The Dennis Brutus Tapes

Poet and anti-apartheid activist Dennis Brutus recorded a series of tapes in the 1970s which have been edited and annotated by Bernth Lindfors to give valuable insights into Brutus's life and works. Dennis Brutus (1924-2009) is known internationally as a South African poet, anti-apartheid activist and campaigner for human rights and the release of political prisoners. His literary works include Sirens Knuckles Boots (1963), Letters to Martha, and Other Poems from a South African Prison (1968), A Simple Lust (1973), and Stubborn Hope (1978). When Dennis Brutus was a Visiting Professor at The University of Texas at Austin in 1974-75, he recorded on tape a series of reflections on his life and career. In addition, he frequently responded to questions about his poetry and political activities put to him by students and faculty in formal and informal interviews that were also captured on tape. Transcripts of a selection of these tapes, as well as reprints of two interviews recorded earlier, are reproduced here in order to put on record fragments of the autobiography of a remarkable man who lived in extraordinary times and managed to leave his mark on the land and literature of South Africa. Brutus was an effective anti-apartheid campaigner who succeeded in getting South Africa excluded from the Olympics. His opposition to racial discrimination in sports led to his arrest, banning, and imprisonment on Robben Island. Upon release, he left South Africa and lived most of the rest of his life in exile, where he continued his political work and simultaneously earned an international reputation as a poet who often sang of his love for his country. The tapes are edited by Bernth Lindfors who has added an Introduction and a transcript of a 1970 interview as well as other transcripts of lectures and discussions. Bernth Lindfors is Professor Emeritus of English and African Literatures, The University of Texas at Austin, and founding editor of Research in AfricanLiteratures. He has written and edited numerous books on African literature, including Folklore in Nigerian Literature (1973), Popular Literatures in Africa (1991), Africans on Stage (1999), Early Soyinka (2008), and Early Achebe (2009).

Jeter Publishing presents a middle grade series that celebrates men and women who altered the course of history but may not be as well-known as their counterparts. In this biography, meet South African poet and human rights activist Dennis Brutus. Dennis Brutus was a poet and human rights activist whose works centered on his sufferings and those of his fellow blacks in South Africa. For fourteen years, Dennis taught English and Afrikaans in South Africa. As the white minority government increased restrictions on the black population, he became involved in a series of anti-apartheid related activities, including efforts to end discrimination in sports. The government subsequently banned him from teaching, writing, publishing, attending social or political meetings, and pursuing his studies. In 1963, his refusal to abide by the ban resulted in eighteen months of hard labor on Robben Island, alongside Nelson Mandela. Forbidden to write or publish after his release, Brutus left South Africa in 1966 for England and then the United States, and is now recognized as one of the prominent voices in the anti-apartheid movement.

This book is a refreshing and innovative reading of Dennis Brutus’ poetry, underlining its concern for suffering humanity in the apartheid context and beyond. Through a cogent critical analysis of the poetry from a multifaceted perspective, the work brings to the fore the different motifs, strategies and artistry with which Brutus succeeds in initiating revolt through art. It explains how the poet’s engagement with the poetics of place, apartheid laws, police brutality, questions of travel and language foregrounds these as tropes or metaphors for reinforcing the despicable apartheid image and influencing popular revolt against the system.

Jeter Publishing presents a middle grade series that celebrates men and women who altered the course of history but may not be as well-known as their counterparts. In this biography, meet South African poet and human rights activist Dennis Brutus. Dennis Brutus was a poet and human rights activist whose works centered on his sufferings and those of his fellow blacks in South Africa. For fourteen years, Dennis taught English and Afrikaans in South Africa. As the white minority government increased restrictions on the black population, he became involved in a series of anti-apartheid related activities, including efforts to end discrimination in sports. The government subsequently banned him from teaching, writing, publishing, attending social or political meetings, and pursuing his studies. In 1963, his refusal to abide by the ban resulted in eighteen months of hard labor on Robben Island, alongside Nelson Mandela. Forbidden to write or publish after his release, Brutus left South Africa in 1966 for England and then the United States, and is now recognized as one of the prominent voices in the anti-apartheid movement.

