The Drawings And Engravings Of William Blake Fully Illustrated

This carefully crafted ebook: "The Drawings and Engravings of William Blake (Fully Illustrated)" collects the some of the best of William Blake's unique and evocative artwork. William Blake (1757 - 1827) was an English poet, painter, engraver; one of the earliest and greatest figures of Romanticism. His work was filled with religious visions rather than with subjects from everyday life. Blake's fame as an artist and engraver rests largely on a set of 21 copperplate etchings to illustrate the Book of Job in the Old Testament. However, he did much work for which other artists and engravers got the credit. Blake was a poor businessman, and he preferred to work on subjects of his own choice rather than on those that publishers assigned him. Blake is acclaimed one of England's great figures of art and literature and one of the most inspired and original painters of his time.

This unique collection of "William Blake, the Immortal Artist - Complete Drawings & Engravings in One Edition" has been designed and formatted to the highest digital standards. William Blake (1757 – 1827) was an English poet, painter, engraver; one of the earliest and greatest figures of Romanticism. His work was filled with religious visions rather than with subjects from everyday life. Blake's fame as an artist and engraver rests largely on a set of 21 copperplate etchings to illustrate the Book of Job in the Old Testament. However, he did much work for which other artists and engravers got the credit. Blake was a poor businessman, and he preferred to work on subjects of his own choice rather than on those that publishers assigned him. Blake is acclaimed one of England's great figures of art and literature and one of the most inspired and original painters of his time.

21 watercolors interpreting the great biblical book and its theme of unmerited suffering. Also presented here are 11 additional watercolors, plus 28 black-and-white illustrations, including 21 extraordinary engravings based on the watercolors.

Commissioned in 1824 — just three years before his death — Blake's sublime watercolors are peerless interpretations of Dante's vision of Hell, Purgatory, and Heaven and range from finished pieces to rough sketches.

In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.

Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.

FOR the sale of the Linnell collection of drawings, prints and books by Blake, the great room at Christie's was full to overflowing. It was March of 1918. Copies of the Songs of Innocence, of the Marriage of Heaven and Hell; the set of water-colour designs for The Book of Job; the famous century of Dante illustrations; single drawings and rare prints; all were fetching or going to fetch hitherto unparalleled prices. Competition ran high, the excitement of the bidders was infectious. In the middle of the sale Lot 171 was announced; and observers on the edge of the crowd could see, lifted high in the hands of the baize-aproned, impassive attendant, a human mask, conspicuous in its white plaster...