on Indian genocide and women's trail diaries. Images of the region as seen through the arcade Western, Hollywood film and Disney theme parks confirm the West as a symbolic and contested landscape.Tapping into popular fascination with the Cowboy, Hollywood movies, the Indian Wars, and Custer's Last Stand, the authors show the reader how to deconstruct the imagery and reality surrounding Western history.Key Features*Uses popular subjects (the Cowboy, Hollywood westerns, the Indian Wars, and Custer's Last Stand) to enliven the text*Includes 13 b+w illustrations*Interdisciplinary approach covers film, literature, art and historical artefacts

In this volume experienced and new college- and university-level teachers will find practical, adaptable strategies for designing or updating courses in western American literature and western studies. Teaching Western American Literature features the latest developments in western literary research and cultural studies as well as pedagogical best practices in course development. Contributors provide practical models and suggestions for courses and assignments while presenting concrete strategies for teaching works both inside and outside the canon. In addition, Brady Harrison and Randi Lynn Tanglen have assembled insights from pioneering western studies instructors with workable strategies and practical advice for translating this often complex material for classrooms from freshman writing courses to graduate seminars. Teaching Western American Literature reflects the cutting edge of western American literary study, featuring diverse approaches allied with women’s, gender, queer, environmental, disability, and Indigenous studies and providing instructors with entrée into classrooms of leading scholars in the field.