The Drowned

Bahauddin, Rumi's father, was not only a major force in the development of Islamic spirituality, but also deeply influential in his son's life. This delightful and provocative collection reveals the depth of thirteenth-century Sufi mystical wisdom and its acute observations into nature, humanity, and the mysteries of life. Full of wit and insight, Bahauddin's notes bring to the reader a deeper understanding of his son Rumi's spiritual and intellectual heritage. After his father's death in 1231, Rumi carried his father's spiritual notebook, known as the Maarif, everywhere. The writer Aflaki tells this story of the meeting of Rumi and Shams: Rumi is sitting by a fountain in Konya talking to his students with the Maarif open on the fountain's ledge. Suddenly, Shams interrupts the conversation and pushes the precious text into the water. "Who are you and why are you doing this?" asks Rumi, protesting that this copy of his father's diary is the only one in existence. Shams replies, "It is time for you to live what you have been reading of and talking about. But if you want, we can retrieve the book. It will be perfectly dry. See?" And he lifts Bahauddin's notebook out, "Dry." Rumi set aside his father's book and joined Shams; but now, in this first-ever translation of the vital passages of the Maarif, renowned poet Coleman Barks and Persian scholar John Moyne open a window into the world of Rumi, the young man who became one of the world's best-loved poets and great spiritual teachers.

With an introduction by Helen Dunmore Come for a walk down the river road, For though you're all a long time dead The waters part to let us pass The way we'd go on summer nights In the times we were children And thought we were lovers. The Drowned Book is a work of memory, commemoration and loss, dominated by elegies for those the author has loved and admired. Sean O'Brien's exquisite collection is powerfully affecting, sad and often deeply funny; but it is also a dramatically compelling book - disquieting, even - and full of warnings. As the book unfolds, O'Brien's verse occupies an increasingly dark, subterranean territory - where the waters are rising, threatening to overwhelm and ruin the world above. Winner of both the T. S. Eliot and Forward prizes, The Drowned Book is an extraordinary collection, a classic from one of the leading poets of our time.

Explore the wondrous sea and the oddities of human nature in this international bestselling, thrilling epic novel of a Danish port town. Hailed in Europe as an instant classic, We, the Drowned is the story of the port town of Marstal, Denmark, whose inhabitants sailed the world from the mid-nineteenth century to the end of the Second World War. The novel tells of ships wrecked and blown up in wars, of places of terror and violence that continue to lure each generation; there are cannibals here, shrunken heads, prophetic dreams, and miraculous survivals. The result is a brilliant seafaring novel, a gripping saga encompassing industrial growth, the years of expansion and exploration, the crucible of the first half of the twentieth century, and most of all, the sea. Called “one of the most exciting authors in Nordic literature” by Henning Mankell, Carsten Jensen has worked as a literary critic and a journalist, reporting from China, Cambodia, Latin America, the Pacific Islands, and Afghanistan. He lives in Copenhagen and Marstal. “We, the Drowned sets sail beyond the narrow channels of the seafaring genre and approaches Tolstoy in its evocation of war’s confusion, its power to stun victors and vanquished alike…A gorgeous, unsparing novel.”—Washington Post “A generational saga, a swashbuckling sailor’s tale, and the account of a small town coming into modernity—both Melville and Steinbeck might have been pleased to read it.”—New Republic “Dozens of stories coalesce into an odyssey taut with action and drama and suffused with enough heart to satisfy readers who want more than the breakneck thrills of ships battling the elements.”—Publishers Weekly (starred)

From the bestselling author of Tangerine, a "taut and mesmerizing follow up...voluptuously atmospheric and surefooted at every turn” (Paula McLain, author of The Paris Wife and When the Stars Go Dark). It’s 1966 and Frankie Croy retreats to her friend’s vacant palazzo in Venice. Years have passed since the initial success of Frankie’s debut novel and she has spent her career trying to live up to the expectations. Now, after a particularly scathing review of her most recent work, alongside a very public breakdown, she needs to recharge and get re-inspired. Then Gilly appears. A precocious young admirer eager to make friends, Gilly seems determined to insinuate herself into Frankie’s solitary life. But there’s something about the young woman that gives Frankie pause. How much of what Gilly tells her is the truth? As a series of lies and revelations emerge, the lives of these two women will be tragically altered as the catastrophic 1966 flooding of Venice ravages the city. Suspenseful and transporting, Christine Mangan's Palace of the Drowned brings the mystery of Venice to life while delivering a twisted tale of ambition and human nature.

