The Diary Of Ana S Nin 1966 1974

The sixth volume of the diary of “one of the most extraordinary and unconventional writers of [the twentieth] century” (The New York Times Book Review). Anaïs Nin continues “one of the most remarkable diaries in the history of letters” with this volume covering more than a decade of her midcentury life (Los Angeles Times). She debates the use of drugs versus the artist’s imagination; portrays many famous people in the arts; and recounts her visits to Sweden, the Brussels World’s Fair, Paris, and Venice. “[Nin] looks at life, love, and art with a blend of gentility and acuity that is rare in contemporary writing.” —John Barkham Reviews Edited and with a preface by Gunther Stuhlmann

Nin continues her debate on the use of drugs versus the artist's imagination, portrays many famous people in the arts, and recounts her visits to Sweden, the Brussels World's Fair, Paris, and Venice. "ÝNin ̈ looks at life, love, and art with a blend of gentility and acuity that is rare in contemporary writing" (John Barkham Reviews). Edited and with a Preface by Gunther Stuhlmann; Index.

The fourth volume of “one of the most remarkable diaries in the history of letters” (Los Angeles Times). The renowned diarist continues her record of her personal, professional, and artistic life, recounting her experiences in Greenwich Village for several years in the late 1940s, where she defends young writers against the Establishment—and her trip across the country in an old Ford to California and Mexico. “[Nin is] one of the most extraordinary and unconventional writers of [the twentieth] century.” —The New York Times Book Review Edited and with a preface by Gunther Stuhlmann

The diarist’s account of her life in the early 1920s explores “the conflict she felt between artistic longings and her pre-ordained female fate” (The Detroit News). Continuing the journey of self-education and self-discovery she began in Linotte, Anaïs Nin discloses a part of her life that had previously remained private. She discusses the period in which she met Hugo Guiler, the young man who later became her husband, and made the wrenching transition from the shelter of her family to the world of artists and models. She also reveals the struggle she faced between her expected role as a woman and her determination to be a writer—a negotiation that still poses difficulties for many of us almost a century after Nin wrote this diary. “Through sheer nerve, confidence, and will, Nin made of the everyday something magical. This was a gift, indeed, and it’s a fascinating process to witness.” —The Christian Science Monitor With a preface by Joaquin Nin-Culmell

The seventh and final volume of the author’s “remarkable” diary is filled with the reflections of an older woman as she journeys through the world (Los Angeles Times). “One of the most remarkable diaries in the history of letters” ends as the author wished: not with her last two years of pain but at a joyous moment on a trip to Bali (Los Angeles Times). As she ages, Anaïs Nin reflects on how the deeply personal and introspective nature of her writings intertwines with her public life and her connections with other people, including her devoted readers. “One of the most extraordinary and unconventional writers of [the twentieth] century.” —The New York Times Book Review Edited and with a preface by Gunther Stuhlmann

The fifth volume of “one of the most remarkable diaries in the history of letters” (Los Angeles Times). Spanning from the late 1940s through the mid-1950s, this volume covers the author’s experiences in Mexico, California, New York, and Paris; her psychoanalysis; and her experiment with LSD. “Through her own struggling and dazzling courage [Nin has] shown women . . . groping with and growing with the world.” —Minneapolis Tribune Edited and with a preface by Gunther Stuhlmann

A year in the life (1931-1932) of writer Anais Nin when she met Henry Miller and his wife June.