The Darkening Age

A New York Times Notable Book, winner of the Jerwood Award from the Royal Society of Literature, a New York Times Book Review Editors’ Choice, and named a Book of the Year by the Telegraph, Spectator, Observer, and BBC History Magazine, this bold new history of the rise of Christianity shows how its radical followers helped to annihilate Greek and Roman civilizations. The Darkening Age is the largely unknown story of how a militant religion deliberately attacked and suppressed the teachings of the Classical world, ushering in centuries of unquestioning adherence to "one true faith." Despite the long-held notion that the early Christians were meek and mild, going to their martyrs' deaths singing hymns of love and praise, the truth, as Catherine Nixey reveals, is very different. Far from being meek and mild, they were violent, ruthless, and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth, and the light but that, by extension, every single other way was wrong and had to be destroyed. From the first century to the sixth, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial, and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces, and their priests killed. It was an annihilation. Authoritative, vividly written, and utterly compelling, this is a remarkable debut from a brilliant young historian.

Who were the ancient Greeks? They gave us democracy, philosophy, poetry, rational science, the joke. But what was it that enabled them to achieve so much? The ancient Greeks were a geographically disparate people whose civilization lasted over twenty centuries - and that made us who we are today. And here Edith Hall gives us a revelatory way of viewing this scattered people, identifying ten unique personality traits that she shows to be unique and central to the widespread ancient Greeks. Hall introduces a people who are inquisitive, articulate and open-minded but also rebellious, individualistic, competitive and hedonistic. They prize excellence above all things but love to laugh. And, central to their identity, they are seafarers whose relationship with the sea underpins every aspect of their society. Expertly researched and elegantly told, this indispensable introduction unveils a civilization of incomparable richness and a people of astounding complexity.

In this thrilling and epic YA fantasy debut, the only hope for a city trapped in the eye of a cursed storm lies with the daughter of failed revolutionaries and a prince terrified of his throne. Vesper Vale is the daughter of revolutionaries. Failed revolutionaries. When her mother was caught by the queen’s soldiers, they gave her a choice: death by the hangman’s axe, or death by the Storm that surrounds the city and curses anyone it touches. She chose the Storm. And when the queen’s soldiers—led by a paranoid prince—catch up to Vesper’s father after twelve years on the run, Vesper will do whatever it takes to save him from sharing that fate. Even arm herself with her father’s book of dangerous experimental magic. Even infiltrate the prince’s elite squad of soldier-sorcerers. Even cheat her way into his cold heart. But when Vesper learns that there’s more to the story of her mother’s death, she’ll have to make a choice if she wants to save her city: trust the devious prince with her family’s secrets, or follow her mother’s footsteps into the Storm.

At the turn of the twenty-first century, Argentina was in the midst of its worst economic crisis in decades, the result of years of drastic neoliberal reforms. This book looks at the way ideas about race and nationhood were conveyed during this period of financial meltdown and national emergency, examining in particular how the neoliberal crisis led to the critical self-questioning of the dominant imaginary of Argentina as homogeneously white – allegedly the result of European immigration and the extinction of most indigenous and black people in the nation-building age. The Darkening Nation focuses on how the self-examination of racial and national identity triggered by this crisis was expressed in culture, through the analysis of literary texts, films, artworks and music styles. By considering a wide range of artistic and cultural products, and different forms of racial identity and difference (white, indigenous, Afro-descendant, immigrant and negro as it is understood in local contexts), this study constitutes a timely addition from a literary and cultural studies perspective to recent academic enquiry into race and nation in Argentina.

