The Emily Valentine Poems

Poetry. LGBTQIA Studies. Tenth Anniversary Edition. THE EMILY VALENTINE POEMS, Zoe Whittall's second collection of poetry, challenges the impossible notions of femininity that permeate our culture. The texts within include self-portraits, prose poems, fake fan letters, and confessional lyric snapshots. These are pharmaceutically enhanced tributes to the hangovers of twenty-something love and to the pop icons from an unconventional 1980s childhood. With THE EMILY VALENTINE POEMS, Zoe Whittall offers up the perfect soundtrack for the culturally literate rebel in all of us. "This reminds me that I would like to know everything about this person." --Eileen Myles "Zoe Whittall's poems are snake bite cures masquerading as candy." --RM Vaughan "Zoe Whittall might just be the cockiest, brashest, funniest, toughest, most life-affirming, elegant, scruffy, no-holds-barred writer to emerge from Montreal since Mordecai Richler." --The Globe and Mail

"As elliptical and demanding as Emily Dickinson, Valentine consistently rewards the reader."—Library Journal In her eleventh collection—honored as a finalist for the Pulitzer Prize in poetry—Jean Valentine characteristically weds a moral imperative to imaginative and linguistic leaps and bounds. Whether writing elegies, meditations on aging, or an extended homage to Lucy, the earliest known hominid, the pared-down compactness of her tone and vision reveals a singular voice in American poetry. As Adrienne Rich has said of Valentine's work, "This is a poetry of the highest order, because it lets us into spaces and meanings we couldn't approach in any other way." From "If a Person Visits Someone in a Dream, in Some Cultures the Dreamer Thanks Them": At a hotel in another star. The rooms were cold and damp, we were both at the desk at midnight asking if they had any heaters. They had one heater. You are ill, please you take it. Thank you for visiting my dream. * Can you breathe all right? Break the glass shout break the glass force the room break the thread Open the music behind the glass . . . Jean Valentine, a former State Poet of New York, earned a National Book Award, the Wallace Stevens Award, and the Shelley Memorial Prize. She has taught at Sarah Lawrence, New York University, and Columbia University. She lives in the Morningside Heights neighborhood of New York City.

Insightfully showcasing the inner divide, this poetic memoir aims to break down the larger lies of poetic form and the smaller dishonesties within the self. A fixation on medical language and the crucial aspects of what it means to be human, to love, and to be loved are woven throughout this collection. Featuring compelling lesbian themes, this is a humorous book of self-discovery that conjures up all the joy, toughness, and melancholy of being a girl, both elegant and scruffy at once.

A collection of twenty poems which celebrate Valentine's Day.

A New York Times Book Review Editors’ Choice, this engaging, insightful portrayal of Emily Dickinson sheds new light on one of American literature’s most enigmatic figures. On August 3, 1845, young Emily Dickinson declared, “All things are ready” and with this resolute statement, her life as a poet began. Despite spending her days almost entirely “at home” (the occupation listed on her death certificate), Dickinson’s interior world was extraordinary. She loved passionately, was hesitant about publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer. In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson’s life through ten decisive episodes that distill her evolution as a poet. Ackmann follows Dickinson through her religious crisis while a student at Mount Holyoke, which prefigured her lifelong ambivalence toward organized religion and her deep, private spirituality. We see the poet through her exhilarating frenzy of composition, through which we come to understand her fiercely self-critical eye and her relationship with sister-in-law and first reader, Susan Dickinson. Contrary to her reputation as a recluse, Dickinson makes the startling decision to ask a famous editor for advice, writes anguished letters to an unidentified “Master,” and keeps up a lifelong friendship with writer Helen Hunt Jackson. At the peak of her literary productivity, she is seized with despair in confronting possible blindness. Utilizing thousands of archival letters and poems as well as never-before-seen photos, These Fevered Days constructs a remarkable map of Emily Dickinson’s inner life. Together, these ten days provide new insights into her wildly original poetry and render an “enjoyable and absorbing” (Scott Bradfield, Washington Post) portrait of American literature’s most enigmatic figure.

A finalist for the Scotiabank Giller Prize and a national bestseller, Zoe Whittall’s The Best Kind of People is a stunning tour de force about the unravelling of an all-American family. George Woodbury, an affable teacher and beloved husband and father, is arrested for sexual impropriety at a prestigious prep school. His wife, Joan, vaults between denial and rage as the community she loved turns on her. Their daughter, Sadie, a popular over-achieving high school senior, becomes a social pariah. Their son, Andrew, assists in his father’s defense, while wrestling with his own unhappy memories of his teen years. A local author tries to exploit their story, while an unlikely men’s rights activist attempts to get Sadie onside their cause. With George locked up, how do the members of his family pick up the pieces and keep living their lives? How do they defend someone they love while wrestling with the possibility of his guilt? With exquisite emotional precision, award-winning author Zoe Whittall explores issues of loyalty, truth, and the meaning of happiness through the lens of an all-American family on the brink of collapse.

The Oxford Handbook of Emily Dickinson is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of nineteenth-century US literature and cultural studies, of American poetry, and of the lyric. It also establishes potential agendas for future work in the field of Dickinson studies. This is the first collection on Dickinson to foreground the material and social culture of her time while opening new windows to interpretive possibility in ours. The volume strives to balance Dickinson's own center of gravity in the material culture and historical context of nineteenth-century Amherst with the significance of important critical conversations of our present, thus understanding her poetry with the broadest "Latitude of Home"—as she puts it in her poem "Forever-is composed of Nows." Debates about the lyric, about Dickinson's manuscripts and practices of composition, about the viability of translation across language, media, and culture, and about the politics of class, gender, place, and race circulate through this volume. These debates matter to our moment but also to our understanding of hers. Although rooted in the evolving history of Dickinson criticism, the chapters foreground truly new original research and a wide range of innovative critical methodologies, including artistic responses to her poetry by musicians, visual artists, and other poets. The suppleness and daring of Dickinson's thought and uses of language remain open to new possibilities and meanings, even while they are grounded in contexts from over 150 years ago, and this collection expresses and celebrates the breadth of her accomplishments and relevance.