The Devil Finds Work

Nathaniel's great-grandfather, who is 100 years old, loves to tell stories from his past but seeks someone to join him with a new batch of stories.

Nathaniel's great-grandfather, who is 100 years old, loves to tell stories from his past but seeks someone to join him with a new batch of stories.

From "the best essayist in this country” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness. Baldwin’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist. Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change.

Her uncle sold her soul for wealth... and as she spends more time with her captor, she realizes that she doesn't exactly want it back anymore. Harleen Campbell is a typical high school senior, waiting tables to save up for college. Because her parents died young, she's forced to live with her uncle, a bitter man who would do anything for the next dollar - besides actual work, that is. When he suddenly moves them into a mansion overnight, Harleen worries he's resorted to selling drugs. It turns out, he sold something else entirely... Now, Harleen is forced to give up her education, her friends and her boyfriend in order to move into a castle in the bowels of Hell and marry a man she barely knows, except that he is the definition of evil. She wants to hate him - she does! Except his hazel eyes have flecks of green in them and he has a deep, rumbly Australian accent and the way he looks at her causes shivers to run up and down her spine... It's like they say, you can't help who you fall for. And for Harleen, falling for the devil is easier than she ever imagined. Fans of Lucifer and 10 Things I Hate About You are binge-reading this novel! Scroll up and 1-click your copy today!

"Chronology. Notes.

Studies how racism has been portrayed in American movies, and discusses how Hollywood's views about racism have influenced the rest of the nation.

The devil seeks his due from two unsuspecting students in this YA horror novel for fans of The Library of the Unwritten and VE Schwab. When Tess and Eliot stumble upon an ancient book hidden in a secret tunnel beneath their school library, they accidentally release a devil from his book-bound prison, and he'll stop at nothing to stay free. He'll manipulate all the ink in the library books to do his bidding, he'll murder in the stacks, and he'll bleed into every inch of Tess's life until his freedom is permanent. Forced to work together, Tess and Eliot have to find a way to re-trap the devil before he kills everyone they know and love, including, increasingly, each other. And compared to what the devil has in store for them, school stress suddenly doesn't seem so bad after all. This is a fast-paced YA crossover/gothic horror debut, with a strong romance and an eerie, page-turning plot that will make this a great choice for fans of VE Schwab and Library of the Unwritten by AJ Hackwith. The book is the perfect blend of dark humor, supernatural suspense, and rich, compelling characters.

An analysis of the ground-breaking author's vision and thematic concerns The Harlem-born son of a storefront preacher, James Baldwin died almost thirty years ago, but his spirit lives on in the eloquent and still-relevant musings of his novels, short stories, essays, and poems. What concerned him most—as a black man, as a gay man, as an American—were notions of isolation and disconnection at both the individual and communal level and a conviction that only in the transformative power of love could humanity find any hope of healing its spiritual and social wounds. In Understanding James Baldwin, Marc K. Dudley shows that a proper grasp of Baldwin's work begins with a grasp of the times in which he wrote. During a career spanning the civil rights movement and beyond, Baldwin stood at the heart of intellectual and political debate, writing about race, sexual identity, and gendered politics, while traveling the world to promote dialogue on those issues. In surveying the writer's life, Dudley traces the shift in Baldwin's aspirations from occupying the pulpit like his stepfather to becoming a writer amid the turmoil of sexual self-discovery and the harsh realities of American racism and homophobia. The book's analyses of key works in the Baldwin canon—among them, Go Tell It on the Mountain, Giovanni's Room, "Sonny's Blues," Another Country, The Fire Next Time, and The Devil Finds Work—demonstrate the consistency, contrary to some critics' claims, of Baldwin's vision and thematic concerns. As police violence against people of color, a resurgence in white supremacist rhetoric, and pushback against LGBTQ rights fill today's headlines, James Baldwin's powerful and often-angry words find a new resonance. From early on, Baldwin decried the damning potential of alienation and the persistent bigotry that feeds it. Yet, even as it sometimes wavered, his hope for both the individual and the nation remained intact. In the present historical moment, James Baldwin matters more than ever.