The Dove That Returns The Dove That Vanishes

The nature of psychoanalysis seems contradictory - deeply personal, subjective and intuitive, yet requiring systematic theory and principles of technique. In The Dove that Returns, The Dove that Vanishes, Michael Parsons explores the tension of this paradox. As they respond to it and struggle to sustain creatively, analysts discover their individual identities. The work of outstanding clinicians such as Marion Milner and John Klauber is examined in detail. The reader also encounters oriental martial arts, greek Tragedy, the landscape painting of John Constable, a Winnicottian theory of creativity and a discussion of the significance of play in psychoanalysis. From such varied topics evolves a deepening apprehension of the nature of the clinical experience. Illustrated throughout , The Dove that Returns, The Dove that Vanishes will prove valuable to those in the field of psychoanalysis, and to those in the arts and humanities who are interested in contemporary psychoanalytic thinking.

The nature of psychoanalysis seems contradictory - deeply personal, subjective and intuitive, yet requiring systematic theory and principles of technique. In The Dove that Returns, The Dove that Vanishes, Michael Parsons explores the tension of this paradox. As they respond to it and struggle to sustain creatively, analysts discover their individual identities. The work of outstanding clinicians such as Marion Milner and John Klauber is examined in detail. The reader also encounters oriental martial arts, greek Tragedy, the landscape painting of John Constable, a Winnicottian theory of creativity and a discussion of the significance of play in psychoanalysis. From such varied topics evolves a deepening apprehension of the nature of the clinical experience. Illustrated throughout , The Dove that Returns, The Dove that Vanishes will prove valuable to those in the field of psychoanalysis, and to those in the arts and humanities who are interested in contemporary psychoanalytic thinking.

Psychoanalysis is an intimate clinical experience and the concepts that it explores aim to grapple with the specific phenomena that unfold when a patient speaks and an analyst listens. This book aims to give concrete examples of how these concepts take shape when analysts work. The structure of the contributions presented in this book matches this concern; drawing on a fragment of an analysis, each contribution illustrates how a notion reveals unforeseen perspectives. The list of entries selected is diverse, with notions encountered in international studies since the Second World War prioritised. Certain classical concepts are nonetheless included when their significance has been shaped by the innovative rereading that contemporary authors have made of them. However, not all the entries in this glossary constitute concepts: some correspond to notions, others to intuitions, and even to recurrent situations with which the analyst is confronted. By grounding, in each entry, the theoretical reflection on a clinical case, the reader is lead towards the incessant to-and-fro process which governs the analyst’s reflections from clinical experience to theory. This book therefore constitutes an essential tool for psychologists, psychoanalysts and all professionals in the field of mental care.

Psychoanalytic theory frequently explains psychopathology from the perspective of either inadequate early care or as the result of environmental factors. In this book the author suggests that poor mental health can be a result of our incapacity to respond to internal and external stimuli, and indicates that spontaneity is essential in the development of many aspects of the self. It is not what happens to us, but how we react to events, that forms who we are. Spontaneity presents an original approach to issues of agency, spontaneity and creativity in psychoanalysis by exploring questions including: active internalisation paradox forgiveness responsibility empathy self de-creation. This book will be essential reading for psychoanalysts, psychotherapists, philosophers and psychologists. It will also prove to be engaging for those interested in psychoanalytic theory and theories of subjectivity.

'Little madnesses' are our most deeply felt enthusiasms, investments and attachments in the sphere of culture. The term was coined by the child psychoanalyst Donald Winnicott, whose work on transitional phenomena grew out of his naming of the transitional object, and extended into preliminary explorations of the crucial role played by cultural experience in a life that feels satisfying. In our socially and culturally sanctioned little madnesses, everyone can find relief from the burden of having to maintain a clear boundary between inner and outer worlds, fantasy and reality, because it is in the space between them that we can find the enthusiasms and passions that excite our creative imaginations. This idea offers intriguing pathways towards understanding how we can engage effectively with the world at a public, social level without setting aside our inner lives, our emotions and our most deeply felt attachments. In Little Madnesses, writers, artists, scholars and experts in a range of fields and disciplines explore the idea of transitional phenomena and consider its potential to extend and deepen our understanding of cultural experience in mental and social life, focusing on the importance of space, place and boundaries in cultural experience; on how we can negotiate media use and cultural identity; and on the aesthetic and creative aspects of cultural experience. Topics covered include cult films, computer use, installation art, trips to the cinema, museums and galleries, the agony and ecstasy of making art and the significance of life stage in cultural experience.

This book proposes a new approach to the problem of aesthetic experience in Western culture. Noting how art world phenomena evoke conventional psychoanalytic speculations about narcissism, the authors turn the tables and “apply” aesthetic questions and concerns to psychoanalytic theory. Experimenting with Freudian and post-Freudian concepts, they propose a non-normative theory of the psychic drive to address and embrace deep tensions in the post-Renaissance aesthetic project, the rise of modernism, and the contemporary art world. It is argued that these tensions reflect central conflicts in the development of patriarchal civilization, which the emergence of the aesthetic domain, as a specialized range of practice, exposes and subverts. The postmodern era of aesthetic reflection is interpreted as the outcome of a complex narcissistic dialectic of idealization and de-idealization that is significant for the understanding of contemporary culture and its historical prospects.

This book addresses five areas of difficulty in psychotherapy: initial assessment, boundaries, money, disruptions, and suicidal crises. It outlines the conceptual issues and the technical details of each of the concept in detail.

How can we understand the pull towards that which we fear: psychosis? In this thought provoking book, Abensour proposes the idea of a temptation towards psychosis rather than a regression, as a response to the hatred or denial of the subject’s origins. She shares her reflections on her psychoanalytic work with psychotic patients focusing on their struggle to achieve a coherent sense of a self that can inhabit a shared world. Abensour locates this struggle within the universal human struggle to achieve a balance between what we can and cannot allow ourselves to know about the reality of death and of our insignificance in the world.