The Devil S Laugh And Other Stories

The Devil's Laugh and Other Stories is a book of folktales to help you check out your philosophy of life. We all know you don't believe in ol Scratch, and you thought you knew what a sphincter was. You've never heard of the Quarry of Suffering, and can't imagine what it's like to have the evil eye yourself. Therefore, save this book for emergencies like the day you need to remember what it was like to discover the joy of reading. H. Alan Tansson has also written Captions to the Cartoons We Live: Vol. I We Think We Think (2010), and Vol. 2 Antidisestablishmentarianistically Speaking (2010). He earns his keep with a variety of jobs in corporate America and is occasionally retired.

The Devil’s Laugh and Other Stories is a book of folktales to help you check out your philosophy of life. We all know you don’t believe in “ol Scratch,” and you thought you knew what a sphincter was. You’ve never heard of the Quarry of Suffering, and can’t imagine what it’s like to have the evil eye yourself. Therefore, save this book for emergencies—like the day you need to remember what it was like to discover the joy of reading. H. Alan Tansson has also written Captions to the Cartoons We Live: Vol. I—We Think We Think (2010), and Vol. 2—Antidisestablishmentarianistically Speaking (2010). He earns his keep with a variety of jobs in corporate America and is occasionally retired.

From the Pulitzer Finalist and universally beloved author of the New York Times best sellers Swamplandia! and Vampires in the Lemon Grove, a stunning new collection of short fiction that showcases Karen Russell’s extraordinary, irresistible gifts of language and imagination. Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In“Bog Girl”, a revelatory story about first love, a young man falls in love with a two thousand year old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors,” two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. In the brilliant, hilarious title story, a new mother desperate to ensure her infant’s safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void—yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.

Newly translated into English, "The Devil's Pool" is the most popular of George Sand's novellas and her best-selling work in France today. Illustrating Sand's brevity, liveliness, and exemplary storytelling, the tale deals with many of her characteristic themes—the relations between the sexes, the plight of the underprivileged, and the role of fantasy in human life—making it an ideal introduction to her work. Also included are translations of two of Sand's most admired short stories, "Lavinia" and "The Unknown God," as well as various relevant essays and documents.

The modem Brazilian short story begins with the mature work of Joaquim Maria Machado de Assis (1839-1908), acclaimed almost unanimously as Brazil's greatest writer. Collectively, these nineteen stories are representative of Machado's unique style and world view, and this translation doubles the number of his stories previously available in English. The stories in this volume reflect Machado's post-1880 emphasis on social satire and experimentation in psychological realism. If he had continued to produce the moralistic love stories and parlor intrigues of his earlier fiction, Machado's legacy would have been an entertaining but inconsequent body of work. However, by 1880 he had begun a devastating satirical assault on society through his fiction. In spite of his ruthlessness, Machado does at times reveal an ironic sympathy for his characters. He is not indifferent to human conflict but uses humor and irony to stress the absurdity of these conflicts, acted out against the backdrop of an indifferent universe. Such a spectacle creates a sense of helplessness that can only inspire wistful amusement. In his technical mastery of the short story. Machado was decades ahead of his contemporaries and can still be considered more modern than most of the modernists themselves. That his stories elicit such strong and diverse reactions today is a tribute to their richness, complexity, and significance.

Laughing at the Devil is an invitation to see the world with a medieval visionary now known as Julian of Norwich, believed to be the first woman to have written a book in English. (We do not know her given name, because she became known by the name of a church that became her home.) Julian “saw our Lord scorn [the Devil's] wickedness” and noted that “he wants us to do the same.” In this impassioned, analytic, and irreverent book, Amy Laura Hall emphasizes Julian's call to scorn the Devil. Julian of Norwich envisioned courage during a time of fear. Laughing at the Devil describes how a courageous woman transformed a setting of dread into hope, solidarity, and resistance.

The Devil is back, just as full of vanity and other human feelings as he was in Natalie Babbitt's first collection, The Devil's Storybook.