The Dissident Press

This book examines the abolitionist and labor press, black power publications of the 1960s, the crusade against the barbarism of lynching, the women's movement, and antiwar journals. Streitmatter also discusses gay and lesbian publications, contemporary on-line journals, and counterculture papers like The Kudzu and The Berkeley Barb that flourished in the 1960s.

Kessler challenges the idea that the worlds of media and journalism have ever conformed to a 'free marketplace' image. This present volume investigates a handful of the many fringe groups who, denied access to the mainstream, started marketplaces of their own. Journalistic efforts in six groups are explored: Black Americans; utopians and communitarians; feminists; non-English speaking immigrants; populists, anarchists, socialists, communists; and pacifists, non-interventionists, and resisters from World Wars I and II. The result is an impressive study which shows that such groups have a diversity of origins, and a tradition which spans one and a half centuries.

Challenging the stereotypes of African heterosexuality - from the precolonial era to the present.

This book tells the story of the dissident imaginary of samizdat activists, the political culture they created, and the pivotal role that culture had in sustaining the resilience of the oppositional movement in Poland between 1976 and 1990. This unlicensed print culture has been seen as one of the most emblematic social worlds of dissent. Since the Cold War, the audacity of harnessing obsolete print technology known as samizdat to break the modern monopoly of information of the party-state has fascinated many, yet this book looks beyond the Cold War frame to reappraise its historical novelty and significance. What made that culture resilient and rewarding, this book argues, was the correspondence between certain set of ideas and media practices: namely, the form of samizdat social media, which both embodied and projected the prefigurative philosophy of political action, asserting that small forms of collective agency can have a transformative effect on public life here and now, and are uniquely capable of achieving a democratic new beginning. This prefigurative vision of the transition from communism had a fundamental impact on the broader oppositional movement. Yet, while both the rise of Solidarity and the breakthrough of 1989 seemed to do justice to that vision, both pivotal moments found samizdat social media activists making history that was not to their liking. Back in the day, their estrangement was overshadowed by the main axis of contention between the society and the state. Foregrounding the internal controversies they protagonized, this book adds nuance to our understanding of the broader legacy of dissent and its relevance for the networked protests of today.

Dissident Knowledge challenges the audit-based, neoliberal culture that is threatening the foundational values of higher education institutions everywhere.

The first reports seemed absurd. A Russian dissident, formerly an employee of the KGB and its successor, the FSB, had seemingly been poisoned in a London hotel. As Alexander Litvinenko's condition worsened, however, and he was transferred to hospital and placed under armed guard, the story took a sinister turn. On 23 November 2006, Litvinenko died, apparently from polonium-210 radiation poisoning. He himself, in a dramatic statement from his deathbed, accused his former employers at the Kremlin of being responsible for his murder. Who was Alexander Litvinenko? What had happened in Russia since the end of the Cold War to make his life there untenable, and even in severe jeopardy in Britain? How did he really die, and who killed him? In his spokesman and close friend, Alex Goldfarb, and widow Marina, we have two people who know more than anyone about the real Sasha Litvinenko, and about his murder. Their riveting book sheds astonishing light not just on these strange and troubling events but also on the biggest crisis in relations with Russia since the fall of the Berlin Wall.

This book tells the story of the dissident imaginary of samizdat activists, the political culture they created, and the pivotal role that culture had in sustaining the resilience of the oppositional movement in Poland between 1976 and 1990. This unlicensed print culture has been seen as one of the most emblematic social worlds of dissent. Since the Cold War, the audacity of harnessing obsolete print technology known as samizdat to break the modern monopoly of information of the party-state has fascinated many, yet this book looks beyond the Cold War frame to reappraise its historical novelty and significance. What made that culture resilient and rewarding, this book argues, was the correspondence between certain set of ideas and media practices: namely, the form of samizdat social media, which both embodied and projected the prefigurative philosophy of political action, asserting that small forms of collective agency can have a transformative effect on public life here and now, and are uniquely capable of achieving a democratic new beginning. This prefigurative vision of the transition from communism had a fundamental impact on the broader oppositional movement. Yet, while both the rise of Solidarity and the breakthrough of 1989 seemed to do justice to that vision, both pivotal moments found samizdat social media activists making history that was not to their liking. Back in the day, their estrangement was overshadowed by the main axis of contention between the society and the state. Foregrounding the internal controversies they protagonized, this book adds nuance to our understanding of the broader legacy of dissent and its relevance for the networked protests of today.