The Earth Gazers

The most beautiful and influential photographs ever made were of the whole earth seen from space. They were taken from the moon, almost as an afterthought, by the astronauts of the Apollo space programme. They inspired a generation to think more seriously about our responsibility for this tiny oasis in space, the 'blue marble' falling through empty darkness. This is a book about the long road to the capture of those unforgettable images. It is a history of the space programme and of the ways in which it transformed our view of the earth and changed the lives of the astronauts who walked in space and on the moon. It is the story of the often blemished visionaries who inspired that journey into space: Charles Lindbergh, Robert Goddard and Wernher Von Braun, and of the courageous pilots who were the first humans to escape the Earth's orbit.

A beginner’s book on astronomy, which should enable anyone to locate the various constellations. Primer for Star Gazers explains in simple pictures and directions, with brief consideration to fixed stars, the northern sky and the planets. It includes a star calendar. “This book is an effort to rescue the ancient love of simple star-gazing from the avalanche of mathematics and physics under which modern astronomy threatens to bury it.”—Henry M. Neely “For the absolute amateur, who does not want too scientific a study but does want to be able to recognize the principal stars and constellations”—Kirkus Review

How universal are our moral obligations? Should we attempt to communicate with life beyond our planet? What is "life"? Social and Conceptual Issues in Astrobiology explores the most important questions related to the field of astrobiology, and the resulting book is the most comprehensive, interdisciplinary approach focused on the humanistic issues of the multidisciplinary science of astrobiology to date. Questions surrounding life on other planets have troubled humankind for centuries; this volume outlines the questions for the next decade of research in the field of astrobiology. Kelly C. Smith and Carlos Mariscal have assembled the top scholars from fields spanning history, communication, philosophy, law, and theology to consider the implications of life elsewhere. The perspectives supplied by this expansive group of contributors have never before been collected in book a book focused on astrobiology. This book sets a benchmark for future work in astrobiology, giving readers the groundwork from which to base the continuous scholarship coming from this ever-growing scientific field.

It is so easy to rush through life, rarely stopping in the moments when a yearning for more comes to the surface. Here, Malcolm Duncan uses his poem, God Gazer, to entreat us to stop and look into God and to let Him look into us. This is a call to return to our primary calling: to seek and discover God. We see that to be world changers we must learn to gaze into God; that we can have an impact, but only as we look into Him and let ourselves be changed. Once we have seen Him, our passion becomes that others will see Him, connect to the Source, and see their own lives transformed. Reflective, engaging and inspiring, this book will help readers connect with the beauty, mystery and wonder of God.

A groundbreaking look at Gaia theory’s intersections with neocybernetic systems theory Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems is a pioneering exploration of the dynamic and complex evolution of Gaia’s many variants, with special attention to Margulis’s foundational role in these developments. Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis’s work—including multiple pieces of her unpublished Gaia correspondence—he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia’s systems description and extends his own systems-theoretical synthesis under what he terms “metabiotic Gaia.” This study illuminates current issues in neighboring theoretical conversations—from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making.

Celebrating the invention of vehicles, this collective biography tells the inspiring stories of the visionaries who changed the way we move across air, water, and land. Perfect for fans of Mistakes that Worked and Girls Think of Everything.

From the invention of skyscrapers and airplanes to the development of the nuclear bomb, ideas about the modern increasingly revolved around vertiginous images of elevation and decline and new technologies of mobility and terror from above. In The Vertical Imagination and the Crisis of Transatlantic Modernism, Paul Haacke examines this turn by focusing on discourses of aspiration, catastrophe, and power in major works of European and American literature as well as film, architecture, and intellectual and cultural history. This wide-ranging and pointed study begins with canonical fiction by Franz Kafka, Virginia Woolf, James Joyce, and John Dos Passos, as well as poetry by Guillaume Apollinaire, Hart Crane, and Aimé Césaire, before moving to critical reflections on the rise of New York City by architects and writers from Le Corbusier to Simone de Beauvoir, the films of Alfred Hitchcock and theories of cinematic space and time, and postwar novels by Kurt Vonnegut, Thomas Pynchon, and Leslie Marmon Silko, among many other examples. In tracing the rise and fall of modernist discourse over the course of the long twentieth century, this book shows how visions of vertical ascension turned from established ideas about nature, the body, and religion to growing anxieties about aesthetic distinction, technological advancement, and American capitalism and empire. It argues that spectacles of height and flight became symbols and icons of ambition as well as direct indexes of power, and thus that the vertical transformation of modernity was both material and imagined, taking place at the same time through the rapidly expanding built environment and shifting ideological constructions of "high" and "low."