The Deeds Of Philip Augustus

The first full English translation of Rigord's Gesta Philippi Augusti, The Deeds of Philip Augustus makes available to Anglophone readers the most important narrative account of the reign of King Philip II of France (r. 1180–1223), a critical source about this pivotal figure in the development of the medieval French monarchy and an intriguing window into many aspects of the broader twelfth century. Rigord wrote his chronicle in Latin, covering the first two-thirds of Philip II's reign, including such events as Philip's fateful expulsion of the Jews in 1182, his departure on the Third Crusade in 1190, his governmental innovations, and his victory over King John of England. As Philip II transformed French royal power, Rigord transformed contemporary writing about the nature of that power. Presented in a lively and readable translation framed by an introduction that contextualizes the text and accompanied by annotations, maps, and illustrations, The Deeds of Philip Augustus makes one of the most important documents of twelfth-century France available to a wide new readership.

In the thirteenth century the French kings won ascendancy over France, while France achieved political and cultural supremacy over western Europe. Based on French sources, this meticulously documented study provides an account of how Philip Augustus (1179-1223) brought about this transformation of royal power.

This is the first major study in English of the reign of Philip Augustus who ruled France from 1180 - 1223. Outshone for posterity, by his flamboyant contemporaries, the Angevin family of Henry II and his feuding sons, Philip was in fact far more successful than any of them, astutely playing them off against each other and recovering for the French crown their vast estates in Northern France including Normandy itself. As well as reasserting the power of the Capetian monarchy, he was also leader of the Third Crusade. Drawing together all the threads in the life of one of France's most forceful rulers, this new study offers a study of the nature of monarchy in late medieval Europe as well as an insight into a subtle and secretive personality.

In the last decades, historians and art historians have created an active historiographical debate about one of the most fascinating and studied iconographic themes of the Middle Ages: the royal divine coronation. Indeed, in the specific case of some Ottonian and Salian illuminations, it has been proposed that their function was not only political or to legitimize power, as traditionally suggested (Herrscherbilder), but also liturgical and religious (Memorialbilder). This has led to a complete rethinking of the meaning of this iconographic theme: the divine coronation of the king would not symbolically allude to his earthly power but to the wholly devotional hope of receiving the crown of eternal life in the afterlife. If this academic debate has been concentrated, above all, on Ottonian and Salian royal images, this Special Issue of Arts would like to deal with this topic by stimulating the analysis of royal divine coronation and blessing scenes in religious and liturgical context (mosaics, frescos, or paintings placed in cathedrals or monastic churches and illuminations of liturgical texts) with a wider geographical and temporal setting; that is, the European and Mediterranean kingdoms in the period from the 12th to the 15th centuries.