The Dionysian Self

The series presents outstanding monographic interpretations of Nietzsche's work as a whole or of specific themes and aspects. These works are written mostly from a philosophical, literary, communication science, sociological or historical perspective. The publications reflect the current state of research on Nietzsche's philosophy, on his sources, and on the influence of his writings. The volumes are peer-reviewed.

This classic work of creative criticism from German philosopher Friedrich Nietzsche argues that ancient Greek drama represents the highest form of art ever produced. In the first section of the book, Nietzsche presents an in-depth analysis of Athenian tragedy and its many merits. In the second section, Nietzsche contrasts the refinement of classical tragedy with what he regards as the cultural wasteland of the nineteenth-century.

For many people Dionysos is an obscure Greek god of wine and theatre. For others he is so much more. The Dionysian Spirit examines, in an easy and accessible form, the essence of what Dionysos is all about, both as a deity and as a cultural and social force. It looks at the relation of Dionysos with his opposite number Apollo. The twin gifts of Apollos and Dionysos are ekstasis (ecstasy) and entheos (enthusiasm) and have informed and enlivened our lives and cultures from ancient times right to the present day and beyond. The Dionysian Spirit - like the art of a good party - has always been with us and now, in many ways, we need it more than ever. Contents: Devotional to Dionysos / The Visualisation / The Myths of Dionysos / Dionysian Heroes / Dionysos Around the World / Dionysos Across The Millenium / Dionysos Goes Forth

This book argues that The Birth of Tragedy, Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book's elements are reminiscent of Nietzsche's earlier revisions of philology and anticipate the later writings.

Nietzsche and the Dionysian argues that the Dionysian affect in Nietzsche’s early work can be linked to an originary interruption of self-consciousness articulated by the philosophical companion, who compels us to respond to the plurality of life they express by being ‘true to the earth’ and ‘becoming who we are’. Such an ethics, compelled by the Dionysian affect, grounds any future for humanity in the affirmation of the earth and life.

In arguing that Nietzsche's Thus Spoke Zarathustra is a philosophical explanation of the possibility of modernism, the author shows that literary fiction can do the work of philosophy.