The Enchanted Castle 2 Chivalrous Love

There is a party in the great hall in King Arthur‘s court. Among the participants, there is a young damsel and a young knight who hate each other. Can the three girls make their hearts melt? This is the second book in a series of 12 about The Enchanted Castle. The Enchanted Castle is a series about three girls, who find an enchanted castle, where the most incredible things can happen. Every time the girls Stick, Pop and Mane visit it, they end up in a new exciting world. Peter Gotthardt was born in Denmark close to Copenhagen in 1946. As a child he loved to read, and spent much of his time reading his way through his local library's collections of history and adventure books. Gotthardt has written more than 60 books for children of which many are set within the realm of the Elves.

Reproduction of the original: The History of Chivalry, Volume I (of 2) by Charles Mills

"In Scotland, Johnson found the remains of the lost feudal world of Macbeth, of abbeys, hermitages, castles and arbitrary power, of violence and luxury, and, in a riot of romantic role-playing, concluded that "the fictions of romantick chivalry" had their basis in history. Throughout his writing, however, Johnson is always ambivalent about romance, and it is his prudent rejection of its seductive dangers that has tended to be stressed by successive generations of critics. This study aims to redress the balance."--BOOK JACKET.

The purpose of this book is to help the English-speaking reader, with an interest in Spanish literature but without specialised knowledge of Cervantes, to understand his long and complex masterpiece: its major themes, its structure, and the inter-connections between its component parts. Beginning from a review of Don Quixote's relation to Cervantes's life, literary career, and its social and cultural context, Anthony Close goes on to examine the structure and distinctive nature of Part I (1605) and Part II (1615), the conception of the characters of Don Quixote and Sancho, Cervantes's word-play and narrative manner, and the historical evolution of posterity's interpretation of the novel, with particular attention to its influence on the theory of the genre. One of the principal questions tackled is the paradoxical incongruity between Cervantes's conception of his novel as a light work of entertainment, without any explicitly acknowledged profundity, and posterity's view of it as a universally symbolic masterpiece, revolutionary in the context of its own time, and capable of meaning something new and different to each succeeding age. ANTHONY CLOSE, now retired, was Reader in Spanish at the University of Cambridge.