The Empire Of Love

Anthropologist Elizabeth A. Povinelli theorizes intimate relations as sites which bring into view the interplay between liberalism's contradictory ideals of freedom and constraint.

In a simple and compelling writing, the author recreates life in Ancient Egypt when the empire was at its peak. The plot interweaves the Temple´s way of life with betrayals, power struggles, true love, good humor and the wisdom of the Masters. Over the centuries humanity has missed the true spirit of the Egyptian auto-deism concepts, until the present time when our perception has grown to a new level of understanding. Now, in a fantastic journey, the author offers a view of Ancient Egypt, a melange of traditions overlaid with legend, folklore, religious ceremony and natural beauty, to meet the emerging need of the present Age of Aquarius. Through the pages of The Empire of Love the reader will be confronted with different levels of being and parallel realities, experiencing a new dimension foreign to time and space. The plot takes place during the social "revolution" of the 60´s, when Karl, (the main character) feels outcast among his own society and searching for an answer to his growing longing, he leaves New York City in search of that "truth" that he knew was out there. After long hours of a lonely driving through the inter-state highways, he reaches Arizona and overcome by exhaustion he decides to stop and rest for a while. Sitting on a high cliff close to the road, Karl falls asleep and, without any warning, he awakes on the high summit of the Amenti in ancient Egypt, 3,000 years back in time. Karl meets several characters that help to create a gradual awakening that adds more confusion to his perception of reality. A dual feeling of happiness and fear takes place with each incident that evokes subconscious memories that he could not identify. Everything becomes familiar and foreign at the same time The dialogues in the first part of the novel are filled with intense emotion and the teachings of the temple. Karl begins to forget the nostalgic feelings for his American way of life, his beloved XX century fades in his memory and he becomes immersed in the new experience imposed on him by destiny. With the help of the temple´s masters, Karl is induced into a deep hypnotic trance and he relives a previous incarnation in ancient Egypt, as Aum a young temple initiate. During this incarnation Aum (Karl) becomes a master at the temple of Heliopolis. The successive events will bring Karl to a full awakening when different aspects of the Egyptian philosophy are incorporated into the drama, to conclude with the self-awareness and realization of his mission among men.

In the history of the last two thousand years there is but one Person who has been, and is supremely loved. Many have been loved by individuals, by groups of persons, or by communities; some have received the pliant idolatries of nations, such as heroes and national deliverers; but in every instance the sense of love thus excited has been intimately associated with some triumph of intellect, or some resounding achievement in the world of action. In this there is nothing unusual, for man is a natural worshipper of heroes. But in Jesus Christ we discover something very different; He possessed the genius to be loved in so transcendent a degree that it appears His sole genius. Jesus is loved not for anything that He taught, nor yet wholly for anything that He did, although His actions culminate in the divine fascination of the Cross, but rather for what He was in Himself. His very name provokes in countless millions a reverent tenderness of emotion usually associated only with the most sacred and intimate of human relationships. He is loved with a certain purity and intensity of passion that transcends even the most intimate expressions of human emotion. The curious thing is that He Himself anticipated this kind of love as His eternal heritage with men. He expected that men would love Him more than father or mother, wife or child, and even made such a love a condition of what He called discipleship. The greatest marvel of all human history is that this prognostication has been strictly verified in the event. He is the Supreme Lover, for whose love, unrealizable as it is by touch, or glance, or spoken word, or momentary presence, men and women are still willing to sacrifice themselves, and surrender all things. The pregnant words of Napoleon, uttered in his last lonely reveries in St. Helena, still express the strangest thing in universal history: "Caesar, Charlemagne, I, have founded empires. They were founded on force, and have perished. Jesus Christ has founded an empire on love, and to this day there are millions ready to die for Him." Napoleon felt the wonder of it all, the baffling, inexplicable marvel. Were we able to detach ourselves enough from use and custom, to survey the movement of human thought from some lonely height above the floods of Time, as Napoleon in the high sea-silences of St. Helena, we also might feel the wonder of this most wonderful thing the world has ever known.

DigiCat Publishing presents to you this special edition of "The Empire of Love" by W. J. Dawson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

INDIGO'S #1 BEST BOOK OF 2019 NATIONAL BESTSELLER FROM THE AUTHOR OF THE MARROW THIEVES, THE #1 NATIONAL BESTSELLER, MULTI-AWARD WINNER AND CANADA READS FINALIST "Wildly entertaining and profound and essential." --Tommy Orange, The New York Times Broken-hearted Joan has been searching for her husband, Victor, for almost a year--ever since he went missing on the night they had their first serious argument. One hung-over morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher. By the time she staggers into the tent the service is over, but as she is about to leave, she hears an unmistakable voice. She turns, and there is Victor. Only he insists he is not Victor, but the Reverend Eugene Wolff, on a mission to bring his people to Jesus. And he doesn't seem to be faking: there isn't even a flicker of recognition in his eyes. With only two allies--her odd, Johnny-Cash-loving, 12-year-old nephew Zeus, and Ajean, a foul-mouthed euchre shark with deep knowledge of the old ways--Joan sets out to remind the Reverend Wolff of who he really is. If he really is Victor, his life, and the life of everyone she loves, depends upon her success. Inspired by the traditional Métis story of the Rogarou--a werewolf-like creature that haunts the roads and woods of Métis communities--Cherie Dimaline has created a propulsive, stunning and sensuous novel.

This title studies the creation of an 'Empire of Love' in the Pacific and the interconnections between culture and imperial power in the 19th and 20th centuries. It examines the European presence in such contested territories as New Caledonia, and Tahiti, and encounter and conflict in Panama and Indochina.

THE INSTANT NEW YORK TIMES, USA TODAY, AND WALL STREET JOURNAL BESTSELLER From New York Times bestselling author Jay Kristoff comes Empire of the Vampire, the first illustrated volume of an astonishing new dark fantasy saga. From holy cup comes holy light; The faithful hand sets world aright. And in the Seven Martyrs’ sight, Mere man shall end this endless night. It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness. Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order could not stem the tide once daylight failed us, and now, only Gabriel remains. Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope: The Holy Grail.

“No series since George R.R. Martin’s A Song of Ice and Fire has quite captured both palace intrigue and the way that tribal infighting and war hurt the vulnerable the most.” —Paste Magazine The final chapter in the bestselling, critically acclaimed Daevabad Trilogy, in which a con-woman and an idealistic djinn prince join forces to save a magical kingdom from a devastating civil war. Daevabad has fallen. After a brutal conquest stripped the city of its magic, Nahid leader Banu Manizheh and her resurrected commander, Dara, must try to repair their fraying alliance and stabilize a fractious, warring people. But the bloodletting and loss of his beloved Nahri have unleashed the worst demons of Dara’s dark past. To vanquish them, he must face some ugly truths about his history and put himself at the mercy of those he once considered enemies. Having narrowly escaped their murderous families and Daevabad’s deadly politics, Nahri and Ali, now safe in Cairo, face difficult choices of their own. While Nahri finds peace in the old rhythms and familiar comforts of her human home, she is haunted by the knowledge that the loved ones she left behind and the people who considered her a savior are at the mercy of a new tyrant. Ali, too, cannot help but look back, and is determined to return to rescue his city and the family that remains. Seeking support in his mother’s homeland, he discovers that his connection to the marid goes far deeper than expected and threatens not only his relationship with Nahri, but his very faith. As peace grows more elusive and old players return, Nahri, Ali, and Dara come to understand that in order to remake the world, they may need to fight those they once loved . . . and take a stand for those they once hurt.