The Death Of Billy The Kid

Many years after the death of Billy the Kid, Deputy John William Poe, who was just outside the door when Sheriff Pat Garrett killed Billy, wrote out the whole story, which was published in a small edition. While certain statements made in the book by Poe are controversial, his account is a valuable document for anyone interested in Billy the Kid.

One of the great folk legends of the Wild West, William H. Bonney went from cowboy and rancher's gunslinger to a pure outlaw, forever dodging justice in New Mexico before it was even a state. On the one hand, he was charming, fun-loving, often present at social events, quite appealing to the ladies. Also conversant in Spanish, "Billito" was popular with the Spanish speaking crowd. On the other hand, he had no compunction to coldly kill a man, a sheriff, a deputy—anyone who got in the way of his rustling cattle or horses for an illicit living. He also proved hard to keep in jail once he was caught. It is probably his daring escapes from jails that made him most famous, and this is the main subject of this biography, which traces his story up through his death by a gunshot in the pitch darkness, fired by lawmen obsessed with getting rid of him.

"Born Henry McCarty, Billy the Kid was a diminutive, charming, blond-haired young man who, growing up in New York, Kansas, and later New Mexico, demonstrated a precocious dexterity at firing six-shooters with either hand--a skill that both got him into and out of trouble and that turned him into an American legend of the Old West. He was smart, well-spoken, attractive to both white and Mexican women, a good dancer, and a man with a nose for money, horses, and trouble. His spree of crimes and murders has been immortalized in dime westerns, novels, and movies. But the whole story of his short, epically violent life has never been told as it has been here"--]cProvided by publisher.

A collection of historical "facts" concerning this "Billy the Kid", or is it these "Billy the Kids"?

"This might be the best Billy the Kid book to date." —Fritz Thompson, Albuquerque Journal In this revisionist biography, award-winning historian Michael Wallis re-creates the rich anecdotal saga of Billy the Kid (1859–1881), a young man who became a legend in his time and remains an enigma to this day. In an extraordinary evocation of the legendary Old West, Wallis demonstrates why the Kid has remained one of our most popular folk heroes. Filled with dozens of rare images and period photographs, Billy the Kid separates myth from reality and presents an unforgettable portrait of this brief and violent life.

Not a story about me through their eyes then. Find the beginning, the slight silver key to unlock it, to dig it out. Here then is a maze to begin, be in. (p. 20) Funny yet horrifying, improvisational yet highly distilled, unflinchingly violent yet tender and elegiac, Michael Ondaatje’s ground-breaking book The Collected Works of Billy the Kid is a highly polished and self-aware lens focused on the era of one of the most mythologized anti-heroes of the American West. This revolutionary collage of poetry and prose, layered with photos, illustrations and “clippings,” astounded Canada and the world when it was first published in 1969. It earned then-little-known Ondaatje his first of several Governor General’s Awards and brazenly challenged the world’s notions of history and literature. Ondaatje’s Billy the Kid (aka William H. Bonney / Henry McCarty / Henry Antrim) is not the clichéd dimestore comicbook gunslinger later parodied within the pages of this book. Instead, he is a beautiful and dangerous chimera with a voice: driven and kinetic, he also yearns for blankness and rest. A poet and lover, possessing intelligence and sensory discernment far beyond his life’s 21 year allotment, he is also a resolute killer. His friend and nemesis is Sheriff Pat Garrett, who will go on to his own fame (or infamy) for Billy’s execution. Himself a web of contradictions, Ondaatje’s Garrett is “a sane assassin sane assassin sane assassin sane assassin sane assassin sane” (p. 29) who has taught himself a language he’ll never use and has trained himself to be immune to intoxication. As the hero and anti-hero engage in the counterpoint that will lead to Billy’s predetermined death, they are joined by figures both real and imagined, including the homesteaders John and Sallie Chisum, Billy’s lover Angela D, and a passel of outlaws and lawmakers. The voices and images meld, joined by Ondaatje’s own, in a magnificent polyphonic dream of what it means to feel and think and freely act, knowing this breath is your last and you are about to be trapped by history. I am here with the range for everything corpuscle muscle hair hands that need the rub of metal those senses that that want to crash things with an axe that listen to deep buried veins in our palms those who move in dreams over your women night near you, every paw, the invisible hooves the mind’s invisible blackout the intricate never the body’s waiting rut. (p. 72)

In 1882 a notorious outlaw and a childhood friend of Billy the Kid was released from prison where he had been serving time for killing a Texas Ranger. His freedom finally secured, the outlaw disappeared and was never heard from again. Never, that is, until 1948 when he came out of hiding after almost 70 years. In the course of proving his identity to a court of law the outlaw revealed that his friend Billy the Kid was not killed by Pat Garrett but was still alive even to that day. After a period of research and persistence the young lawyer was finally led to a destitute old man in Texas who was named not William H. Bonney but William H. Roberts, although Bonney had been an alias that he had used. Roberts agreed to reveal himself as Billy the Kid if the lawyer would help him obtain a pardon so he could die a free man. You see, the Kid was still wanted for murder so to come forward was to risk being sentenced and put to death, but this was a risk that William H. Roberts was willing to take. He told his story only one time, to one man. This is his story, now presented for the first time with new photographic evidence and research that supports his claim that he was the one true Billy the Kid of legend.