The End Of Truth Five Essays On The Demise Of Neoliberalism

What seems to be happening throughout the last decade is the gradual invalidation and dissolution of what we used to call ‘Truth’, and hence the disruption and gradual dissolution of what Foucault had called the existing hierarchical “Regime of Truth”. What remains is not what Marx had hoped to be a more egalitarian regime in which “the educator{s themselves are also] educated”, but rather a ‘Humpty Dumpty Regime’, where ‘Truth’ is whatever the Humpty-Dumpty in power wants it to be. This book argues that this is an unmediated outcome of the profound social, cultural and economic crisis of neoliberal capitalism, and its political corollary, the meteoric rise of populism and authoritarianism, not only in the so-called ‘developing’ countries, but throughout the entire globe. CONTENTS PREFACE INTRODUCTION: AFTER NEOLIBERALISM, THE FLOOD? CHAPTER 1. ON RADICAL AMBIGUITY CHAPTER 2. THE MIDAS BLESSING: TURNING COMMODITIES INTO GIFTS CHAPTER 3. THE END OF TRUTH AS WE KNOW IT – THE DISINTEGRATION OF THE UNIVERSITY DISCOURSE CHAPTER 4. THE GAME OF THRONES AS A FAILED ATTEMPT AT UNIVERSAL POPULISM CHAPTER 5. THE PSYCHOPOLITICS OF THE ENTITLED VICTIM – THE COMING OF AGE OF CONTEMPORARY POPULISM

"These essays (aphorisms, theses, whatever you like) were written fifteen years ago in Turkish, and were published in Turkey in 2007. It was almost an idyllic, Arcadian time if considered from the point of view of today, that is, the nightmarish year 2020 when I am writing this. Trump was still your run-of-the-mill Reality TV star (who was also a millionaire), and could harm only his immediate environment. We only had to deal with the common cold and the flu, which, although deadly enough, could not even begin to compete with the Covid-19 pandemic. Turkey, Russia and India were ruled by populists with authoritarian tendencies even then; but their rule did not seem as eternal and as aggressively autocratic, bordering on fascism, as it is today." * The original book was published in Turkish titled "Bir Şeyler Eksik" by Metis Publishers, Istanbul, 2007. This English version is translated and printed by permission from the publishers. What a joy! Bülent Somay’s new-old text, translated from the Turkish by Bülent himself, takes us into the impenetrable heart of obscure Lacanian psychoanalysis and comes out with clarity, wit and epithetical precision. Theory comes alive here; and along with the fun and games, something dark is brought into the light. - Stephen Frosh, author of Feelings, Psychoanalysis Outside the Clinic, Hauntings and Those Who Come After) With clarity, wit and copious erudition, Bülent Somay brings his critical psychoanalytic eye to our most challenging human relations – the tribulations of sex, love and desire. Somay’s committed sexual politics informs this essential addition to our knowledge of the pleasures and perils of the bonds of desire. Something is Missing is not to be missed. - Lynne Segal, author of Radical Happiness: Moments of Collective Joy. CONTENTS Preface Introduction: Things We don’t Want to Know about Love, Sex and Life Chapter 1. Something is Missing Chapter 2. Knight in Shining Armour Chapter 3. Jealous of You I Am Chapter 4. That Dark/Obscure Object of Desire Chapter 5. ‘There is No Such Thing as a Sexual Relationship’ Chapter 6. The Woman does not Exist Anyhow Chapter 7. Silentium Universi Chapter 8. The Truth is Out There/’The Real’ is Out There Somewhere Index

Ever since its first publication in 1992, The End of History and the Last Man has provoked controversy and debate. Francis Fukuyama's prescient analysis of religious fundamentalism, politics, scientific progress, ethical codes, and war is as essential for a world fighting fundamentalist terrorists as it was for the end of the Cold War. Now updated with a new afterword, The End of History and the Last Man is a modern classic.

This cutting-edge text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. Written with a steampunk attitude, What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities. What is Media Archaeology? advances an innovative theoretical position while also presenting an engaging and accessible overview for students of media, film and cultural studies. It will be essential reading for anyone interested in the interdisciplinary ties between art, technology and media.

This is a book for the age of resistance, for the occupiers of the squares, for the generation of Occupy Wall Street. The premier radical political philosopher of our time offers a devastating critique of the way neoliberalism has hollowed out democracy.

Across the West, hard-right leaders are surging to power on platforms of ethno-economic nationalism, Christianity, and traditional family values. Is this phenomenon the end of neoliberalism or its monstrous offspring? In the Ruins of Neoliberalism casts the hard-right turn as animated by socioeconomically aggrieved white working- and middle-class populations but contoured by neoliberalism’s multipronged assault on democratic values. From its inception, neoliberalism flirted with authoritarian liberalism as it warred against robust democracy. It repelled social-justice claims through appeals to market freedom and morality. It sought to de-democratize the state, economy, and society and re-secure the patriarchal family. In key works of the founding neoliberal intellectuals, Wendy Brown traces the ambition to replace democratic orders with ones disciplined by markets and traditional morality and democratic states with technocratic ones. Yet plutocracy, white supremacy, politicized mass affect, indifference to truth, and extreme social disinhibition were no part of the neoliberal vision. Brown theorizes their unintentional spurring by neoliberal reason, from its attack on the value of society and its fetish of individual freedom to its legitimation of inequality. Above all, she argues, neoliberalism’s intensification of nihilism coupled with its accidental wounding of white male supremacy generates an apocalyptic populism willing to destroy the world rather than endure a future in which this supremacy disappears.

In the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation - penned by none other than the Nobel winner Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics at work today. Taking his cues from T. S. Eliot - whose treatise Notes Towards the Definition of Culture is a touchstone precisely because the culture Eliot aimed to describe has since vanished - Vargas Llosa traces a decline whose ill effects have only just begun to be felt. He mourns, in particular, the figure of the intellectual: for most of the twentieth century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate. But Vargas Llosa stubbornly refuses to fade into the background. He is not content to merely sign a petition; he will not bite his tongue. A necessary provocateur, here vividly translated by John King, provides an impassioned and essential critique of our time and culture.

The Dispossessed has been described by political thinker Andre Gorz as 'The most striking description I know of the seductions—and snares—of self-managed communist or, in other words, anarchist society.' To date, however, the radical social, cultural, and political ramifications of Le Guin's multiple award-winning novel remain woefully under explored. Editors Laurence Davis and Peter Stillman right this state of affairs in the first ever collection of original essays devoted to Le Guin's novel. Among the topics covered in this wide-ranging, international and interdisciplinary collection are the anarchist, ecological, post-consumerist, temporal, revolutionary, and open-ended utopian politics of The Dispossessed. The book concludes with an essay by Le Guin written specially for this volume, in which she reassesses the novel in light of the development of her own thinking over the past 30 years.