The Emperor Of The Wind

Evolving from a patrician domus, the emperor's residence on the Palatine became the centre of the state administration. Elaborate ceremonial regulated access to the imperial family, creating a system of privilege which strengthened the centralised power. Constantine followed the same model in his new capital, under a Christian veneer. The divine attributes of the imperial office were refashioned, with the emperor as God's representative. The palace was an imitation of heaven. Following the loss of the empire in the West and the Near East, the Palace in Constantinople was preserved– subject to the transition from Late Antique to Mediaeval conditions – until the Fourth Crusade, attracting the attention of Visgothic, Lombard, Merovingian, Carolingian, Norman and Muslim rulers. Renaissance princes later drew inspiration for their residences directly from ancient ruins and Roman literature, but there was also contact with the Late Byzantine court. Finally, in the age of Absolutism the palace became again an instrument of power in vast centralised states, with renewed interest in Roman and Byzantine ceremonial. Spanning the broadest chronological and geographical limits of the Roman imperial tradition, from the Principate to the Ottoman empire, the papers in the volume treat various aspects of palace architecture, art and ceremonial.

At this moment, a beautiful girl with long hair walked out of the crowd. She is dressed in blue, with black hair flowing like flying, a pair of clear and bright pupils, curved arch eyebrows, long eyelashes, white and flawless skin and thin lips. He is only fifteen years old, but he exudes amazing charm

This edition in four volumes is a record of Napoleon's last years spent on the island of Saint Helena, documented by comte de Las Cases, Napoleons servant and unofficial secretary in exile. Las Cases began his journal on June 20, 1815, two days after Napoleon's defeat at Waterloo, and continued it until his expulsion from St. Helena on orders of the island's governor, Hudson Lowe, at the end of the following year. The core of the work transcribes Las Cases' near-daily conversations with the former Emperor on his life, his career, his political philosophy, and the conditions of his exile. The work entered the popular imagination as something like Napoleon's own personal and political testament, and as such became a founding text in the development of the Napoleon cult and the ideology of Bonapartism.

The family's scum, the city's shame, the typical waste material. Whether it is the pride of outstanding achievements, or muddling through the fop, all look down on him, he is the complete and utter waste. A strange encounter, created the emperor of the cold, play around the city. The world gave me the cold, let me use the ice cold to send back ....