The Divine Melody

These songs of Kabir are nothing but the overflowing of that melody that he has heard. These songs are nothing but the overflowing of the flood that he has received into his innermost being. These songs are no longer ordinary songs. These songs are not only those of a poet but those of a mystic - one who knows knows by living it; one who has tasted God who is drunk with God. -Osho

The Divine Melody is a collection of gems from the Writings of the Bahá'í Faith that refer to the Word of God as music emanating from the Mystic Dove or the Nightingale of Paradise. This beautiful and mystical concept refers not only to the Divine Word as a melody but also to the spiritual calling for us to spread the Divine Word in song and to lift up our voices to the praise and glorification of God.

ANGELS HIDE THE DARKEST SECRETS For as long as she can remember, Alexis Minerva has always harbored an unyielding hatred for angels. She'd learned to despise them her entire life until Milo arrived and made her question everything. A divine angel with a mysterious allure, Milo's very presence quickly twists Alexis into a medley of emotions. But if her sister Priscilla's story is one to learn from, Alexis knows she's dancing with the devil by letting Milo in. It doesn't take long for Milo's troubled past and true nature to come to light. And after a chilling call sends Alexis on a search for her missing sister, she finds herself tumbling from an angelic high into the depths of dangers she never imagined possible. Angels are supposed to be good though...right? The holiest creatures share the darkest secrets in this paranormal angel romance with a plot twist that'll send your mind reeling.

Cai-Sheng, a fox demon who can change her gender at will, plays matchmaker to two youths who saved her in a previous life, while coping with her destiny as the patriarch of her species.

The New Monastic Movement is a vibrant source of renewal for the church’s life and mission. Many involved in this movement have quoted Dietrich Bonhoeffer’s conviction that the church must recover ancient spiritual disciplines if it is to effectively engage “the powers that be.” Melodies of a New Monasticism adopts a musical metaphor of polyphony (the combination of two or more lines of music) to articulate the way that these early Christian virtues can be woven together in community. Creatively using this imagery, this book draws on the theological vision of Bonhoeffer and the contemporary witness of George MacLeod and the Iona Community to explore the interplay between discipleship, doctrine, and ethics. A recurring theme is the idea of Christ as the cantus firmus (the fixed song) around which people perform the diverse harmonies of God in church and world, including worship, ecumenism, healing, peace, justice, and ecology.

“Stages refreshing encounters between Lacanian psychoanalysis and its others: Kristeva, Heidegger, Derrida, or Foucault, to name just a few thinkers.” —Ewa Ziarek, author of An Ethics of Dissensus This book weaves together three themes at the intersection of Jacques Lacan and the philosophical tradition. The first is the question of time and memory. How do these problems call for a revision of Lacan’s purported “ahistoricism,” and how does the temporality of the subject in Lacan intersect with the questions of temporality initiated by Heidegger and then developed by contemporary French philosophy? The second question concerns the status of the body in Lacanian theory, especially in connection with emotion and affect, which Lacanian theory is commonly thought to ignore, but which the concept of jouissance was developed to address. Finally, it aims to explore, beyond the strict limits of Lacanian theory, possible points of intersection between psychoanalysis and other domains, including questions of race, biology, and evolutionary theory. The book also engages literary texts. Antigone, Ovid’s Metamorphoses, Hamlet, and even Wordsworth become the muses who oblige psychoanalysis and philosophy to listen once again to the provocations of poetry, which always disrupts our familiar notions of time and memory, of history and bodily or affective experience, and of subjectivity itself. “Shepherdson shows with admirable clarity, cogency and competence that psychoanalysis founds an anthropology of love, hate, desire, beauty, fantasy and memory while keeping its cutting edge in today’s discussions of war, race, sexual difference and tragedy. Thanks to him, thinking with Lacan becomes an act of enlightenment.” —Jean-Michel Rabaté, author of Lacan in America