The Dark Bright Water

Tribal elders urge a young Australian Aborigine to investigate the strange events occurring in the interior of their vast continent.

With a plethora of superb reviews and upcoming publication in the US, Thomas King’s latest work affirms him as one of our wittiest and wisest writers. Truth & Bright Water is the tale of two young cousins and one long summer. Tecumseh and Lum live in Truth, a small American town, and Bright Water, the reserve across the border and over the river. Family is the only reason most of the people stay in the towns, and yet old secrets and new mysteries keep pulling the more nomadic residents back to the fold. Monroe Swimmer, famous Indian artist, returns to live in the old church with the hope of painting it into the prairie landscape and re-establishing the buffalo population. Tecumseh’s Aunt Cassie has come back too, already arguing with his mother. Why has his mother given Cassie a suitcase full of baby clothes? And why is Lum interested only in winning the Indian Days race? Tecumseh has more questions than anyone will answer, until the Indian Days festival arrives and the mysteries of the summer collide in love, betrayal and reconciliation. Equally plainspoken and poetic, comic and poignant, Truth & Bright Water is a crackling good story that resonates with universal truths.

Fifty years ago Gavin Maxwell went to live in an abandoned house on a shingle beach on the west coast of Scotland. A haven for wildlife - he named his home Camusfearna and settled there with the otters Mij, Edal and Teko. Ring of Bright Water chronicles Gavin Maxwell's first ten years with the otters and touched the hearts of readers the world over, brilliantly evoking life with these playful animals in this natural paradise. Two further volumes followed bringing the story full circle telling of the difficult last years and the final abandonment of teh settlement. For the first time the entire trilogy is available in a single narrative in this beautifully presented book.

This volume weaves together the Scottish otter stories from Gavin Maxwell's three non-fiction books, Ring of Bright Water (1960), The Rocks Remain (1963), and Raven Meet Thy Brother (1969). Maxwell was both an extraordinarily evocative writer and a highly unusual man. While touring the Iraqi marshes, he was captivated by an otter and became a devoted advocate of and spokesman for the species. He moved to a remote house in the Scottish highlands, co-habiting there with three otters and living an idyllic and isolated life – at least for a while. Fate, fame, and fire conspired against this paradise, and it, too, came to an end, though the journey was filled with incident and wonder. Maxwell was also talented as an artist, and his sinuous line drawings of these amphibious and engaging creatures, and the homes they occupied, illustrate his story. This book stands as a lasting tribute to a man, his work, and his passion. It was received and has endured as a classic for its portrait not only of otters but also of a man who endured heartaches and disappointments, whose life embodied both greatness and tragedy. He writes with rare eloquence about his birth, his devotion to the beloved Scottish highlands, and the wildlife he loved, while refusing to ignore the darker aspects of his nature and of nature in its larger sense.

Tribal elders urge a young Australian Aborigine to investigate the strange events occurring in the interior of their vast continent.

On the promenade of a small Lancashire seaside town stands the Bright Water Hotel. It is a strangely familiar place. Behind the faded grandeur of its Victorian façade, the lives of guests, visitors and staff intersect, overlap, inter-connect. People arrive from many different places, and their histories, expectations and experiences are laid bare in this selection of 13 short stories. For some, the Bright Water Hotel is a place of hope but for others the past present and the future collide in unexpected ways. In these stories, the spaces between the comings and goings of a rich cast of characters are explored.Unlikely encounters, destructive passions, secrets, memories and revelations jostle side by side. The Bright Water Hotel is a place where everyone has something to hide.

The subject of this volume is two-fold. First, it gathers typical polarization patterns occurring in nature. Second, it surveys the polarization-sensitive ani mals, the physiological mechanisms and biological functions of polarization sensitivity as weIl as the polarization-guided behaviour in animals. The monograph is prepared for biologists, physicists and meteorologists, espe cially for experts of atmospheric optics and animal vision, who wish to under stand and reveal the message hidden in polarization patterns of the optical environment not directly accessible to the human visual system, but measur able by polarimetry and perceived by many animals. Our volume is an attempt to build a bridge between these two physical and biological flelds. In Part I we introduce the reader to the elements of imaging polarimetry. This technique can be efflciently used, e. g. in atmospheric optics, remote sens ing and biology. In Part 11 we deal with typical polarization patterns of the natural optical environment. Sunrise/sunset, clear skies, cloudy skies, moonshine and total solar eclipses all mean quite different illumination conditions, wh ich also affect the spatial distribution and strength of celestial polarization. We pre sent the polarization patterns of the sky and its unpolarized (neutral) points under sunlit, moonlit, clear, cloudy and eclipsed conditions as a function of solar elevation. The polarization pattern of a rainbow is also shown. That part of the spectrum is derived in which perception of skylight polarization is optimal under partly cloudy skies.

Apocalypticism arose in ancient Judaism in the last centuries BCE and played a crucial role in the rise of Christianity. It is not only of historical interest: there has been a growing awareness, especially since the 2001 terrorist attacks on the United States, of the prevalence of apocalyptic beliefs in the contemporary world. To understand these beliefs, it is necessary to appreciate their complex roots in the ancient world, and the multi-faceted character of the phenomenon of apocalypticism. The Oxford Handbook of Apocalyptic Literature is a thematic and phenomenological exploration of apocalypticism in the Judaic and Christian traditions. Most of the volume is devoted to the apocalyptic literature of antiquity. Essays explore the relationship between apocalypticism and prophecy, wisdom and mysticism; the social function of apocalypticism and its role as resistance literature; apocalyptic rhetoric from both historical and postmodern perspectives; and apocalyptic theology, focusing on phenomena of determinism and dualism and exploring apocalyptic theology's role in ancient Judaism, early Christianity, and Gnosticism. The final chapters of the volume are devoted to the appropriation of apocalypticism in the modern world, reviewing the role of apocalypticism in contemporary Judaism and Christianity, and more broadly in popular culture, addressing the increasingly studied relation between apocalypticism and violence, and discussing the relationship between apocalypticism and trauma, which speaks to the underlying causes of the popularity of apocalyptic beliefs. This volume will further the understanding of a vital religious phenomenon too often dismissed as alien and irrational by secular western society.