The Directory Of The City Of New York

In this eye-opening cultural history, Brian Tochterman examines competing narratives that shaped post–World War II New York City. As a sense of crisis rose in American cities during the 1960s and 1970s, a period defined by suburban growth and deindustrialization, no city was viewed as in its death throes more than New York. Feeding this narrative of the dying city was a wide range of representations in film, literature, and the popular press--representations that ironically would not have been produced if not for a city full of productive possibilities as well as challenges. Tochterman reveals how elite culture producers, planners and theorists, and elected officials drew on and perpetuated the fear of death to press for a new urban vision. It was this narrative of New York as the dying city, Tochterman argues, that contributed to a burgeoning and broad anti-urban political culture hostile to state intervention on behalf of cities and citizens. Ultimately, the author shows that New York's decline--and the decline of American cities in general--was in part a self-fulfilling prophecy bolstered by urban fear and the new political culture nourished by it.

New York mayor Michael Bloomberg claims to run the city like a business. In Bloomberg's New York, Julian Brash applies methods from anthropology, geography, and other social science disciplines to examine what that means. He describes the mayor's attitude toward governance as the Bloomberg Way—a philosophy that holds up the mayor as CEO, government as a private corporation, desirable residents and businesses as customers and clients, and the city itself as a product to be branded and marketed as a luxury good.Commonly represented as pragmatic and nonideological, the Bloomberg Way, Brash argues, is in fact an ambitious reformulation of neoliberal governance that advances specific class interests. He considers the implications of this in a blow-by-blow account of the debate over the Hudson Yards plan, which aimed to transform Manhattan's far west side into the city's next great high-end district. Bringing this plan to fruition proved surprisingly difficult as activists and entrenched interests pushed back against the Bloomberg administration, suggesting that despite Bloomberg's success in redrawing the rules of urban governance, older political arrangements—and opportunities for social justice—remain.

This pocket-sized gem is dedicated to the idea that every species of tree has a story and every individual tree has a history. Includes stories of New York City's trees, complete with photos, tree silhouettes, and leaf and fruit morphologies.

The Gentleman's Directory is a reproduction of New York City's rare 1870 guidebook to more than 150 brothels then operating--presenting "insight into the character and doings of people whose deeds are carefully screened from public view." This vest pocket-sized guide to Manhattan's "nightlife" was easily obtained at city newsstands. While claiming to direct the visitor away from houses of ill repute--"Not that we imagine the reader will ever desire to visit these houses"--the book offered first, second, and third class reviews and ratings. High praise went to houses "kept in a quiet and orderly manner" and that were "finely furnished." A rave review for Miss Emma Benedict's house read: "Everything is here arranged in the first style, while the bewitching smiles of the fairy-like creatures who devote themselves to the services of Cupid are unrivalled by any of the fine ladies who walk Broadway in silks and satins new." Readers were warned to stay away from the streetwalkers, while of houses on Greene Street it was said, "This thoroughfare has become a complete sink of iniquity." Third-rate establishments received such dismissive reviews as "undeserving of further notice" or "it contains nothing of any account." Applewood After Dark's faithful facsimile was reproduced from an original in the collection of the New-York Historical Society.