The Eden Project Free Post Apocalyptic

The world had fallen. The mostly vacant cities were silent now. For those who had not been turned or consumed, remote locations proved the best chance to live a while longer before the inevitable end landed its teeth marks on their flesh or its disease in their blood. To eat or be eaten was the last imperative of the once noble species. All the accoutrements of being the most civilized of creatures had faded away and the human beast had been returned to the savagery of the primordial forest. This was the truth everywhere in the world, except one place—a small island, forgotten before and after the fall, a place where the sun yet shined down onto hopeful souls, 117 souls, the children of the Eden Project, who lived all their days until now in a great, glass dome. They were the children of light, pure blooded, uninfected, but they all knew (down to the smallest among them) that these hours of eternal incandescence were numbered. They all knew, every moment they breathed, that their destinies awaited them outside the glass, where darkness forever reigned. NIGHT WITHOUT END (Book Two of The Eden Project) now available

There was only one rule: NEVER LEAVE THE DOME. Inside the dome, 117 tube-born kids lived free of contamination. Trained since birth, they were almost ready to launch their ships and leave the dying planet behind. They were humanity's final hope against extinction. Their mission would be to explore the farthest reaches of the galaxy seeking out a habitable world free of the C-1 virus. They tried not to think of conditions outside the dome where the virus had driven the last of the uninfected into the ground, into dark bunkers where they waited to be rooted out by cannibalistic hordes. Streets had become boneyards. Weeds grew inside long-forgotten government buildings. Fifteen-year-old Genevieve Fifthborn was fully aware that the world was coming to an end, but on the island of The Eden Project she had much bigger problems, boy problems. Only her first love might risk far more than a broken heart, it just might bring about the end of our species.

Traditional apocalyptic texts concern the advent of a better world at the end of history that will make sense of everything that happened before. But what is at stake in the contemporary shift to apocalyptic narratives in which the utopian end of time is removed? The Contemporary Post-Apocalyptic Novel offers an innovative critical model for our cultural obsession with 'the end' by focussing on the significance of time in the 21st-century post-apocalyptic novel and challenging traditional apocalyptic logic. Once confined to the genre of science fiction, the increasing popularity of end-of-the-world narratives has caused apocalyptic writing to feature in the work of some of contemporary literature's most well-known fiction writers. Considering novels by Will Self, Cormac McCarthy, David Mitchell, Emily St. John Mandel, Jeanette Winterson and others, Diletta De Cristofaro frames the contemporary apocalyptic imagination as a critique of modernity's apocalyptic conception of time and history. Interdisciplinary in scope, the book historicises apocalyptic beliefs by exploring how relentlessly they have shaped the modern world.

The Ruins of Eden is a story about a man named Christopher Walker and his journey of discovery. It begins with him and his younger sister Lacey who stumble across a mysterious crumpled piece of paper, while packing up the belongings of their deceased grandmother. Chris collapses onto the cluttered floor of the basement, after reading the letter, which triggers a series of events that lead him down a path of personal peril and self discovery.

A modern day Beauty and the Beast tale about a white skinned pearl in a world of dark skinned coals.

Why are climate mitigation and adaptation failing? This book situates climate policy in the cultural history of future-prediction practices. Tracing relations between modelling, epistemology, politics, food security, religion, art and the apocalyptic, its case studies examine how different modes of representing nature and imagining futures are catalysts or obstacles for immediate action.

A National Book Award Longlist title! "A wondrous book, wise and wild and deeply true." —Kelly Barnhill, Newbery Medal-winning author of The Girl Who Drank the Moon "This is one of those books that haunts you long after you read it. Thought-provoking and magical." —Rick Riordan, author of the Percy Jackson series In the tradition of modern-day classics like Sara Pennypacker's Pax and Lois Lowry's The Giver comes a deep, compelling, heartbreaking, and completely one-of-a-kind novel about nine children who live on a mysterious island. On the island, everything is perfect. The sun rises in a sky filled with dancing shapes; the wind, water, and trees shelter and protect those who live there; when the nine children go to sleep in their cabins, it is with full stomachs and joy in their hearts. And only one thing ever changes: on that day, each year, when a boat appears from the mist upon the ocean carrying one young child to join them—and taking the eldest one away, never to be seen again. Today’s Changing is no different. The boat arrives, taking away Jinny’s best friend, Deen, replacing him with a new little girl named Ess, and leaving Jinny as the new Elder. Jinny knows her responsibility now—to teach Ess everything she needs to know about the island, to keep things as they’ve always been. But will she be ready for the inevitable day when the boat will come back—and take her away forever from the only home she’s known? "A unique and compelling story about nine children who live with no adults on a mysterious island. Anyone who has ever been scared of leaving their family will love this book" (from the Brightly.com review, which named Orphan Island a best book of 2017).

The closing years of the eighteenth century were the particular domain of literary radicals whose work challenged ideas on gender and sexuality. During this transitional period, the poetry of William Blake reflected the changing mores of society as well as his own developing notions of gender. This work presents an in-depth exploration of gender issues in Blake's three epic poems, The Four Zoas, Milton and Jerusalem. The opening chapter discusses basic concepts such as notions of apocalypse, utopia and gender, all essential to the author's reading of Blake. Background regarding the literary atmosphere of the time, which included influence from the tradition of dissent, English Jacobinism and early feminism, is also included, effectively setting the context for Blake's work. The book then examines the poems in chronological order. It concentrates particularly on male and female activity within each work (refuting the common assumption that Blake was anti-feminist) while exploring the symbolism of the poetry. Blake's repeated theme of the struggle between the sexes receives special emphasis, as does the progress of his gender vision through the three poems.