The Era Of World War Ii

A masterful and comprehensive chronicle of World War II, by internationally bestselling historian Antony Beevor. Over the past two decades, Antony Beevor has established himself as one of the world's premier historians of WWII. His multi-award winning books have included Stalingrad and The Fall of Berlin 1945. Now, in his newest and most ambitious book, he turns his focus to one of the bloodiest and most tragic events of the twentieth century, the Second World War. In this searing narrative that takes us from Hitler's invasion of Poland on September 1st, 1939 to V-J day on August 14, 1945 and the war's aftermath, Beevor describes the conflict and its global reach -- one that included every major power. The result is a dramatic and breathtaking single-volume history that provides a remarkably intimate account of the war that, more than any other, still commands attention and an audience. Thrillingly written and brilliantly researched, Beevor's grand and provocative account is destined to become the definitive work on this complex, tragic, and endlessly fascinating period in world history, and confirms once more that he is a military historian of the first rank.

Investigating the Second World War - The legacy of the First World War - Why did war not break out until 1939? - The war in Europe and NorthAfrica, 1939-42 - From Barbarossa to Berlin - The war in the Pacific 1941-45 - The civilians' war - The world at peace? - Hiroshima - Nagasaki - Fall of Singapore - Early radar.

This innovative book reveals children's experiences and how they became victims and actors during the twentieth century's biggest conflicts.

“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.

In the World War II era, big bands and swing music reached the heights of popularity with soldiers as well as friends and loved ones back home. Many entertainers such as Glenn Miller also served in the military, or supported the war effort with bond drives and entertaining the troops at home and abroad. In addition to big band and swing music, musicals, jazz, blues, gospel and country music were also popular. Chapters on each, along with an analysis of the evolution of record companies, records, radios, and television are included here, for students, historians, and fans of the era. Includes a timeline of the music of the era, an appendix of the Broadway and Hollywood Musicals, 1939-1945, and an appendix of Songs, Composers, and lyricists, 1939-1945. An extensive discography and bibliography, along with approximately 35 black and white photos, complete the volume.

This volume covers WWII from initial outbreak to final victory with news stories and photos from the Associated Press archives. Victory commemorates the day Nazi Germany surrendered to the Allied forces in Europe: May 8, 1945, VE Day. It covers the war through contemporary Associated Press coverage of key events, plus gripping human-interest accounts. The stories and photographs are presented chronologically so that readers can follow the unfolding conflict as it was experienced by ordinary citizens at the time. From Germany’s invasion of Poland on September 1, 1939, to Japan’s ceremonial signing of surrender aboard the USS Missouri in Tokyo Bay on September 2, 1945, each event is vividly brought to life through images and text from the original articles; historian Alan Axelrod provides insightful introductory text for each chapter.

"This unique compendium, drawn from the Library of Congress's vast collections, presents the story of a tumultuous era in which the very survival of democracy -- and the free flow of knowledge on which democracy depends -- was at issue. In these pages you will find photographs, maps, political cartoons, drawings, posters, and paintings created by people of many nations"--Preface.