The Driftless Reader

The enchanting, enigmatic Driftless Area of the Upper Midwest is anthologized here with readings and illustrations from the region's Native people, explorers, scientists, historians, farmers, journalists, poets, and artists, including Black Hawk, Mark Twain, Laura Ingalls Wilder, Frank Lloyd Wright, Aldo Leopold, August Derleth, and David Rhodes.

“A fast-moving story about small town life with characters that seem to have walked off the pages of Edgar Lee Masters’s Spoon River Anthology.”—The Wall Street Journal The few hundred souls who inhabit Words, Wisconsin, are an extraordinary cast of characters. The middle-aged couple who zealously guards their farm from a scheming milk cooperative. The lifelong invalid, crippled by conflicting emotions about her sister. A cantankerous retiree, haunted by childhood memories after discovering a cougar in his haymow. The former drifter who forever alters the ties that bind a community. In his first novel in 30 years, David Rhodes offers a vivid and unforgettable look at life in small-town America. “[Rhodes’s] finest work yet . . . Driftless is the best work of fiction to come out of the Midwest in many years.”—Chicago Tribune “Set in a rural Wisconsin town, the book presents a series of portraits that resemble Edgar Lee Masters’s ‘Spoon River Anthology’ in their vividness and in the cumulative picture they create of village life.”—The New Yorker “Encompassing and incisive, comedic and profound, Driftless is a radiant novel of community and courage.”—Booklist (starred review) “A welcome antidote to overheated urban fiction . . . A quiet novel of depth and simplicity.”—Kirkus Reviews “It takes a while for all these stories to kick in, but once they do, Rhodes shows he still knows how to keep readers riveted. Add a blizzard, a marauding cougar and some rabble-rousing militiamen, and the result is a novel that is as affecting as it is pleasantly overstuffed.”—Publishers Weekly

From the award-winning author of The End of Vandalism. “Equal parts heist caper, ghost story and romance . . . in prose that is spare and sly.” (The New York Times) Set in the rugged region of the Midwest that gives the novel its title, The Driftless Area is the story of Pierre Hunter, a young bartender with unfailing optimism, a fondness for coin tricks, and an uncanny capacity for finding trouble. When he falls in love, with the mysterious and isolated Stella Rosmarin, Pierre becomes the central player in a revenge drama he must unravel and bring to its shocking conclusion. Along the way he will liberate $77,000 from a murderous thief, summon the resources that have eluded him all his life, and come to question the very meaning of chance and mortality. For nothing is as it seems in The Driftless Area. Identities shift, violent secrets lie in wait, the future can cause the past, and love becomes a mission that can take you beyond this world. In its tender, cool irony, The Driftless Area recalls the best of neonoir, and its cast of bona fide small-town eccentrics adrift in the American Midwest make for a clever and deeply pleasurable read from one of our most beloved authors. “Drury is nothing less than a wizard . . . Not since Twin Peaks has he rural surreal had such an artful airing.” —The Boston Globe “Superb . . . by one of America’s finest, most imaginative authors.” —San Francisco Chronicle “With deceptively simple prose, Drury is able to evoke characters and scenes in just a few brush strokes.” —Los Angeles Times

The Driftless Land, a collection of essays by Kevin Koch, is a search for the spirit of place among the bluffs, woodlands, and prairies of the Upper Mississippi River valley. The Midwest is commonly known for its flatlands, for oceans of corn pressing towards the horizon beneath a big sky. Lesser known are the steep hills and bluffs, the ravines and towering rock outcroppings where the upper Mississippi carves its meandering path. These rugged lands amid the prairies are known as The Driftless Area, a 20,000 square-mile region of northeast Iowa, northwest Illinois, southeast Minnesota, and southwest and central Wisconsin, bypassed by most of the glaciers. Koch observes, "You can 'love nature' and 'love the land'--but you won't know place until you've walked slowly and attentively through Lost Canyon or the Kickapoo Valley Reserve or Swiss Valley or Trempealeau Mountain, and then returned to learn what you can about them." Hidden within the woodlands are the imprints of human history and the deeper geological story as well, the story of a land untouched by the ancient onslaught of leveling glaciers. The result is a call to know place deeply, whatever place you inhabit.

This is a superb collection of ghost tales from the hills of Wisconsin's driftless region, the southwest area untouched by the last of the glaciers. The region has a rich legacy of folktales, passed down from generation to generation, that are sure to entertain.

Southwest Wisconsin, the rugged area untouched by the last glaciers, is a gem of exquisite beauty and unique natural features. In these lyrical essays, John Motoviloff explores the region as a hunter and fisherman, breaking down the traditional barriers between hunting and environmentalism, between poetry and prose.

A migrant worker is discovered buried in a local quarry with an antique gold coin in his pocket near La Crosse, Wisconsin. Lt. Jim Higgins begins to unravel a murder that will take him back into Wisconsin's early history. During the investigation, Higgins meets a local archaeological savant and treasure hunter who tells him a wild tale about a U.S. Army payroll that was stolen on the way to Fort Crawford in Prairie du Chien in 1866. The payroll has never been recovered. Is the coin on the dead man part of the stolen treasure? Higgins hesitates to base his investigation on a wild tale, but he has nothing else to go on. As his team desperately attempts to make sense of the facts, the killer strikes again. The investigative team realizes the wild tale may be the only explanation for the two murders. In a race against time, Jim struggles to identify the killer-and find the elusive gold treasure.

Liver - Booker prize nominee Will Self's extraordinary examination of lives out of control 'Magnificent, horribly funny' The Times 'Brilliant. One of the most manically imaginative writers at work today' Financial Times 'This is what Self does best: snap-shots of decline and high-concept satires of the "slapstick of addiction" ' Sunday Telegraph 'The best work of Self's I've read' Literary Review From Will Self, the Booker shortlisted author of Umbrella and the pre-eminent chronicler of our neuroses and our times, Liver is a moving, hilarious and scabrous collection of stories about egos, appetites and addictions. It will be adored by readers of Martin Amis, Irvine Welsh and David Mitchell. 'Peculiar, subtle, affecting, humane . . . busy with stylistic experiment, high-concept in-jokes, verbal impasto and flights of fancy. Tremendous fun' Guardian 'No one can revel in the disease and decay of humanity like Self' Metro 'Self is a superb stylist and the laureate of substance abuse, and these hepatic rhapsodies contain some of his most inventive writing' The Times Will Self is the author of nine novels including Cock and Bull; My Idea of Fun; Great Apes; How the Dead Live; Dorian, an Imitation; The Book of Dave; The Butt; Walking to Hollywood and Umbrella, which was shortlisted for the Man Booker Prize. He has written five collections of shorter fiction and three novellas: The Quantity Theory of Insanity; Grey Area; License to Hug; The Sweet Smell of Psychosis; Design Faults in the Volvo 760 Turbo; Tough, Tough Toys for Tough, Tough Boys; Dr. Mukti and Other Tales of Woe and Liver: A Fictional Organ with a Surface Anatomy of Four Lobes. Self has also compiled a number of nonfiction works, including The Undivided Self: Selected Stories; Junk Mail; Perfidious Man; Sore Sites; Feeding Frenzy; Psychogeography; Psycho Too and The Unbearable Lightness of Being a Prawn Cracker.