The Elven King S Captive

An elven king is shocked to discover his potential mate... is a human construction worker?When Dustin stumbles into Casersis and touches his magic amulet, Dustin's hint of elven blood starts a magical chain reaction that puts him in mortal danger. The amulet's power begins to rewrite his DNA from human to elf, and if humanity finds out, he'll become a science experiment at best. But when Casersis senses the change, his first instinct is to hold Dustin captive.Casersis wants his young potential mate to be safe and loved while he undergoes his magical change. Exiled from his home and throne by his son, and now a billionaire corporation owner, when Casersis issues commands, his people fall in line. But Dustin is so independent that Casersis doesn't know how to hold onto him without suffocating his new lover.Can Casersis keep Dustin safe by holding him against his will? Or will the threat of captivity erase the bond of trust they had just begun to form?Tags: Dustin may have the power to put Casersis in his place but Casersis is older, like so much older, like a few million years older, what is it with me and age gap?, former king is a selfish idiot, construction worker still loves him, Casersis constantly exasperates Dustin, Dustin wants to throttle him, Dustin loves dining on his lover's slick, Casersis is clueless, Dustin has the Clue-by-Four, it takes repeated smacks, like, many smacks, Casersis should be dead with all the smacks, Dustin is a saint, Casersis is a spoiled turd, Dustin is magically turning into an elf, forced proximity, rags to riches, Dustin is a former construction worker, Casersis is a former elven king, Casersis is also a multi-billionaire, Casersis tries to give Dustin everything to try and entice him to want to stay, Dustin is not amused, soulbonding, fated mates, mages, magic, loveable idiots.

The king of elves kidnapped Amaranta. Now she is his captive and sweetheart. Probably she is destined to become the queen of elves. But the Queen of Fairies does not give up, and intrigues against the rival. The dangerous magical secrets are waiting for Amaranta in the castle of elves.

What do Gandalf and Merlin have in common, besides robes and magical staffs? Where do hobbits get their recipes, riddles, and love of rambling? What other Rings of Power were circulating in medieval Europe? How did Thorin violate the rules of medieval kingship? You’ll find the answers and more in this book, which explores the magic and creativity behind J.R.R. Tolkien’s bestselling story from a historical perspective. Tolkien was a professor of medieval languages and literature at Oxford University, and he drew on his scholarship—and the homely comforts common in his own day—to build the world of The Hobbit. The Hobbit and History uncovers the parallels between the Middle Ages and the intricate culture of Middle-earth that Tolkien created in The Hobbit, showing how historical cultures provided the models for Tolkien’s characters, foods, riddles, and battle tactics. The book explores how European myths and legends inspired Tolkien’s wizards, dragons, and the monsters he created. Seeing Middle-earth and its peoples against these historical backdrops shines new light on the richness of Tolkien’s world, which is rooted in knowledge of European cultures as deep as the archive that Gandalf explores in Minas Tirith. Filled with fascinating facts and reproductions of Tolkien’s original artwork of Smaug and other aspects of Middle-earth, The Hobbit and History is the missing piece for every book and movie fan and anyone who thought their J.R.R. Tolkien collection was complete.

I can turn into a housecat.It's a fun magic, except in a world filled with vampires and werewolves, it doesn't exactly make me a powerhouse. Instead, the supernatural community has classified me as an outcast, which means one thing: picking on me is open season all day, every day.The local fae are the worst of all, and it's during one of their regular "capture the cat-girl" sessions that I shift into my cat form and meet HIM for the first time.Noctus is so powerful his magic radiates off him like a sun, and my fae captors can barely look in his general direction. And then my life gets even more terrifying when Noctus decides to take me with him. As a pet.Why did he pick today to "adopt don't shop" a cat?It gets worse when I realize he's an elf, a ruling race of supernaturals that was supposedly killed off centuries ago.But he's not just any elf, no. He's an elven king, with heaps of secrets to protect. Secrets that I am quickly learning since he includes his new pet in everything from breaking into buildings to inspect classified paperwork to tracking down sketchy supernaturals.All this means if he gets even a hint that I'm not a real cat, I'm going to find out firsthand how elves treat their prisoners.So, escaping Noctus is priority #1. How hard can it be? (Answer: very.)

Iron Age Myth and Materiality: an Archaeology of Scandinavia AD 400-1000 considers the relationship between myth and materiality in Scandinavia from the beginning of the post-Roman era and the European Migrations up until the coming of Christianity. It pursues an interdisciplinary interpretation of text and material culture and examines how the documentation of an oral past relates to its material embodiment. While the material evidence is from the Iron Age, most Old Norse texts were written down in the thirteenth century or even later. With a time lag of 300 to 900 years from the archaeological evidence, the textual material has until recently been ruled out as a usable source for any study of the pagan past. However, Hedeager argues that this is true regarding any study of a society’s short-term history, but it should not be the crucial requirement for defining the sources relevant for studying long-term structures of the longue durée, or their potential contributions to a theoretical understanding of cultural changes and transformation. In Iron Age Scandinavia we are dealing with persistent and slow-changing structures of worldviews and ideologies over a wavelength of nearly a millennium. Furthermore, iconography can often date the arrival of new mythical themes anchoring written narratives in a much older archaeological context. Old Norse myths are explored with particular attention to one of the central mythical narratives of the Old Norse canon, the mythic cycle of Odin, king of the Norse pantheon. In addition, contemporaneous historical sources from late Antiquity and the early European Middle Age - the narratives of Jordanes, Gregory of Tours, and Paul the Deacon in particular - will be explored. No other study provides such a broad ranging and authoritative study of the relationship of myth to the archaeology of Scandinavia.

Anything is possible in the world of Latin American folklore, where Aunt Misery can trap Death in a pear tree; Amazonian dolphins lure young girls to their underwater city; and the Feathered Snake brings the first musicians to Earth. One in a series of folklore reference guides ("...an invaluable resource..."--School Library Journal), this book features summaries and sources of 470 tales told in Mexico, Central America and South America, a region underrepresented in collections of world folklore. The volume sends users to the best stories retold in English from the Inca, Maya, and Aztec civilizations, Spanish and Portuguese missionaries and colonists, African slave cultures, indentured servants from India, and more than 75 indigenous tribes from 21 countries. The tales are grouped into themed sections with a detailed subject index.