The Descent Of The God

This is a fascinating study which confirms that there is as much support in the Fathers as in heterodox sources - though different - for the idea of a suffering God. Louis Dupre, Yale University Joseph Hallman here makes a significant contribution to the perennial theological dilemma: how can an unchanging God relate to a changing world? The author displays a mastery of the patristic sources as well as familiarity with contemporary philosophical approaches to the issue. The Greek philosophical assumption of the immutability of God has retained a profound influence on Christian thought until modern times despite the attempts of patristic writers to harmonize the Incarnation with God's immutability. Hallman suggests that the most promising resolution to this dilemma comes to us in the work of Whitehead. Carl A. Volz, Luther Northwestern Theological Seminary Hallman's book is unusual and timely. Hallman is a systematic thinker, not a historian, yet he has taken the time to read the early Christian sources attentively, and his conclusions are surprising and provocative. In a sense, this book is a theological version of candid camera: it sets forth those things that early Christian thinkers are not supposed to have said.... In an age in which historians of Christian thought ignore contemporary thinkers, and systematic theologians act as though Christian thought began with the Enlightenment, 'The Descent of God' is a challenge to both brands of obscurantism. Robert L. Wilken, University of Virginia

We are not alone. Some call them devils or demons. But they are real. They are down there. And they are waiting for us to find them. In a cave in the Himalayas, a guide discovers a self-mutilated body with a warning: Satan exists. In the Kalahari Desert, a nun unearths evidence of a proto-human species and a deity called Older-than-Old. In Bosnia, something has been feeding upon the dead in a mass grave. So begins mankind’s most shocking realization: the underworld is a vast geological labyrinth populated by another race of beings. With all of Hell's precious resources and territories to be won, a global race ensues. Nations, armies, religions, and industries rush to colonize and exploit the subterranean frontier. A scientific expedition is launched westward to explore beneath the Pacific Ocean floor, both to catalog the riches there and to learn how life could develop in the sunless abyss. But in the dark underground, as humanity falls away from them, the scientists and mercenaries find themselves prey not only to the savage creatures, but also to their own treachery, mutiny, and greed. One thing is certain: Miles inside the earth, evil is very much alive.

The Christian confession that Jesus Christ descended into hell has been variously misunderstood or simply neglected by the Church and dogmatic theology. This work is a significant retort to dogmatic forgetfulness and ecclesial misunderstanding. It succeeds in doing so by offering a close reading and critical analysis of Karl Barth's treatment of the descent into hell and its relation to his extraordinary theology of the atonement. The reach of David Lauber's work is extended by placing Barth in conversation with Hans Urs von Balthasar's innovative theology of Holy Saturday. In revealing and unexpected ways, this book casts light upon the ecumenical breadth of Barth's theology. It is a valuable interpretation of significant facets of Barth's doctrine of God, reflection upon the passion of Jesus Christ, and ethics. In addition, Lauber offers a constructive theological proposal for how the descent into hell affects the theological interpretation of Scripture, the trinitarian being and activity of God, and the non-violent and authentic shape of Christian life and witness before our enemies.

The world is not what you think. Beneath skyscrapers' leering gargoyles, factories belching smoke and streets packed with the human throng lurk things we are not meant to see. Creatures dwell in the shadows and hidden places. They watch you, stalk you and prey upon your body and soul. The life you lead is a lie. Your darkest fears aren't make-believe. They're real. And now that you have glimpsed this world of darkness, there's no place to hide. The Storytelling System Rulebook is a stand-alone game for the World of Darkness, and is meant for use with Vampire: The Requiem, Werewolf: The Forsaken and Mage: The Awakening.

In this compelling fantasy from a debut author, two young people must unite two warring cultures to banish the gods who destroyed their homeland. The Fallen Gods' War drove the remnants of a victorious army across the ocean in search of a new homeland. A thousand years later, the lifeless continent of Draegora is largely forgotten, a symbol for the regiments that remain. Demons to some. Protectors to others. The power of their god-touched blades has forged a nation, though many resent their absolute control. Riam and Nola are unknowing descendants of the old world. When it’s discovered they carry enough Draegoran blood to serve in the regiments, they are dragged away from their families to begin training. If they survive, they will be expected to enforce the laws of the covenant, to fight the Esharii tribesmen who raid along the border, and to be judge, jury, and executioners for those accused of crimes. For Riam, who welcomes his escape from an abusive father, the power to protect those who cannot defend themselves is alluring. For Nola, who wishes to return home, it is a betrayal by all she holds dear. Neither is given a choice...and neither may ever get the chance to serve. Lies of Descent begins an epic trilogy of fallen gods, betrayal, and magic—where dark motives often dwell within the true and just, and where the things most feared sometimes lead to salvation.

Although George William Russell aka A.E., was a poet, painter newspaper editor and political writer, working for three decades in the Irish cooperative movement, he is probably most well known today as a mystic. His writings on the subject resulting from his Hindu and Theosophical studies and his own visionary abilities, are of major importance to all who are interested in the unseen world. This volume contains all A.E.'s known writings on the subject. Not only are the texts of The Candle of Vision, Song and Its Fountains, The Avatars, The Interpreters and Imaginations and Reveries reprinted here, but so also are all his contributions to The Irish Theosophist and other esoteric journals, his introductions and reviews of books, and the interview in Evans Wentz's The Fairy Faith in Celtic Countries. Also included is "The Return," a hitherto unpublished short work that may well have been the start of a book he felt unable to complete, together with an introductory note by Monk Gibbon. This volume, a Collected Edition of A.E, 's works, has an extensive introduction and copious notes by Raghavan lyer and Nandini Iyer which greatly increases the value of this book to the enquiring reader.

A Breakout NEW YORK TIMES Bestseller A USA Today Bestseller An Indie National Bestseller “Outstanding . . . The days when you had to choose between a great story and a great piece of writing? Gone.” —Esquire “The story unfolds brilliantly, always surprisingly . . . The magic of his prose equals the horror of Johnston’s story; each somehow enhances the other . . . Read this astonishing novel.” —The Washington Post “Tim Johnston’s high-wire literary thriller . . . will leave you gasping.” —Vanity Fair “A riveting literary thriller of the can’t-stop-turning-the-page, stay-up-all-night variety.” —Alice LaPlante, author of A Circle of Wives The Rocky Mountains have cast their spell over the Courtlands, a young family from the plains taking a last summer vacation before their daughter begins college. For eighteen-year-old Caitlin, the mountains loom as the ultimate test of her runner’s heart, while her parents hope that so much beauty, so much grandeur, will somehow repair a damaged marriage. But when Caitlin and her younger brother, Sean, go out for an early morning run and only Sean returns, the mountains become as terrifying as they are majestic, as suddenly this family find themselves living the kind of nightmare they’ve only read about in headlines or seen on TV. As their world comes undone, the Courtlands are drawn into a vortex of dread and recrimination. Why weren’t they more careful? What has happened to their daughter? Is she alive? Will they ever know? Caitlin’s disappearance, all the more devastating for its mystery, is the beginning of the family’s harrowing journey down increasingly divergent and solitary paths until all that continues to bind them together are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point will a girl stop fighting for her life? Written with a precision that captures every emotion, every moment of fear, as each member of the family searches for answers, Descent is a perfectly crafted thriller that races like an avalanche toward its heart-pounding conclusion, and heralds the arrival of a master storyteller.