The Dark Mirrors

A sweeping saga of two brothers locked in combat in colonial 1940s Burma, where an ancient magic will decide their fate, and that of the whole country.

The Dark Man goes in search of the Dark Mirror, which will reveal his true name.

In this epic science fiction adventure, an unlikely pair of brilliant researchers team up in Northern Israel to probe the ruins of Tel Hazor. Twenty-three-year-old scholar Hannah Aston has extensively studied Near Eastern History and Biblical Archaeologyher partner, Seijung Ford, is intended to be the next great genius of applied physics and engineering. As they explore the underground passages and tunnels beneath the ruins, their watches suddenly stop as a figure stands in the light in front of them. Without warning, the two researchers are immersed in a world where Val Anna, a displaced girl from the early twentieth century, becomes a scapegoat for travelers from other worlds locked in an ancient war. An heirloom artifact transports her back to the Auriga, a spacecraft buried deep beneath the Canaanite city of Hazor, and Val Anna must confront Kal-Nergal, a Mesopotamian slave-boy who has become a sorcerer. As Kal-Nergal attempts to use his special powers to jeopardize mankinds survival for the sake of revenge, Val Anna must try to thwart his plan and, in the process, may destroy her only way home.

Dark Mirrors is a wide-ranging study of two central figures in early Jewish demonology—the fallen angels Azazel and Satanael. Andrei A. Orlov explores the mediating role of these paradigmatic celestial rebels in the development of Jewish demonological traditions from Second Temple apocalypticism to later Jewish mysticism, such as that of the Hekhalot and Shi'ur Qomah materials. Throughout, Orlov makes use of Jewish pseudepigraphical materials in Slavonic that are not widely known. Orlov traces the origins of Azazel and Satanael to different and competing mythologies of evil, one to the Fall in the Garden of Eden, the other to the revolt of angels in the antediluvian period. Although Azazel and Satanael are initially representatives of rival etiologies of corruption, in later Jewish and Christian demonological lore each is able to enter the other's stories in new conceptual capacities. Dark Mirrors also examines the symmetrical patterns of early Jewish demonology that are often manifested in these fallen angels' imitation of the attributes of various heavenly beings, including principal angels and even God himself.