The Dirty War

"We were all out in la charca, and there they were, coming over the ridge, a battalion ready for war, against a schoolhut full of children." Tanks roaring over farmlands, pregnant mothers tortured, their babies stolen and sold on the black market, homes raided in the dead of night, ordinary citizens kidnapped and never seen again--such were the horrors of Argentina's Dirty War. Now, in A Lexicon of Terror, Marguerite Feitlowitz fully exposes the nightmare of sadism, paranoia, and deception the military dictatorship unleashed on the Argentine people, a nightmare that would claim over 30,000 civilians from 1976 to 1983 and whose leaders were recently issued warrants by a Spanish court for the crime of genocide. Feitlowitz explores the perversion of language under state terrorism, both as it's used to conceal and confuse ("The Parliament must be disbanded to rejuvenate democracy") and to domesticate torture and murder. Thus, citizens kidnapped and held in secret concentration camps were "disappeared"; torture was referred to as "intensive therapy"; prisoners thrown alive from airplanes over the ocean were called "fish food." Based on six years of research and moving interviews with peasants, intellectuals, activists, and bystanders, A Lexicon of Terror examines the full impact of this catastrophic period from its inception to the present, in which former torturers, having been pardoned and released from prison, live side by side with those they tortured. Passionately written and impossible to put down, Feitlowitz shows us both the horror of the war and the heroism of those who resisted and survived--their courage, their endurance, their eloquent refusal to be dehumanized in the face of torments even Dante could not have imagined.

From 1976-1983, an estimated 30,000 people disappeared in Argentina. They were victims of the "Dirty War" - a brutal campaign designed by the government to root out possible subversives. Robert J. Cox, editor of the Buenos Aires Herald, did what few others were willing to do - he told the truth about what was happening every day in his newspaper. He challenged those in power - asking questions and demanding answers.

Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond.

Drawing on interviews with victims of forced disappearance, documents from the state and the Church, as well as field work and participant observation, The Catholic Church and Argentina's Dirty War explores how the Argentine government deployed the legitimating discourse of Catholicism to justify terrorism in the case of La Salette missionaries. It examines how the official Catholic hierarchy rationalized their silence, and how the victims understood their Catholic faith in such a context --

___________ 'This excellent book demands the attention of anyone concerned about civil liberties in the United Kingdom' Guardian 1969 was a year of rising tension, violence and change for the people of Northern Ireland. Rioting in Derry's Bogside led to the deployment of British troops and a shortlived, uneasy truce. The British army soon found itself engaged in an undercover war against the Provisional IRA, which was to last for more than twenty years. In this enthralling and controversial book, Martin Dillon, author of the bestselling The Shankill Butchers, examines the roles played by the Provisional IRA, the State forces, the Irish Government and the British Army during this troubled period. He unravels the mystery of war in which informers, agents and double agents operate, revealing disturbing facts about the way in which the terrorists and the Intelligence Agencies target, undermine and penetrate each other's ranks. The Dirty War is investigative reporting at its very best, containing startling disclosures and throwing new light on previously inexplicable events.

Argentina’s Missing Bones is the first comprehensive English-language work of historical scholarship on the 1976–83 military dictatorship and Argentina’s notorious experience with state terrorism during the so-called dirty war. It examines this history in a single but crucial place: Córdoba, Argentina’s second largest city. A site of thunderous working-class and student protest prior to the dictatorship, it later became a place where state terrorism was particularly cruel. Considering the legacy of this violent period, James P. Brennan examines the role of the state in constructing a public memory of the violence and in holding those responsible accountable through the most extensive trials for crimes against humanity to take place anywhere in Latin America.

“[A] quiet, powerful novel” of a young woman caught in the chaos of Argentina in the mid-1970s, when speaking against the government could mean death (Publishers Weekly). March 23, 1976. Berta watches horrified as her lover, a union organizer named Atilio, is thrown from a window to his death by soldiers. The next day, Colonel Jorge Rafael Videla stages a coup d’état and a military dictatorship takes control of Argentina. And even though she was never a part of Atilio’s union efforts, Berta is on a list to be “disappeared.” Fleeing to relatives in the countryside, she becomes part of the family she knows only from old photographs: Aunt Avelina, who blasts music from an old record player; Uncle Nepomuceno, who watches slugs slither in the garden every afternoon; and Uncle Javier, who sits in his tiny grocery store day and night. But soon enough, Berta realizes she must run even further to save her life—and those she has come to love. With a prose that is light yet penetrating, Gloria Lisé has written “a beautifully simple, poetic story of solidarity and love, with memorable characters painted in the tender strokes of a watercolor” (Luisa Valenzuela, author of Black Novel with Argentines).

The Chechen War was supposed to be over in 1996 after the first Yeltsin campaign, but in the summer of 1999, the new Putin government decided, in their own words, to 'do the job properly'. Before all the bodies of those who had died in the first campaign had been located or identified, many more thousands would be slaughtered in another round of fighting. The first account to be written by a Russian woman, A Dirty War is an edgy and intense study of a conflict that shows no sign of being resolved. Exasperated by the Russian government's attempt to manipulate media coverage of the war, journalist Anna Politkovskaya undertook to go to Chechnya, to make regular reports and keep events in the public eye. In a series of despatches from July 1999 to January 2001 she vividly describes the atrocities and abuses of war, whether it be the corruption endemic in post-Communist Russia, in particular the government and the military, or the spurious arguments and abominable behaviour of the Chechen authorities. In these courageous reports, Politkovskaya excoriates male stupidity and brutality on both sides of the conflict and interviews the civilians whose homes and communities have been laid waste, leaving them nowhere to live, and nothing and no one to believe in.