The Death Of Tragedy

An engrossing and provocative look at the decline of tragedy in modern art, "All men are aware of tragedy in life. But tragedy as a form of drama is not universal." So begins George Steiner's adept analysis of the demise of classic tragedy as a dramatic depiction of heroism and suffering. In The Death of Tragedy, Steiner examines the uniqueness and importance of the Greek classical tragedy-from antiquity to the age of Jean Racine and William Shakespeare-as providing stark insight into the grief and joy of human existence. Then, delving into the works of John Keats, Henrik Ibsen, Samuel Beckett.

In some versions of the myth, Iphigenia was due to be immolated by her father on Artemis’ altar before the beginning of the Trojan War, but was replaced by the goddess with a deer, at the last moment. This is the most staggering, and perhaps best-known, rite of sacrifice in Greek tragedy. Perfectly symmetrical, the end of this war is marked by another human tribute, Polyxena. Some of the topics investigated in this volume include whether these sacrifices, as well as similar ones such as those of Macaria and Menoeceus, the husbands of the Danaides, the hero Pentheus, and Aegisthus, are all a way to balance things out, or whether they cause an even greater unbalance.

DIVA rich and evocative study of one of modern history’s most compelling and controversial philosophers by a literary and critical grand master In Martin Heidegger, George Steiner delves into the life and work of the prolific German philosopher. His deft analysis lays bare the intricacies of Heidegger’s work and his influence on modern society, offering a clear and accessible analysis of the philosopher’s more difficult ideas, from the human condition and language to being and the meaning of time. Written with Steiner’s trademark eloquence and precision, Martin Heidegger is the seminal look at the man and his groundbreaking ideas—the perfect study for scholars, Heidegger fanatics, and curious readers alike. /div

“A gripping and beautiful book about the power of love in the face of unimaginable loss.” --Cheryl Strayed For readers of The Bright Hour and When Breath Becomes Air, a moving, transcendent memoir of loss and a stunning exploration of marriage in the wake of unimaginable grief. As the book opens: two-year-old Greta Greene is sitting with her grandmother on a park bench on the Upper West Side of Manhattan. A brick crumbles from a windowsill overhead, striking her unconscious, and she is immediately rushed to the hospital. But although it begins with this event and with the anguish Jayson and his wife, Stacy, confront in the wake of their daughter's trauma and the hours leading up to her death, Once More We Saw Stars quickly becomes a narrative that is as much about hope and healing as it is about grief and loss. Jayson recognizes, even in the midst of his ordeal, that there will be a life for him beyond it--that if only he can continue moving forward, from one moment to the next, he will survive what seems unsurvivable. With raw honesty, deep emotion, and exquisite tenderness, he captures both the fragility of life and absoluteness of death, and most important of all, the unconquerable power of love. This is an unforgettable memoir of courage and transformation--and a book that will change the way you look at the world.

Reframes philosophical understanding of, and engagement with, tragedy. In The Tragedy of Philosophy Andrew Cooper challenges the prevailing idea of the death of tragedy, arguing that this assumption reflects a problematic view of both tragedy and philosophy—one that stifles the profound contribution that tragedy could provide to philosophy today. To build this case, Cooper presents a novel reading of Immanuel Kant’s Critique of Judgment. Although this text is normally understood as the final attempt to seal philosophy from the threat of tragedy, Cooper argues that Kant’s project is rather a creative engagement with a tragedy that is specific to philosophy, namely, the inevitable failure of attempts to master nature through knowledge. Kant’s encounter with the tragedy of philosophy turns philosophy’s gaze from an exclusive focus on knowledge to matters of living well in a world that does not bend itself to our desires. Tracing the impact of Kant’s Critique of Judgment on some of the most famous theories of tragedy, including those of G. W. F. Hegel, Friedrich Nietzsche, Martin Heidegger, and Cornelius Castoriadis, Cooper demonstrates how these philosophers extend the project found in both Kant and the Greek tragedies: the attempt to grasp nature as a domain hospitable to human life. Andrew Cooper is a Postdoctoral Research Fellow at the University of Bonn, Germany.

Pulitzer Prize–winning author Ted Morgan has now written a rich and definitive account of the fateful battle that ended French rule in Indochina—and led inexorably to America’s Vietnam War. Dien Bien Phu was a remote valley on the border of Laos along a simple rural trade route. But it would also be where a great European power fell to an underestimated insurgent army and lost control of a crucial colony. Valley of Death is the untold story of the 1954 battle that, in six weeks, changed the course of history. A veteran of the French Army, Ted Morgan has made use of exclusive firsthand reports to create the most complete and dramatic telling of the conflict ever written. Here is the history of the Vietminh liberation movement’s rebellion against French occupation after World War II and its growth as an adversary, eventually backed by Communist China. Here too is the ill-fated French plan to build a base in Dien Bien Phu and draw the Vietminh into a debilitating defeat—which instead led to the Europeans being encircled in the surrounding hills, besieged by heavy artillery, overrun, and defeated. Making expert use of recently unearthed or released information, Morgan reveals the inner workings of the American effort to aid France, with Eisenhower secretly disdainful of the French effort and prophetically worried that “no military victory was possible in that type of theater.” Morgan paints indelible portraits of all the major players, from Henri Navarre, head of the French Union forces, a rigid professional unprepared for an enemy fortified by rice carried on bicycles, to his commander, General Christian de Castries, a privileged, miscast cavalry officer, and General Vo Nguyen Giap, a master of guerrilla warfare working out of a one-room hut on the side of a hill. Most devastatingly, Morgan sets the stage for the Vietnam quagmire that was to come. Superbly researched and powerfully written, Valley of Death is the crowning achievement of an author whose work has always been as compulsively readable as it is important.

A critical re-examination of the views of Plato, Aristotle, Hegel and Nietzsche on tragedy. Ancient Greek tragedy is revealed as surprisingly modern and experimental, while such concepts as mimesis, catharsis, hubris and the tragic collision are discussed from different perspectives.