As athletes of today grapple with how to use their public platforms to fight for activist causes, Sport and Apartheid South Africa: Histories of Politics, Power, and Protest examines a set of longer histories of sport, ‘race’, and activism. The book seeks to uncover and understand new historical aspects of apartheid and sport, challenge myths, and rethink dominant narratives. It examines the subject of racially segregated sport in South Africa from national and transnational perspectives, asking questions about how athletes and administrators, transnational anti-apartheid groups and activists, and politicians around the world interpreted and internalized racial segregation in South Africa. By connecting the local to the global, this book illuminates the ways in which apartheid sport animated national and international debates, ranging from racism and human rights to Cold War politics and post-colonialism. Sport and Apartheid South Africa is a significant new contribution to the study of race and politics in sport and will be a great resource for academics, researchers, and advanced students of History, Politics, International Relations, Sociology, and Political Geography. The chapters in this book were originally published in The International Journal of the History of Sport.

The year 1968 was ablaze with passion and mayhem as protests erupted in Paris and Prague, throughout the United States, and in cities on all continents. The Summer Olympic Games in Mexico were to be a moment of respite from chaos. But the image of peace – a white dove – adopted by organizers was an illusion, as was obvious to a record six hundred million people watching worldwide on satellite television. Ten days before the opening ceremony, soldiers slaughtered hundreds of student protesters in the capital. In Games of Discontent Harry Blutstein presents vivid accounts of threatened boycotts to protest racism in the United States, South Africa, and Rhodesia. He describes demonstrations by Czechoslovak gold medal gymnast Věra Čáslavská against the Soviet-led invasion of her country. The most dramatic moment of the Olympic Games was Tommie Smith and John Carlos's black power salute from the podium. Blutstein furnishes new details behind their protest and examines how this iconic image seared itself into historical memory, inspiring Colin Kaepernick and a new generation of athlete-activists to take a knee against racism decades later. The 1968 Summer Games became a microcosm of the discord happening around the globe. Describing a range of protest activities preceding and surrounding the 1968 Olympics, Games of Discontent shines light on the world during a politically transformative moment when discontents were able, for the first time, to globalize their protests.

This remarkable biography features a white American pacifist minister whose tireless work for justice and human rights helped reshape Black civil rights in the U.S. and Africa. George M. Houser (1916–2015) was one of the most important civil rights and antiwar activists of the twentieth century. A conscientious objector during World War II, in 1942 Houser cofounded and led the Congress of Racial Equality (CORE), whose embrace of nonviolent protest strategies and tactics characterized the modern American Civil Rights Movement. Beginning in the 1950s, Houser played a critical role in pan-Africanist anticolonial movements, and his more than thirty-year dedication to the cause of human rights and self-determination helped prepare the ground for the toppling of the South African apartheid regime. Throughout his life, Houser shunned publicity, preferring to let his actions speak his faith. Sheila Collins’s well-researched biography recounts the events that informed Houser’s life of activism—from his childhood experiences as the son of missionaries in the Philippines to his early grounding in the Social Gospel and the teachings of Mohandas Gandhi. In light of the corruption the U.S. and the world face today, Houser’s story of faith and decisive action for human rights and social justice is one for our time.

The Routledge Handbook of the New African Diasporic Literature introduces world literature readers to the transnational, multivocal writings of immigrant African authors. Covering works produced in Europe, North America, and elsewhere in the world, this book investigates three major aesthetic paradigms in African diasporic literature: the Sankofan wave (late 1960s–early 1990s); the Janusian wave (1990s–2020s); and the Offshoots of the New Arrivants (those born and growing up outside Africa). Written by well-established and emerging scholars of African and diasporic literatures from across the world, the chapters in the book cover the works of well-known and not-so-well-known Anglophone, Francophone, and Lusophone writers from different theoretical positionalities and critical approaches, pointing out the unique innovative artistic qualities of this major subgenre of African literature. The focus on the “diasporic consciousness” of the writers and their works sets this handbook apart from others that solely emphasize migration, which is more of a process than the community of settled African people involved in the dynamic acts of living reflected in diasporic writings. This book will appeal to researchers and students from across the fields of Literature, Diaspora Studies, African Studies, Migration Studies, and Postcolonial Studies.