The Essential Yusuf Idris

Yusuf Idris (1927-91), who belonged to the same generation of pioneering Egyptian writers as Naguib Mahfouz and Tawfiq al-Hakim, is widely celebrated as the father of the Arabic short story. He studied and practiced medicine, but his interests were in politics and the support of the nationalist struggle, and in writing--and his writing, whether in his regular newspaper columns or in his fiction, often reflected his political convictions. He was nominated for the Nobel Prize for literature more than once, and when the prize went to Naguib Mahfouz in 1988, Idris felt that he had been passed over because of his outspoken views on Israel. In all, Yusuf Idris wrote some twelve collections of superbly crafted short stories, mainly about ordinary, poor people, many of which have been translated into English and are included, along with an extract from one of his novels, in this collection of the best of his work.

From the "genius of the short story," a collection illuminating the lives of the Egyptian lower class by one of the most important and innovative voices of Egyptian literature A Penguin Classic One of Egypt's most acclaimed and well-known authors, Yusuf Idris is heralded as a "renovator and genius of the short story" whose signature stylistic device--the combination of literary and colloquial language à la Huckleberry Finn--transformed Arabic literature. The Cheapest Nights is a collection of some of his most important works, the title story of which follows a man who, unable to sleep, angrily meditates on the state of his life and the extreme poverty in which he finds himself. With compassion, astute observational skills, and biting humor, Idris explores the fraught lives of the Egyptian working class, all the while turning a critical eye on the power structures that oppress them. His collection of short stories, with a foreword by author Ezzedine C. Fishere, is a piercing exploration of power and religion, love and death.

A selection of the most important works of Egypt's Nobel literature laureate. Naguib Mahfouz, the first and only writer of Arabic to be awarded the Nobel prize for literature, wrote prolifically from the 1930s until shortly before his death in 2006, in a variety of genres: novels, short stories, plays, screenplays, a regular weekly newspaper column, and in later life his intensely brief and evocative Dreams. His Cairo Trilogy achieved the status of a world classic, and the Swedish Academy of Letters in awarding him the 1988 Nobel prize for literature noted that Mahfouz "through works rich in nuance-now clear-sightedly realistic, now evocatively ambiguous-has formed an Arabic narrative art that applies to all mankind." Here Denys Johnson-Davies, described by Edward Said as "the leading Arabic-English translator of our time," and the first to translate Naguib Mahfouz into English, makes an essential selection of short stories and extracts from novels and other writings, to present a cross-section through time of the very best of the work of Egypt's Nobel literature laureate.

One of Egypt's foremost writers, the acknowledged genius of the modern Arabic short story. Encompassing works from every stage of his career, this is the first collection of his stories to appear in English.

The late President of Egypt, Gamal Abdel Nasser (1918-1970), has been represented in many major works of Egyptian literature and film, and continues to have a presence in everyday life and discourse in the country. Omar Khalifah's analysis of these representations focuses on how the historical character of Nasser has emerged in the Egyptian imaginary. He explores the recurrent images of Nasser in literature and film and shows how Nasser constitutes a perfect site for plural interpretations. He argues that Nasser has become a rhetorical device, a figure of speech, a trope that connotes specific images constantly invoked whenever he is mentioned. His study makes a case for literature and art to be seen as alternative archives that question, erase, distort and add to the official history of Nasser.

"With an unrelenting barrage of record-breaking temperatures dominating the headlines, an enigma arises--despite the flames licking at our feet, most people fail to fully grasp the gravity of environmental overheating. What acquired habits and mechanisms grant us the capacity to turn a blind eye with an air of detachment? Heat: A History shows how scientific methods of accounting for heat and modern forms of acclimatization have desensitized us to climate change. Ubiquitous air conditioning, shifts in urban planning, and changes in mobility all served as temporary remedies for escaping the heat in hotspots such as the twentieth-century Middle East. However, all these measures have ultimately fuelled not only greenhouse gas emissions but also a collective myopia regarding the impact of rising temperatures. Identifying the scientific abstractions and economic and cultural forces that have numbed our responses this book charts a way forward out of short-term thinking and towards meaningful action"--