The Ephemera

The joy of finding an old box in the attic filled with postcards, invitations, theater programs, laundry lists, and pay stubs is discovering the stories hidden within them. The paper trails of our lives -- or ephemera -- may hold sentimental value, reminding us of great grandparents. They chronicle social history. They can be valuable as collectibles or antiques. But the greatest pleasure is that these ordinary documents can reconstruct with uncanny immediacy the drama of day-to-day life. The Encyclopedia of Ephemera is the first work of its kind, providing an unparalleled sourcebook with over 400 entries that cover all aspects of everyday documents and artifacts, from bookmarks to birth certificates to lighthouse dues papers. Continuing a tradition that started in the Victorian era, when disposable paper items such as trade cards, die-cuts and greeting cards were accumulated to paste into scrap books, expert Maurice Rickards has compiled an enormous range of paper collectibles from the obscure to the commonplace. His artifacts come from around the world and include such throw-away items as cigarette packs and crate labels as well as the ubiquitous faxes, parking tickets, and phone cards of daily life. As this major new reference shows, simple slips of paper can speak volumes about status, taste, customs, and taboos, revealing the very roots of popular culture.

Return to New York Times bestselling author Anne Bishop’s Ephemera, a world of strange and magical landscapes connected only by bridges—bridges that may transport you where you truly belong, rather than where you wish to go. When wizards threaten Glorianna Belladonna and her work to keep Ephemera balanced, her brother, Lee, sacrifices himself in order to save her—and ends up an Asylum inmate in the city of Vision, far away from all he knows. But a darkness is spreading through Vision, perplexing the Shamans who protect it—and Lee is the only one who can shed any light on its mysteries... Includes the Ephemera novella “The Voice”

This extraordinary collection, a trove of enchanting designs, appealing colors, and forgotten motifs that stir the imagination, features an unprecedented assortment of ephemera, or paper collectibles, related to food. It includes images of postcards, match covers, menus, labels, posters, brochures, valentines, packaging, advertisements, and other materials from nineteenth- and twentieth-century America. Internationally acclaimed food historian William Woys Weaver takes us on a lively tour through this dazzling collection in which each piece tells a new story about food and the past. Packed with fascinating history, the volume is the first serious attempt to organize culinary ephemera into categories, making it useful for food lovers, collectors, designers, and curators alike. Much more than a catalog, Culinary Ephemera follows this paper trail to broader themes in American social history such as diet and health, alcoholic beverages, and Americans abroad. It is a collection that, as Weaver notes, will "transport us into the vicarious worlds of dinners past, brushing elbows with the reality of another time, another place, another human condition."

This collection is the first to historicise the term ephemera and its meanings for early modern England and considers its relationship to time, matter, and place. It asks: how do we conceive of ephemera in a period before it was routinely employed (from the eighteenth century) to describe ostensibly disposable print? In the sixteenth and seventeenth centuries—when objects and texts were rapidly proliferating—the term began to acquire its modern association with transitoriness. But contributors to this volume show how ephemera was also integrally related to wider social and cultural ecosystems. Chapters explore those ecosystems and think about the papers and artefacts that shaped homes, streets, and cities or towns and their attendant preservation, loss, or transformation. The studies here therefore look beyond static records to think about moments of process and transmutation and accordingly get closer to early modern experiences, identities, and practices.

This volume addresses two key questions: 1) How can ephemera be understood as a critical category of literary and historical inquiry? and 2) How can ephemera serve pedagogical purposes in the classroom? Each of the essays in Encountering Ephemera 1550-1800: Scholarship, Performance, Classroom addresses these questions by exploring a diverse range of materials as well as periods. The essays collectively work to define ephemera as a complex and multi-faceted critical category in terms of its literary, cultural, and historical significance. Each contributor works to complicate the traditional binary opposition between the ephemeral/transitory and the canonical/enduring, in part by recognizing how attending to the material processes of textual production, transmission, and dissemination highlights the potential instability and mutability of texts (and textual relationships), whether discussing broadside ballads or coterie poetry. By shifting the focus to the processes by which texts are constructed and construed, the prospect of recognizing any text (regardless of its canonical status) as a static and fixed entity becomes difficult and, in turn, the ephemeral qualities that define and constitute the text’s materiality come more sharply into focus. Along these lines, the “ephemeral spaces” across and between discourses – what might be called the “ephemera of cultural poetics” – play a key role in shaping literary texts. Thus, early modern and eighteenth century ephemera constitute both the material (texts not intended to last or designed for limited cultural life) and the process (fleeting and transitory aspects of cultural production). Whether discussing the circulation of cheap print, the performative traces of music and gesture in Shakespeare’s plays, or the diffuse cultural influences that both surround and pervade literary texts, attending to ephemeral matters underscores the dynamic unfixity of early modern and eighteenth century cultural practices.

This history of printed ephemera's rise as an eighteenth-century cultural category transforms understanding of 'disposable' printed items.

All organisms and species are transitory, yet life endures. The origin, extinction, and evolution of species—interconnected in the web of life as "eternal ephemera"—are the concern of evolutionary biology. In this riveting work, renowned paleontologist Niles Eldredge follows leading thinkers as they have wrestled for more than two hundred years with the eternal skein of life composed of ephemeral beings, revitalizing evolutionary science with their own, more resilient findings. Eldredge begins in France with the naturalist Jean-Baptiste Lamarck, who in 1801 first framed the overarching question about the emergence of new species. The Italian geologist Giambattista Brocchi followed, bringing in geology and paleontology to expand the question. In 1825, at the University of Edinburgh, Robert Grant and Robert Jameson introduced the astounding ideas formulated by Lamarck and Brocchi to a young medical student named Charles Darwin. Who can doubt that Darwin left for his voyage on the Beagle in 1831 filled with thoughts about these daring new explanations for the "transmutation" of species. Eldredge revisits Darwin's early insights into evolution in South America and his later synthesis of knowledge into a theory of the origin of species. He then considers the ideas of more recent evolutionary thinkers, such as George Gaylord Simpson, Ernst Mayr, and Theodosius Dobzhansky, as well as the young and brash Niles Eldredge and Steven Jay Gould, who set science afire with their concept of punctuated equilibria. Filled with insights into evolutionary biology and told with a rich affection for the scientific arena, this book celebrates the organic, vital relationship between scientific thinking and its subjects.