The Dharma Astra Text

Partha Chatterjee, a pioneering theorist known for his disciplinary range, builds on his theory of "political society" and reinforces its salience to contemporary political debate. Dexterously incorporating the concerns of South Asian studies, postcolonialism, the social sciences, and the humanities, Chatterjee broadly critiques the past three hundred years of western political theory to ask, Can democracy be brought into being, or even fought for, in the image of Western democracy as it exists today? Using the example of postcolonial societies and their political evolution, particularly communities within India, Chatterjee undermines the certainty of liberal democratic theory in favor of a realist view of its achievements and limitations. Rather than push an alternative theory, Chatterjee works solely within the realm of critique, proving political difference is not always evidence of philosophical and cultural backwardness outside of the West. Resisting all prejudices and preformed judgments, he deploys his trademark, genre-bending, provocative analysis to upend the assumptions of postcolonial studies, comparative history, and the common claims of contemporary politics.

Essays on Telugu and South Indian literature and culture by distinguished Telugu scholar Narayana Rao. Velcheru Narayana Rao’s contribution to understanding Indian cultural history, literary production, and intellectual life—specifically from the vantage of the Andhra region—has few parallels. He is one of the very rare scholars to be able to reflect magisterially on the precolonial and colonial periods. He moves easily between Sanskrit and the vernacular traditions, and between the worlds of orality and script. This is because of his mastery of the “classical” Telugu tradition. As Sanjay Subrahmanyam puts it in his Introduction, “To command nearly a thousand years of a literary tradition is no small feat, but more important still is VNR’s ability constantly to offer fresh readings and provocative frameworks for interpretation.” The essays and reflections in Text and Tradition in South India bring together the diverse and foundational contributions made by Narayana Rao to the rewriting of India’s cultural and literary history. The book is for anyone interested in the history of Indian ideas, the social and cultural history of South India, and the massive intellectual traditions of the subcontinent. Velcheru Narayana Rao is Visweswara Rao and Sita Koppaka Professor in Telugu Culture, Literature, and History at Emory University. His many books include a translation (with David Shulman) of Piṅgaḷi Sūranna’s The Demon’s Daughter: A Love Story from South India, also published by SUNY Press, and Textures of Time: Writing History in South India 1600–1800 (coauthored with David Shulman and Sanjay Subrahmanyam).

Here is a new Clay Sanskrit Library translation of The Five Discourses on Worldly Wisdom, well known also by its Sanskrit title as the "Pancatantra." The king despairs of his idle sons, so he hires a learned brahmin who promises to make their lessons in statecraft unmissable. The brahmin's lessons are disguised as short stories, featuring animal protagonists. The Five Discourses on Worldly Wisdom is the book of India's folk wisdom, teaching the principles of good government and public policy through the medium of delightful stories and pithy proverbs. Its positive attitude towards life and its advocacy of ambition, enterprise, and drive counters any preconception of passivity and other-worldliness in ancient Indian society.

This book takes stock of the results of some two decades of intensive archaeological research carried out on both sides of the Bay of Bengal, in combination with renewed approaches to textual sources and to art history. To improve our understanding of the trans-cultural process commonly referred to as Indianisation, it brings together specialists of both India and Southeast Asia, in a fertile inter-disciplinary confrontation. Most of the essays reappraise the millennium-long historiographic no-man's land during which exchanges between the two shores of the Bay of Bengal led, among other processes, to the Indianisation of those parts of the region that straddled the main routes of exchange. Some essays follow up these processes into better known "classical" times or even into modern times, showing that the localisation process of Indian themes has long remained at work, allowing local societies to produce their own social space and express their own ethos.

Medieval Indian Mindscapes: Space, Time, Society, Man centres on how Indians in pre-colonial times perceived their world. It compares the specific features of their 'mental programmes' with that of their counterparts in other pre-modern societies. While analysing the importance of space in the medieval world view, the book discusses how medieval Indians comprehended their territories and the landscape as 'their own' vis-a-vis the 'alien' space; the development of territorial-cultural and territorial-political identities, and knowledge about other lands and peoples. In a discussion of medieval temporality, the book also studies the ways of perceiving and reckoning time, attitudes to the historical past and the manifold ways of recording it. A special chapter on 'Society' deals with socio-ethical values and behavioural stereotypes of major estate and caste groups like the feudal landlords, priests and officials, merchants and craftsmen, peasants and the lower castes in villages. The book also has a chapter on the medieval Indian perception of Man, his appearance and peculiarities as they pertained to the a≥ behaviour, social status, and the steady development of individuality. Medieval Indian Mindscapes will be of interest to medievalists as well as general readers, keen to know more about the dynamics of pre-modern history and culture.