The Design Of Rabelais S Pantagruel

This is a systematic investigation of the earliest work of Rabelais' Pantagrueline epics. Combining textual analysis with attention to intellectual, cultural and literary contexts, Duval shows that, contrary to popular opinion, the Pantagruel is a coherent work in which every episode is indispensable to the whole.

En analysant le “dessin” du Tiers Livre - sa composition formelle aussi bien que son intention sous-jacente - E. Duval dégage la cohérence profonde d'une œuvre qui passe le plus souvent pour ambiguë et “ménippéenne”. Cette cohérence, qui se manifeste simultanément à deux niveaux (celui du dessin de Pantagruel dans la quête, celui du dessin de Rabelais dans son livre), permet à l'auteur non seulement de résoudre plusieurs apories de la critique rabelaisienne, mais de découvrir dans le Tiers Livre des dimensions et des ironies inaperçues jusqu'à présent.

An accessible, readable account of Rabelais, his work, his thought and his world.

Twenty-two eminent scholars of Early Modernity offer a thorough examination of the art and the main themes of François Rabelais’s work in the larger context of European humanism.

Gargantua and Pantagruel is a pentalogy of novels which tells of the adventures of two giants, Gargantua and his son Pantagruel. The book is written in an amusing, extravagant, and satirical vein, and features much crudity, scatological humor, and violence.

The dazzling and exuberant moral stories of Rabelais (c. 1471-1553) expose human follies with their mischievous and often obscene humour, while intertwining the realistic with carnivalesque fantasy to make us look afresh at the world. Gargantua depicts a young giant, reduced to laughable insanity by an education at the hands of paternal ignorance, old crones and syphilitic professors, who is rescued and turned into a cultured Christian knight. And in Pantagruel and its three sequels, Rabelais parodied tall tales of chivalry and satirized the law, theology and academia to portray the bookish son of Gargantua who becomes a Renaissance Socrates, divinely guided in his wisdom, and his idiotic, self-loving companion Panurge.

This coloring book is unlike any you've seen before. The artwork was drawn in the 1500s! Now in the public domain, these images depict intriguing and grotesque creatures. Some are mostly human, but many are not. There are fish-people, bog creatures, and inanimate objects given life. Many of the creatures are quite well-endowed, and there is indeed a phallic theme running through the figures. This coloring book is not for children!