The Daylily Hill

Madeline Tyler and her two best friends, Ellie Jo Johnson and Olivia Chaplin, have just graduated from high school in Griffin, Georgia, in the spring of 1961. In search of a better life than rural Georgia offers, the girls set off in the pursuit of their dreams--but it isn’t long before life steps in and derails their plans. Madeline’s dreams of attending college are cut short by the deteriorating health of her father, and she finds herself returning home to help out with her family’s needs. Ellie and Olivia both enroll in beauty school, making a start only to see tragedy strike, ending the dreams of one in a heartbeat. Meanwhile, Madeline meets Bart Richmond, a charismatic used-car dealer and wannabe NASCAR driver who likes fast women and faster cars--and he has his sights set on her. To complicate matters further, Nick Elliott, Bart’s married friend and owner of Griffin’s cotton mills, can’t get Ellie out of his mind after watching her win the local Miss Iris contest. Only time will tell how the two men will impact the friends’ lives. Set in the South in the 1960s, this saga tells stories of love lost and found for three young women whose lives are forever changed.

Discusses plant selection, terminology, pest control, flower arranging, and more

Both beginning and experienced growers will profit from in-depth advice on selecting, growing, and caring for daylilies.

While chaos reigned in the Eastern Lands, the Keep of Dare stood as a bastion against war and bandits and the spawn of unnatural sorceries. Then twin blows rocked the citadel: the fearsome Alketch army mounted siege, even as young Prince Tir was snatched from the heart of the Keep. Behind the terror was the depraved, hook-handed general Vair na-Chandros. He had learned that the royal child possessed forbidden wisdom: a secret with which the bloodthirsty Vair intended to conquer the world. One single man posed a threat to Vair's vaunting ambition: the legendary warrior known as the Icefalcon. Banished by his own people and scorned as a barbarian by others, only he could hope to free the boy from Vair's clutches. With his sister Cold Death--a sorcerer whose magic was as sharp as her tongue--the Icefalcon embarked on a dangerous mission of rescue and redemption. Braving nightmare demons and the endless hordes of Vair's inhuman soldiers, he shadowed Vair and his small captive beyond the reaches of the known world. And when the boy led Vair to the forgotten Keep of the Shadow at the End of Time, the Icefalcon would face his greatest battle . . . for his prince, for his honor, and for all eternity.

Daylilies have become increasingly popular among perennial gardeners in recent years. This popularitiy is due in large measure to the striking new hybrids and cultivars that have been developed by dedicated daylily breeders. It includes accounts of the work of daylily breeders from 1900 to the present day, as well as the history of the American Hemerocallis Soceity with its rules or judging daylilies ..."--Publisher description.

The former US poet laureate delivers a book “filled with raw sexual disclosures, rowdy anger and a self-blasting mockery” (The New York Times). Donald Hall’s fourteenth collection opens with an epigraph from the Urdu poet Faiz: “The true subject of poetry is the loss of the beloved.” In that poetic tradition, as in The Painted Bed, the beloved might be a person or something else—life itself, or the disappearing countryside. Hall’s new poems further the themes of love, death, and mourning so powerfully introduced in his Without (1998), but from the distance of passed time. A long poem, “Daylilies on the Hill 1975-1989,” moves back to the happy repossession of the poet’s old family house and its history—a structure that “persisted against assaults” as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing—”mania is melancholy reversed,” as Hall writes in another long poem, “Kill the Day.” In this book’s fourth and final section, “Ardor,” the poet moves toward acceptance of new life in old age; eros reemerges. “More controlled, more varied and more powerful, this taut follow-up volume [to Without] reexamines Hall’s grief while exploring the life he has made since. The book’s first poem, ‘Kill the Day,’ stands among the best Hall has ever written.” —Publishers Weekly “A compelling, sometimes shocking, and certainly deeply moving depiction of bereavement.” —Poetry “Hall has continued growing as a poet, and his steady readers may consider this his finest collection . . . Bleakness and beauty characterize the reminiscent lyrics that follow, too, joined by a breathtaking bluntness.” —Booklist