The Dawn Of Dutch

The Low Countries are famous for their radically changing landscape over the last 1,000 years. Like the landscape, the linguistic situation has also undergone major changes. In Holland, an early form of Frisian was spoken until, very roughly, 1100, and in parts of North Holland it disappeared even later. The hunt for traces of Frisian or Ingvaeonic in the dialects of the western Low Countries has been going on for around 150 years, but a synthesis of the available evidence has never appeared. The main aim of this book is to fill that gap. It follows the lead of many recent studies on the nature and effects of language contact situations in the past. The topic is approached from two different angles: Dutch dialectology, in all its geographic and diachronic variation, and comparative Germanic linguistics. In the end, the minute details and the bigger picture merge into one possible account of the early and high medieval processes that determined the make-up of western Dutch.

Designed as a catalogue for an exhibition at the Rijksmuseum in 1994, this offers a survey of the paintings, drawings, prints, sculpture and applied art produced 1580-1620. The book contains five essays followed by a catalogue which reproduces work from the era along with data on the artists.

In Shakespeare and the Dawn of Modern Science, renowned astronomy expert Peter Usher expands upon his allegorical interpretation of Hamlet and analyzes four more plays, Love's Labour's Lost, Cymbeline, The Merchant of Venice, and The Winter's Tale. With painstaking thoroughness, he dissects the plays and reveals that, contrary to current belief, Shakespeare was well aware of the scientific revolutions of his time. Moreover, Shakespeare imbeds in the allegorical subtext information on the appearances of the Sun, Moon, planets, and stars that he could not have known without telescopic aid, yet these plays appeared coeval with or prior to the commonly accepted date of 1610 for the invention and first use of the astronomical telescope. Dr. Usher argues that an early telescope, the so-called perspective glass, was the likely means for the acquisition of these data. This device was invented by the mathematician Leonard Digges, whose grandson of the same name contributed poems to the First and Second Folio editions of Shakespeare's plays. Shakespeare and the Dawn of Modern Science is an important addition to literature, history, and science collections as well as to personal libraries.

Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.

Krahn avoids the hero worship which is common among many rehabilitators of Anabaptism. In his presentation the giants of Anabaptism as well as those of the Magisterial Reformation turn out again and again to have clay feet. No attempt is made to rationalize these apparent weaknesses.... Out of Dutch mysticism there grew a spiritualizing tendency...which could not be confined to the question of the Lord's Supper. Frank C. Roberts in 'Calvin Theological Journal' Krahn's greatest service is in the distilling more than a century of Dutch scholarship, and he performs it judiciously.... Especially interesting is his argument that both Reformed Protestantism and Anabaptism had their roots in the Sacramentarian movement of the 1520s. Alastair C. Duke in 'Journal of Ecclesiastical History' [The author's] extensive and accurate knowledge of both the modern and the sixteenth-century Dutch language, together with his careful and competent evaluation of the conflicting interpretations of the events, make his survey of Dutch Anabaptism a reliable source of information. Krahn has made a serious attempt to immerse himself in the issues and to assess fairly the clashing opinions. H.W. Meihuizen in 'Mennonite Quarterly Review'

In the past 20 years, a wave of right-wing populist movements has swept over Europe, changing the face of European politics. The Netherlands has been one of the more iconic countries to partake in this shift. Known internationally as an emblem of progressivism and tolerance, the country soon became a frontrunner in the revival of nationalist and anti-immigrant sentiment. This is the first study to offer an extensive engagement with the ideas behind the Dutch swing to the right. The emergence of Dutch populism, this book shows, formed an integral part of a broader conservative tendency, identified as the Dutch New Right. In the US and the UK, the term New Right has been used to describe conservative backlash movements that arose in opposition to the progressive movements of the 1960s. The Dutch swing to the right, this book argues, formed a belated iteration of the New Right backlash that occurred overseas. This text will be essential reading for students and scholars in the fields of European Studies and Political Science, and Dutch politics and society more specifically.

“A thoroughly researched and provocative revisionist study.” — Wall Street Journal “Going Dutch is elegant and thought-provoking. . . . Jardine evokes a dialogue of civilizations.” — Lisa Ko, author of The Leavers “She explores the fascinating Anglo-Dutch relationship to answer how and why two sworn foes became friends so seamlessly. . . . A highly original work that will appeal to fans of Simon Schama’s The Embarrassment of Riches.” — Publishers Weekly “Jardine meticulously studies the exchange of ideas between England and Holland...she leaves no stone unturned...Absorbing, enjoyable reading.” — Kirkus Reviews “Jardine understands and appreciates her sources, and she writes exceptionally lively history. A pleasure to read, this book is enthusiastically recommended...” — Library Journal

In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues—culturally, historically, and aesthetically—across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history.