The Early Morning Phonecall

As migration from poverty-stricken and conflict-affected countries continues to hit the headlines, this book focuses on an important counter-flow: the money that people send home. Despite considerable research on the impact of migration and remittances in countries of origin - increasingly viewed as a source of development capital - still little is known about refugees' remittances to conflict-affected countries because such funds are most often seen as a source of conflict finance. This book explores the dynamics, infrastructure, and far-reaching effects of remittances from the perspectives of people in the Somali regions and the diaspora. With conflict driving mass displacement, Somali society has become progressively transnational, its vigorous remittance economy reaching from the heart of the global North into wrecked cities, refugee camps, and remote rural areas. By 'following the money' the author opens a window on the everyday lives of people caught up in processes of conflict, migration, and development. The book demonstrates how, in the interstices of state disruption and globalisation, and in the shadow of violence and political uncertainty, life in the Somali regions goes on, subject to complex transnational forms of social, economic, and political innovation and change.

As migration from poverty-stricken and conflict-affected countries continues to hit the headlines, this book focuses on an important counter-flow: the money that people send home. Despite considerable research on the impact of migration and remittances in countries of origin - increasingly viewed as a source of development capital - still little is known about refugees' remittances to conflict-affected countries because such funds are most often seen as a source of conflict finance. This book explores the dynamics, infrastructure, and far-reaching effects of remittances from the perspectives of people in the Somali regions and the diaspora. With conflict driving mass displacement, Somali society has become progressively transnational, its vigorous remittance economy reaching from the heart of the global North into wrecked cities, refugee camps, and remote rural areas. By 'following the money' the author opens a window on the everyday lives of people caught up in processes of conflict, migration, and development. The book demonstrates how, in the interstices of state disruption and globalisation, and in the shadow of violence and political uncertainty, life in the Somali regions goes on, subject to complex transnational forms of social, economic, and political innovation and change.

Lord Burford had some serious misgivings about hosting yet another house party at Alderley. After all, the previous two could, at best, be described as disastrous. But with family members travelling down for the funeral of an elderly relative, the Earl really had no choice but to offer accommodation. It did not take long for things to go wrong even before a body was found. For readers who want the twist in the tale to be as elegant as a well-tied cravat, it would be criminal to miss The Affair of the Thirty-Nine Cufflinks.

Ms. Moxie Mooney is Hollywood royalty—and she’s in trouble. At the summons of his on-again, off-again lover, Fletch drops in on Moxie’s film set, located in sunny Florida. If being called up for help by the box office beauty isn’t work enough, Steve Peterman, Moxie’s sleazy manager, is murdered while the cameras are rolling, and no one managed to see a thing. Despite the obvious lack of evidence, the rumor mill is still quick to churn up a potentially plausible suspect: Moxie. Realizing the need for a little R&R away from prying eyes, he hastily flies Moxie and her drunken father off to Key West. But trouble follows Fletch, in every sense of the word, and soon enough he’s playing host to a full house of Hollywood’s brightest. In true Fletch style, he delves into the investigation, dodging police inquiry, betting on race horses, taking a leisurely sail, and talking up his elite houseguests to get the dirt and solve this perplexing murder.

Why I Went to Prison By Marjorie Parise Why I Went to Prison is the story of how a 55-year-old mother of two was sent to Federal prison. The story involves political corruption, extortion, and a major “land grab” in Ocean County, New Jersey, with the direct involvement from Governor Chris Christie (while NJ State Federal Attorney), with “strong arm” support of Political Boss George Gilmore, in the execution and cover up of crimes committed by elected and appointed public officials. Why I Went to Prison shows how both men were involved in directly sending the author to prison for two years, the sickening depth that political corruption exists in New Jersey, and how the current Federal Attorney turns a blind eye to it all. In short, this is the story of a “whistleblower” who got in the way of the “machine” and was severely punished.

New York, the city. New York, the magazine. A celebration. The great story of New York City in the past half-century has been its near collapse and miraculous rebirth. A battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks, was reinvigorated by the twinned energies of starving artists and financial white knights. Over the next generation, the city was utterly transformed. It again became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. It was the place to be—if you could afford it. Since its founding in 1968, New York Magazine has told the story of that city’s constant morphing, week after week. Covering culture high and low, the drama and scandal of politics and finance, through jubilant moments and immense tragedies, the magazine has hit readers where they live, with a sensibility as fast and funny and urbane as New York itself. From its early days publishing writers like Tom Wolfe, Jimmy Breslin, and Gloria Steinem to its modern incarnation as a laboratory of inventive magazine-making, New York has had an extraordinary knack for catching the Zeitgeist and getting it on the page. It was among the originators of the New Journalism, publishing legendary stories whose authors infiltrated a Black Panther party in Leonard Bernstein’s apartment, introduced us to the mother-daughter hermits living in the dilapidated estate known as Grey Gardens, launched Ms. Magazine, branded a group of up-and-coming teen stars “the Brat Pack,” and effectively ended the career of Roger Ailes. Again and again, it introduced new words into the conversation—from “foodie” to “normcore”—and spotted fresh talent before just about anyone. Along the way, those writers and their colleagues revealed what was most interesting at the forward edge of American culture—from the old Brooklyn of Saturday Night Fever to the new Brooklyn of artisanal food trucks, from the Wall Street crashes to the hedge-fund spoils, from The Godfather to Girls—in ways that were knowing, witty, sometimes weird, occasionally vulgar, and often unforgettable. On “The Approval Matrix,” the magazine’s beloved back-page feature, New York itself would fall at the crossroads of highbrow and lowbrow, and more brilliant than despicable. (Most of the time.) Marking the magazine’s fiftieth birthday, Highbrow, Lowbrow, Brilliant, Despicable: 50 Years of New York draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. Through stories and images of power and money, movies and food, crises and family life, it constitutes an unparalleled history of that city’s transformation, and of a New York City institution as well. It is packed with behind-the-scenes stories from New York’s writers, editors, designers, and journalistic subjects—and frequently overflows its own pages onto spectacular foldouts. It’s a big book for a big town.

Through rich stories of African migrant women in Johannesburg, this book explores the experience of living between geographies. Author Caroline Kihato draws on fieldwork and analysis to examine the everyday lives of those inhabiting a fluid location between multiple worlds, suspended between their original home and an imagined future elsewhere.

A collection of ghostly encounters, all concerning American ghosts reported in such places as suburban homes, city apartments, at a state college, and on airplanes.