The Divine Sting

Are beliefs in God and in the soul merely relics of pre-scientific superstition? After all, in the twentieth and twenty-first centuriesthe so-called age of sciencewe know that science can be proven by its fruits: its helped us split the atom and put men on the moon. Religious faith, on the other hand, couldnt accomplish these feats. This conflict leaves modern-day Christians challenged by materialist atheists who claim that faith in God has been discredited by modern physics and psychology. The Divine Sting answers their challenge. Contrary to what most Christians think, belief in God and the soul need not remain matters of religious faith. In fact, it is the atheists themselves who ignore Einsteins shocking revelation about modern sciencethat the physical universe, including the human body and its brain, have never been observed. We have rather only observed mental effects whose source we can only guess at. Atheists naive claims about scientific observation are themselves nothing less than an article of anti-scientific faith. By integrating facts traditionally segregated into categories of philosophy versus theology versus modern science, The Divine Sting will assist you in discovering for yourself how to convert faith in God and belief in the soul into solid, impregnable, and justifiably certain science.

Experience the power of Hatha Yoga as a tool for spiritual transformation. Providing symbolic and mythological context for each asana, the Hidden Language method encourages you to take Hatha beyond the physical. Explore twenty-two asanas through symbol and metaphor. Spiritualize your Hatha practice.

On the back cover of one of his most groundbreaking solo albums, . . . Nothing like the Sun of 1987, Sting (Gordon Matthew Sumner, b. 1951 in Wallsend, UK) somberly stands close to a statue of Mary, the mother of Jesus. The album was released a few months after his own mother, Audrey, died. The picture was taken on the island of Montserrat, where he was recording the album, apparently on the day of her death. “I said goodbye to my mother, as I had a recording date in Montserrat, and she died a week later.” When asked by the author if his mother was particularly connected to Mary, and if this was why he chose this image, he replied “No, but I did.” This evocative photograph and Sting’s quick answer encapsulate the two pillars of this book: a microhistory of a specific British Catholic parish in the 1950s–60s, and the impact that growing up there had on Sting’s artistic output. And beyond that, this book opens a window onto the influence of Catholic education and imagination on millions of less famous people who had similar upbringings.

Unconditionally loving. Sovereign over all. How can God be sovereign over all things and loving towards all people while His creatures possess real freedom and responsibility for their choices? Theologians have wrestled with this question for centuries. But have our attempted solutions made the problem worse? In Wonderful Decree, Travis James Campbell suggests we cannot solve the problem by sacrificing either divine sovereignty and goodness on one hand or human responsibility on the other. While considering Arminian and Molinist alternatives, he concludes that the traditional Augustinian and Calvinist approach best allows these truths to remain in a healthy and biblically-faithful tension. Inspired by the example of Spurgeon, who preferred biblical mystery over human solutions, Campbell encourages readers to trust—even delight—in the harmony of God's love for all and sovereignty over all.

The life story of Sting (Steve Borden), a world wrestling superstar, his quest for superstardom, a world gone terribly wrong, and a life-changing answer when he thought all hope was lost--P. [126].