In his final book before his death, Primo Levi returns once more to his time at Auschwitz in a moving meditation on memory, resiliency, and the struggle to comprehend unimaginable tragedy. Drawing on history, philosophy, and his own personal experiences, Levi asks if we have already begun to forget about the Holocaust. His last book before his death, Levi returns to the subject that would define his reputation as a writer and a witness. Levi breaks his book into eight essays, ranging from topics like the unreliability of memory to how violence twists both the victim and the victimizer. He shares how difficult it is for him to tell his experiences with his children and friends. He also debunks the myth that most of the Germans were in the dark about the Final Solution or that Jews never attempted to escape the camps. As the Holocaust recedes into the past and fewer and fewer survivors are left to tell their stories, The Drowned and the Saved is a vital first-person testament. Along with Elie Wiesel and Hannah Arendt, Primo Levi is remembered as one of the most powerful and perceptive writers on the Holocaust and the Jewish experience during World War II. This is an essential book both for students and literary readers. Reading Primo Levi is a lesson in the resiliency of the human spirit.

She is bound to serve. He is meant to kill. Survival is their prison. Choice is their weapon. As the sacred slave of a goddess, Roma is of a lower caste that serves patrons to sustain the balance between gods and men. What she wants is her freedom, but deserters are hunted and hanged, and Roma only knows how to survive in her village where women are vessels without a voice. When her younger brother is condemned to the same wretched fate as hers, Roma must choose between silence and rebellion. Leviathan is the bastard son of an immortal tyrant. Raised in a military city where everyone knows of his blood relation to the persecuted clans, Leviathan is considered casteless. Lowest of the low. Graduating as one of the deadliest soldiers, he executes in his father's name, displaying his worth. When he faces judgement from his mother's people-the clans-Leviathan must confront his demons and forge his own path, if he ever hopes to reclaim his soul. But in the struggle to protect the people they love and rebuild their identities, Roma's and Leviathan's destinies interlock as the tyrant hunts an ancient treasure that will doom humankind should it come into his possession-a living treasure to which Roma and Leviathan are the ultimate key. Set in a colonised Indo-Persian world and inspired by Pre-Islamic Arabian mythology, The Descent of the Drowned is a tale about power, identity, and redemption, and what it takes to hold on to one's humanity in the face of devastation. TW: Physical and emotional abuse, mention of rape and sodomisation, sexual assault, suicide, bigotry, drug abuse, and human trafficking.

Winner of the George Devine Award for 2002, published to tie in with the opening at the Traverse Theatre at the Edinburgh Festival And that is why we can't have these/Fatally radiant creatures/Walking round the place/Reminding us how clumsy/And mean-spirited/And graceless/And cowardly/And shapeless/And flabby and foul we all are. In a drowned world - how far will you go to save your own skin? In this vicious tale of love, revolt and beauty, Gary Owen presents a vision of a world divided between citizens and non-citizens, where friends betray one another and where surfaces matter more than love or kinship. "A blazing new talent" Guardian "A blast of brilliant theatrical writing straight from the heart of post-modern Wales" Scotsman

Lord Rhyan Hart, Heir Apparent to the Arkasva, High Lord of Glemaria, Imperator to the North hates everything about his title. Its length, its pretentiousness, and the fact that it connects him directly to his father, the sadistic violent man he hates more than anyone in Lumeria. The last thing Rhyan wants to do is spend the summer before his Revelation Ceremony traveling across the Empire with him for a state visit. Rhyan's resigned to his season of misery until he reaches Bamaria and sees Lady Lyriana Batavia. Rhyan's sure she doesn't remember their meeting a decade ago, but an act of kindness from her stayed with him through the years. Though he longs to know the woman she's become, he must keep his distance to protect her from his father's sinister political maneuvers. But when the undeniable attraction between them garners the attention of two dangerous Imperators competing for power, Rhyan must play the villain to keep him and Lyriana from becoming pawns. Jules, Lyriana's cousin and best friend, is the only one to see through his facade, becoming his unlikely ally as they navigate instability in the Bamarian Court. Though Lyriana is suspicious of his true motives, Rhyan's plan has nearly succeeded—until the night of the solstice, when hidden enemies emerge, posing an even greater threat. To save the girl he loves, Rhyan must play the hero—but to do so involves risking not only his heart, but exposing his most dangerous secret.