From a celebrated classicist and author of The Darkening Age (“[a] ballista-bolt of a book”—New York Times Book Review), a group biography of the many, diverse Jesuses who thrived in early Christian traditions—and how they were killed off until just one “true” Christ survived. Contrary to the teachings of the church today, in the first several centuries of Christianity’s existence, there was no consensus as to who Jesus was or why he had mattered. Instead, there were many different Christs. One had a twin brother and traveled to India; another consorted with dragons. One particularly terrifying Christ scorned his parents and killed those who opposed him. Why do we know so little about these early versions of Jesus? Because, starting in the fourth century AD, the orthodox form of Christianity that had become preeminent set about systematically wiping out every other variation, denouncing their gospels as apocryphal and their followers as heretics. These unfortunate Christians lost their rights, their property, their churches—in some cases, even their lives. Heretic unearths the different versions of Christ who existed in the minds of early Christians, and the process of evolution—and elimination—by which Jesus became the singular figure we know today.

Is the world better off without Christianity? Combining narrative with keen critique of contemporary debates, author and historian John Dickson gives an honest account of 2,000 years of Christian history that helps us understand what Christianity is and what it's meant to be. To say that the Christian Church has an "image problem" doesn't quite capture it. From the Crusades and the Inquisition to the racism and abuse present in today's Church--both in Catholic and Protestant traditions--the institution that Christ established on earth has a lot to answer for. But the Church has also had moments throughout history when it has been in tune with Jesus' teachings--from the rise of charity to the invention of hospitals. For defenders of the faith, it's important to be able to recognize the good and bad in the church's history and be inspired to live aligned with Christ. For skeptics, this book is a thought-provoking introduction to the idea that Christianity is, despite all, an essential foundation of our civilization. Bullies and Saints will take you on a big-picture journey from the Sermon on the Mount to the modern church: Giving contextual accounts of infamous chapters of Christian history, such as the Crusades, and acknowledging their darkness. Outlining the great movements of the faith and defending its heroes and saints, some of whom are not commonly recognized. Examining the Church beside the teachings and life of Jesus and how it has succeeded in its mission to imitate Christ.

“Trenchantly interprets how an oddball religious cult became the official faith of Rome. . . . It makes for a thoughtful tour of Rome.” —New York Times Book Review Pagans explores the rise of Christianity from a surprising and unique viewpoint: that of the people who witnessed their ways of life destroyed by what seemed then a powerful religious cult. These “pagans” were actually pious Greeks, Romans, Syrians, and Gauls who observed the traditions of their ancestors. Religious scholar James J. O’Donnell takes us on a lively tour of the Ancient Roman world through the fourth century CE, when Romans of every nationality, social class, and religious preference found their world suddenly constrained by rulers who preferred a strange new god. Some joined this new cult, while others denied its power, erroneously believing it was little more than a passing fad. In Pagans, O’Donnell brings to life Roman religion and life, offers fresh portraits of iconic historical figures, including Constantine, Julian, and Augustine, and explores important themes—Rome versus the east, civilization versus barbarism, plurality versus unity, rich versus poor, and tradition versus innovation—in this startling account. “Mr. O’Donnell tells the familiar story of Christianity’s heroic age of expansion, from Constantine to Theodosius, with verve and wit.” —Wall Street Journal “Multilayered, erudite and dense.” —Cleveland Plain-Dealer “An engaging view of antiquity few of us have seen. —Booklist “O'Donnell offers an iconoclastic history of religion that tells an exciting new story that is deeply relevant to the way we think about religion in our own time.” —Washington Book Review

'Heresy is a brilliant book' - The Times 'Enthralling' - The Sunday Telegraph ‘In the beginning was the Word,’ says the Gospel of John. This sentence – and the words of all four gospels – is central to the teachings of the Christian church and has shaped Western art, literature and language, and the Western mind. Yet in the years after the death of Christ there was not merely one word, nor any consensus as to who Jesus was or why he had mattered. There were many different Jesuses, among them the aggressive Jesus who scorned his parents and crippled those who opposed him, the Jesus who sold his twin into slavery and the Jesus who had someone crucified in his stead. Moreover, in the early years of the first millennium there were many other saviours, many sons of gods who healed the sick and cured the lame. But as Christianity spread, they were pronounced unacceptable – even heretical – and they faded from view. Now, in Heresy, Catherine Nixey tells their extraordinary story, one of contingency, chance and plurality. It is a story about what might have been.